Patrick Dove
Biographic Data
| ID | 130244 |
|---|---|
| NAME | Patrick Dove |
| GIVEN NAMES | Patrick |
| FAMILY NAME | Dove |
| SIGNATURE | DOVE P |
| AFFILIATIONS | Indiana University Bloomington |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 2 |
Pedro Salas Camus. 2666: En búsqueda de la totalidad perdida
The Impotence of Sovereignty: Temporality and Repetition in History
Research Article| March 01 2020 The Impotence of Sovereignty: Temporality and Repetition in History Patrick Dove Patrick Dove Indiana University, Bloomington Patrick Dove is Professor of Hispanic Literature and Culture at Indiana University. His research explores intersections between literature, philosophy, and politics. He is author of two books, the most recent of which, Literature and “Interregnum”: Globalization, War, and the Crisis of Sover…
Aesthetics, Politics and Event: Borges's "El fin," the Argentine Tradition and Death
This essay takes up the relationship between literary aesthetics and the critique of nationalism in Jorge Luis Borges. I begin with a critical overview of Josefina Ludmer’s genealogy of the gaucho genre and then turn to Borges’s “Elfin,” which by my reading, poses a number of challenges, not only to the ideology of cultural nationalism, but also to Ludmer’s attempts to distinguish between the popular and its aestheticization
Literature and the Secret of the World: 2666, Globalization, and Global War
This paper began to take shape in the context of a conference called “Literature and the Secret of the World.” The conference organizer proposed a dual point of departure for reading the title: first, Jacques Derrida’s assertion that literature is “the most interesting thing in the world, maybe more interesting than the world” (Derrida 1992, 47); second, the assertion in Roberto Bolaño’s novel 2666 that in the serial murder of women in Santa Tere…
The night of the senses: Literary (Dis)orders Innocturno De Chile
Over the course of the last decade, and particularly in the wake of his untimely death at the age of fifty, the Chilean novelist Roberto Bolano (1953-2003) has come to be viewed by critics and reviewers as perhaps the greatest Latin American writer of his generation and as a literary phenomenon rivaling the international impact of the Boom writers of the 1960s (Garcia Marquez, Fuentes, Vargas Llosa, Cortazar).1 No doubt Bolano’s reputation as a p…
Memory between politics and ethics: Del Barco's letter
Living Labour, History and The Signifier: Bare Life and Sovereignty in Eltit'sMano De Obra
The Catastrophe of Modernity: Tragedy and the Nation in Latin American Literature
Eco, Latin America, and the West
The journal Eco: Revista De La Cultura De Occidente published its first volume in May 1960, with the financial support of the Instituto Cultural Colombo-Alemán in Bogotá, Colombia. The journal continued to publish its volumes on a monthly basis until 1984, weathering five changes in editorial leadership and periodic financial difficulties. In the early years, its editorial staff and contributors were drawn primarily from a small local group of Eu…
Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto
In a well-known formulation, Fredric Jameson characterizes postmodernity as an epochal shift coinciding with the tendential colonization of the planet by transnational capital. The postmodern is what ensues when even those territories previously considered to lie beyond the reach of market forces—that is, especially, nature and the unconscious—are found to have been assimilated into the calculating rationale of exchange and use. Such a world-hist…
Reflections on the Origin: Transculturation and tragedy in pedro páramo
Une mimesis ouvre la fiction du ton.C'est la tragédie du "Viens" qui doit être répétable (a priori répété en lui-même) pour résonner.Rien ne garantit la bonne intonation, celle-ci reste à la disposition et sous la responsabilité de l'autre.-Jacques Derrida, Les Fins de l'hommeAlthough his oeuvre consists by and large of only two published works, a collection of short stories (El llano en llamas, 1953) and a novella (Pedro Páramo, 1955), the Mexic…
Exígele lo nuestro: Deconstruction, Restitution and the Demand of Speech in Pedro Páramo
2001). Exigele lo nuestro : Deconstruction, Restitution and the Demand of Speech in Pedro Paramo. Journal of Latin American Cultural Studies: Vol. 10, No. 1, pp. 25-44
Memory between politics and ethics: Del Barco's letter
Living Labour, History and The Signifier: Bare Life and Sovereignty in Eltit'sMano De Obra
The night of the senses: Literary (Dis)orders Innocturno De Chile
Over the course of the last decade, and particularly in the wake of his untimely death at the age of fifty, the Chilean novelist Roberto Bolano (1953-2003) has come to be viewed by critics and reviewers as perhaps the greatest Latin American writer of his generation and as a literary phenomenon rivaling the international impact of the Boom writers of the 1960s (Garcia Marquez, Fuentes, Vargas Llosa, Cortazar).1 No doubt Bolano’s reputation as a p…
Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto
In a well-known formulation, Fredric Jameson characterizes postmodernity as an epochal shift coinciding with the tendential colonization of the planet by transnational capital. The postmodern is what ensues when even those territories previously considered to lie beyond the reach of market forces—that is, especially, nature and the unconscious—are found to have been assimilated into the calculating rationale of exchange and use. Such a world-hist…
Reflections on the Origin: Transculturation and tragedy in pedro páramo
Une mimesis ouvre la fiction du ton.C'est la tragédie du "Viens" qui doit être répétable (a priori répété en lui-même) pour résonner.Rien ne garantit la bonne intonation, celle-ci reste à la disposition et sous la responsabilité de l'autre.-Jacques Derrida, Les Fins de l'hommeAlthough his oeuvre consists by and large of only two published works, a collection of short stories (El llano en llamas, 1953) and a novella (Pedro Páramo, 1955), the Mexic…
Reflections on the Origin: Transculturation and tragedy in pedro páramo
Une mimesis ouvre la fiction du ton.C'est la tragédie du "Viens" qui doit être répétable (a priori répété en lui-même) pour résonner.Rien ne garantit la bonne intonation, celle-ci reste à la disposition et sous la responsabilité de l'autre.-Jacques Derrida, Les Fins de l'hommeAlthough his oeuvre consists by and large of only two published works, a collection of short stories (El llano en llamas, 1953) and a novella (Pedro Páramo, 1955), the Mexic…
Exígele lo nuestro: Deconstruction, Restitution and the Demand of Speech in Pedro Páramo
2001). Exigele lo nuestro : Deconstruction, Restitution and the Demand of Speech in Pedro Paramo. Journal of Latin American Cultural Studies: Vol. 10, No. 1, pp. 25-44
Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto
In a well-known formulation, Fredric Jameson characterizes postmodernity as an epochal shift coinciding with the tendential colonization of the planet by transnational capital. The postmodern is what ensues when even those territories previously considered to lie beyond the reach of market forces—that is, especially, nature and the unconscious—are found to have been assimilated into the calculating rationale of exchange and use. Such a world-hist…
The Catastrophe of Modernity: Tragedy and the Nation in Latin American Literature
Eco, Latin America, and the West
The journal Eco: Revista De La Cultura De Occidente published its first volume in May 1960, with the financial support of the Instituto Cultural Colombo-Alemán in Bogotá, Colombia. The journal continued to publish its volumes on a monthly basis until 1984, weathering five changes in editorial leadership and periodic financial difficulties. In the early years, its editorial staff and contributors were drawn primarily from a small local group of Eu…
Living Labour, History and The Signifier: Bare Life and Sovereignty in Eltit'sMano De Obra
Memory between politics and ethics: Del Barco's letter
The night of the senses: Literary (Dis)orders Innocturno De Chile
Over the course of the last decade, and particularly in the wake of his untimely death at the age of fifty, the Chilean novelist Roberto Bolano (1953-2003) has come to be viewed by critics and reviewers as perhaps the greatest Latin American writer of his generation and as a literary phenomenon rivaling the international impact of the Boom writers of the 1960s (Garcia Marquez, Fuentes, Vargas Llosa, Cortazar).1 No doubt Bolano’s reputation as a p…
Aesthetics, Politics and Event: Borges's "El fin," the Argentine Tradition and Death
This essay takes up the relationship between literary aesthetics and the critique of nationalism in Jorge Luis Borges. I begin with a critical overview of Josefina Ludmer’s genealogy of the gaucho genre and then turn to Borges’s “Elfin,” which by my reading, poses a number of challenges, not only to the ideology of cultural nationalism, but also to Ludmer’s attempts to distinguish between the popular and its aestheticization
Literature and the Secret of the World: 2666, Globalization, and Global War
This paper began to take shape in the context of a conference called “Literature and the Secret of the World.” The conference organizer proposed a dual point of departure for reading the title: first, Jacques Derrida’s assertion that literature is “the most interesting thing in the world, maybe more interesting than the world” (Derrida 1992, 47); second, the assertion in Roberto Bolaño’s novel 2666 that in the serial murder of women in Santa Tere…
Pedro Salas Camus. 2666: En búsqueda de la totalidad perdida
The Impotence of Sovereignty: Temporality and Repetition in History
Research Article| March 01 2020 The Impotence of Sovereignty: Temporality and Repetition in History Patrick Dove Patrick Dove Indiana University, Bloomington Patrick Dove is Professor of Hispanic Literature and Culture at Indiana University. His research explores intersections between literature, philosophy, and politics. He is author of two books, the most recent of which, Literature and “Interregnum”: Globalization, War, and the Crisis of Sover…
Law (10 works) · Political science (10 works) · History (8 works) · Art (7 works) · Latin American Literature Studies (7 works) · Law (7 works) · Philosophy (6 works) · Politics (6 works) · History (5 works) · Philosophy (5 works)