Fernando Dominguez Rubio
Biographic Data
| ID | 130422 |
|---|---|
| NAME | Fernando Dominguez Rubio |
| GIVEN NAMES | Fernando Dominguez |
| FAMILY NAME | Rubio |
| SIGNATURE | RUBIO F D |
| AFFILIATIONS | University of California System |
| ORCID | 0009-0000-8440-6689 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 166 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 6 |
At the Crossroads of Sociology and STS
Necrography
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
Still Life
The Work of Art in the Age of Digital Fragility
Impermanence and fragility have become the defining conditions of the digital age. Technologies that were ubiquitous barely a decade ago, like floppy disks, now look like archaeological relics. It takes only a few years, if not months, before software environments are replaced by newer versions, often with limited backward compatibility. At the same time, digital technologies rely on hardware that has short life expectancy. The radical obsolescen…
On the discrepancy between objects and things
The aim of this article is to develop a different approach to the study of the material world, one that takes seriously the seemingly banal fact that things are constantly falling out of place. Taking this fact seriously, the article argues, requires us to think about the material world not in terms of 'objects', but ecologically, that is, in terms of the processes and conditions under which certain 'things' come to be differentiated and identifi…
Enclosures within Enclosures and Hurricane Reconstruction in Cancún, Mexico
This article focuses on the reconstruction processes undertaken in Cancún, Mexico after hurricanes Gilbert in 1988 and Wilma in 2005. The article argues that both hurricanes facilitated the creation of an evolving logic of "enclosures within enclosures," whereby hotel and real estate investors, aided by government authorities, privatized and commoditized Cancún's public lands and resources for the exclusive use of the global tourism market. In pr…
Preserving the unpreservable
Technifying Public Space and Publicizing Infrastructures
The aim of this article is to explore new ways of integrating technology, nature and infrastructures into urban public spaces. This is done through a case study, the design of General Vara del Rey, which is offered here as a model to explore a novel urban political ecology that calls into question dominant definitions of public spaces as self-contained sites operating independently of natural and infrastructural spaces. Through the double movemen…
Materials in the Field
The paper explores the central role of artworks in the field of contemporary art. It is based on an ethnographic study of the conservation laboratory at the Museum of Modern Art (MoMA) in New York and draws from three detailed case studies where the temporal and spatial trajectory of artworks led to processes of competition, collaboration, and repositioning among the agents involved in the acquisition, exhibition and conservation of these artwork…
The Material Production of the Spiral Jetty
The objective of this article is to open the 'black box' of artistic production in order to describe, in minute detail, culture in the making, that is, the process through which cultural forms grow into being and are materially accomplished. I will do so through the study of the morphogenetic process through which the Spiral Jetty, an earthwork sculpture created by the American artist Robert Smithson, came into being. This study will show that ar…
On the discrepancy between objects and things
The aim of this article is to develop a different approach to the study of the material world, one that takes seriously the seemingly banal fact that things are constantly falling out of place. Taking this fact seriously, the article argues, requires us to think about the material world not in terms of 'objects', but ecologically, that is, in terms of the processes and conditions under which certain 'things' come to be differentiated and identifi…
Preserving the unpreservable
The Material Production of the Spiral Jetty
The objective of this article is to open the 'black box' of artistic production in order to describe, in minute detail, culture in the making, that is, the process through which cultural forms grow into being and are materially accomplished. I will do so through the study of the morphogenetic process through which the Spiral Jetty, an earthwork sculpture created by the American artist Robert Smithson, came into being. This study will show that ar…
Materials in the Field
The paper explores the central role of artworks in the field of contemporary art. It is based on an ethnographic study of the conservation laboratory at the Museum of Modern Art (MoMA) in New York and draws from three detailed case studies where the temporal and spatial trajectory of artworks led to processes of competition, collaboration, and repositioning among the agents involved in the acquisition, exhibition and conservation of these artwork…
Technifying Public Space and Publicizing Infrastructures
The aim of this article is to explore new ways of integrating technology, nature and infrastructures into urban public spaces. This is done through a case study, the design of General Vara del Rey, which is offered here as a model to explore a novel urban political ecology that calls into question dominant definitions of public spaces as self-contained sites operating independently of natural and infrastructural spaces. Through the double movemen…
Enclosures within Enclosures and Hurricane Reconstruction in Cancún, Mexico
This article focuses on the reconstruction processes undertaken in Cancún, Mexico after hurricanes Gilbert in 1988 and Wilma in 2005. The article argues that both hurricanes facilitated the creation of an evolving logic of "enclosures within enclosures," whereby hotel and real estate investors, aided by government authorities, privatized and commoditized Cancún's public lands and resources for the exclusive use of the global tourism market. In pr…
The Work of Art in the Age of Digital Fragility
Impermanence and fragility have become the defining conditions of the digital age. Technologies that were ubiquitous barely a decade ago, like floppy disks, now look like archaeological relics. It takes only a few years, if not months, before software environments are replaced by newer versions, often with limited backward compatibility. At the same time, digital technologies rely on hardware that has short life expectancy. The radical obsolescen…
Necrography
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
The Material Production of the Spiral Jetty
The objective of this article is to open the 'black box' of artistic production in order to describe, in minute detail, culture in the making, that is, the process through which cultural forms grow into being and are materially accomplished. I will do so through the study of the morphogenetic process through which the Spiral Jetty, an earthwork sculpture created by the American artist Robert Smithson, came into being. This study will show that ar…
Technifying Public Space and Publicizing Infrastructures
The aim of this article is to explore new ways of integrating technology, nature and infrastructures into urban public spaces. This is done through a case study, the design of General Vara del Rey, which is offered here as a model to explore a novel urban political ecology that calls into question dominant definitions of public spaces as self-contained sites operating independently of natural and infrastructural spaces. Through the double movemen…
Materials in the Field
The paper explores the central role of artworks in the field of contemporary art. It is based on an ethnographic study of the conservation laboratory at the Museum of Modern Art (MoMA) in New York and draws from three detailed case studies where the temporal and spatial trajectory of artworks led to processes of competition, collaboration, and repositioning among the agents involved in the acquisition, exhibition and conservation of these artwork…
Enclosures within Enclosures and Hurricane Reconstruction in Cancún, Mexico
This article focuses on the reconstruction processes undertaken in Cancún, Mexico after hurricanes Gilbert in 1988 and Wilma in 2005. The article argues that both hurricanes facilitated the creation of an evolving logic of "enclosures within enclosures," whereby hotel and real estate investors, aided by government authorities, privatized and commoditized Cancún's public lands and resources for the exclusive use of the global tourism market. In pr…
Preserving the unpreservable
On the discrepancy between objects and things
The aim of this article is to develop a different approach to the study of the material world, one that takes seriously the seemingly banal fact that things are constantly falling out of place. Taking this fact seriously, the article argues, requires us to think about the material world not in terms of 'objects', but ecologically, that is, in terms of the processes and conditions under which certain 'things' come to be differentiated and identifi…
Still Life
The Work of Art in the Age of Digital Fragility
Impermanence and fragility have become the defining conditions of the digital age. Technologies that were ubiquitous barely a decade ago, like floppy disks, now look like archaeological relics. It takes only a few years, if not months, before software environments are replaced by newer versions, often with limited backward compatibility. At the same time, digital technologies rely on hardware that has short life expectancy. The radical obsolescen…
Necrography
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s business-school model of “actor-networks” (1993), over the past generation a particular variety of materialist anthropology has taken root in those parts of historical studies that deal with things. “If humans have bi…
At the Crossroads of Sociology and STS
Sociology (7 works) · Computer Science (5 works) · Aesthetics (4 works) · Art (4 works) · Epistemology (3 works) · Geographies of human-animal interactions (3 works) · History (3 works) · History (3 works) · Archaeology (2 works) · Artificial Intelligence (2 works)