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Maxine De Wulf Helskens

Biographic Data

ID1304575
NAMEMaxine De Wulf Helskens
GIVEN NAMESMaxine De Wulf
FAMILY NAMEHelskens
SIGNATUREHELSKENS M W
AFFILIATIONSGhent University
ORCID0000-0002-7289-191X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS12
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Superheroes, Bathrobe Journalists and Cowboys

    Maxine De Wulf Helskens•ARTICLE•Journalism Practice•2025•References: 18

    This study extends the exploration of fiction as meta-journalistic discourse beyond American contexts and general audiences by focusing on how Flemish (Belgian) journalists perceive and engage with fictional representations of journalism. It examines how these journalists interact with portrayals of their profession in fiction and whether these interactions reinforce or challenge existing discourses related to the construction and maintenance of …

  • Decoding Fictional Journalism

    Maxine De Wulf Helskens•ARTICLE•Journalism Studies•2025•References: 21

    Employing a diary-interview method, this study delved into how Flemish audiences make sense of fictional journalism series originating from various production contexts. Initially, it corroborated the prevalence of an overarching journalism discourse largely influenced by American fiction but extending to non-American narratives. However, participants’ engagement with this discourse did not exclude critical evaluation. They notably differentiated …

  • Veteran journalists and “vieilles filles

    Maxine De Wulf Helskens, Femke De Sutter•ARTICLE•Feminist Media Studies•2025•References: 35

    This study set out to understand how representational practices of journalism and age congregate in the fiction movie The French Dispatch. Employing textual analysis, we found that the film engages with three overlapping tropes in which journalism and age congregate. First, it represents journalists as different from “normal civilians” especially in their state of loneliness which is a constant throughout the narrative. This difference narrative …

  • Media Circus and Mass Hysteria

    Open Access•Maxine De Wulf Helskens•ARTICLE•Media & Jornalismo•2024•Cited by: 2•References: 10

    By undertaking a textual analysis of five Flemish (Belgium) television series, this study contributes to the broader understanding of European journalism fiction. The findings underscore a prevailing negative representation of journalism, emphasizing commercial interests and portraying news outlets as disruptive forces in democratic processes. As such, the Flemish series advocate for a collaborative relationship between news media and government …

  • Journalistic Practices in Difficult Times

    Open Access•Maxine De Wulf Helskens, Karen Arriaza Ibarra•ARTICLE•Television & New Media•2024•Cited by: 3•References: 10

    This study sets out to understand how journalism is represented in the Danish fiction series Borgen and the Spanish series El Caso: Crónica de Sucesos. The aim is to provide an understanding of how journalism is conceptualized in non-American fiction. Through textual analysis, we found out that Borgen (years 2010 and up) represents a generational and evolutionary conflict in which journalistic values are restrained by political and commercial imp…

  • Repackaged sob sisters and outsiders within

    Maxine De Wulf Helskens, Frederik Dhaenens et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 3•References: 14

    Female and minority journalists in fiction movies and series are underrepresented and often framed as emotional, unstable, inexperienced, and unprofessional. These representations reiterate and preserve existing inequalities in Western newsrooms in which female and minority journalists face many obstacles ranging from the glass ceiling to a gender pay gap. However, these representations also have the potential to subvert and challenge existing st…

  • Fast-paced,' ‘snakey' and ‘commercial

    Open Access•Maxine De Wulf Helskens, Sarah Van Leuven et al.•ARTICLE•Journalism•2023•Cited by: 4•References: 13

    This study set out to understand how student audiences make sense of fictional representations of journalism in television series. To do so, we conducted five focus groups with American students. First, participants expressed a need for more diversity in representations of journalism in terms of narratives and characters as they see fiction as a complementary source of information on the profession. They relied on non-fictional reference media, n…

  • Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl

    Open Access•Maxine De Wulf Helskens, Frederik Dhaenens et al.•ARTICLE•DiGeSt Journal of Diversity and…•2021

    Since the new millennium, there has been a remarkable increase in audio-visual adaptations of superhero comic books (Garcia-Escriva, 2018). Whereas these adaptations used to include predominantly male superheroes, they have started to feature more female superheroes (Curtis & Cardo, 2018). An increase, however, does not imply diverse and rounded representations, since women in superhero movies tend to be depicted in stereotypical and sexualized w…

  • Fast-paced,' ‘snakey' and ‘commercial

    Open Access•Maxine De Wulf Helskens, Sarah Van Leuven et al.•ARTICLE•Journalism•2023•Cited by: 4•References: 13

    This study set out to understand how student audiences make sense of fictional representations of journalism in television series. To do so, we conducted five focus groups with American students. First, participants expressed a need for more diversity in representations of journalism in terms of narratives and characters as they see fiction as a complementary source of information on the profession. They relied on non-fictional reference media, n…

  • Journalistic Practices in Difficult Times

    Open Access•Maxine De Wulf Helskens, Karen Arriaza Ibarra•ARTICLE•Television & New Media•2024•Cited by: 3•References: 10

    This study sets out to understand how journalism is represented in the Danish fiction series Borgen and the Spanish series El Caso: Crónica de Sucesos. The aim is to provide an understanding of how journalism is conceptualized in non-American fiction. Through textual analysis, we found out that Borgen (years 2010 and up) represents a generational and evolutionary conflict in which journalistic values are restrained by political and commercial imp…

  • Repackaged sob sisters and outsiders within

    Maxine De Wulf Helskens, Frederik Dhaenens et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 3•References: 14

    Female and minority journalists in fiction movies and series are underrepresented and often framed as emotional, unstable, inexperienced, and unprofessional. These representations reiterate and preserve existing inequalities in Western newsrooms in which female and minority journalists face many obstacles ranging from the glass ceiling to a gender pay gap. However, these representations also have the potential to subvert and challenge existing st…

  • Media Circus and Mass Hysteria

    Open Access•Maxine De Wulf Helskens•ARTICLE•Media & Jornalismo•2024•Cited by: 2•References: 10

    By undertaking a textual analysis of five Flemish (Belgium) television series, this study contributes to the broader understanding of European journalism fiction. The findings underscore a prevailing negative representation of journalism, emphasizing commercial interests and portraying news outlets as disruptive forces in democratic processes. As such, the Flemish series advocate for a collaborative relationship between news media and government …

  • Superheroines and superstereotypes? Queer postfeminism, intersectionality and female superheroes in Supergirl

    Open Access•Maxine De Wulf Helskens, Frederik Dhaenens et al.•ARTICLE•DiGeSt Journal of Diversity and…•2021

    Since the new millennium, there has been a remarkable increase in audio-visual adaptations of superhero comic books (Garcia-Escriva, 2018). Whereas these adaptations used to include predominantly male superheroes, they have started to feature more female superheroes (Curtis & Cardo, 2018). An increase, however, does not imply diverse and rounded representations, since women in superhero movies tend to be depicted in stereotypical and sexualized w…

  • Repackaged sob sisters and outsiders within

    Maxine De Wulf Helskens, Frederik Dhaenens et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 3•References: 14

    Female and minority journalists in fiction movies and series are underrepresented and often framed as emotional, unstable, inexperienced, and unprofessional. These representations reiterate and preserve existing inequalities in Western newsrooms in which female and minority journalists face many obstacles ranging from the glass ceiling to a gender pay gap. However, these representations also have the potential to subvert and challenge existing st…

  • Fast-paced,' ‘snakey' and ‘commercial

    Open Access•Maxine De Wulf Helskens, Sarah Van Leuven et al.•ARTICLE•Journalism•2023•Cited by: 4•References: 13

    This study set out to understand how student audiences make sense of fictional representations of journalism in television series. To do so, we conducted five focus groups with American students. First, participants expressed a need for more diversity in representations of journalism in terms of narratives and characters as they see fiction as a complementary source of information on the profession. They relied on non-fictional reference media, n…

  • Media Circus and Mass Hysteria

    Open Access•Maxine De Wulf Helskens•ARTICLE•Media & Jornalismo•2024•Cited by: 2•References: 10

    By undertaking a textual analysis of five Flemish (Belgium) television series, this study contributes to the broader understanding of European journalism fiction. The findings underscore a prevailing negative representation of journalism, emphasizing commercial interests and portraying news outlets as disruptive forces in democratic processes. As such, the Flemish series advocate for a collaborative relationship between news media and government …

  • Journalistic Practices in Difficult Times

    Open Access•Maxine De Wulf Helskens, Karen Arriaza Ibarra•ARTICLE•Television & New Media•2024•Cited by: 3•References: 10

    This study sets out to understand how journalism is represented in the Danish fiction series Borgen and the Spanish series El Caso: Crónica de Sucesos. The aim is to provide an understanding of how journalism is conceptualized in non-American fiction. Through textual analysis, we found out that Borgen (years 2010 and up) represents a generational and evolutionary conflict in which journalistic values are restrained by political and commercial imp…

  • Superheroes, Bathrobe Journalists and Cowboys

    Maxine De Wulf Helskens•ARTICLE•Journalism Practice•2025•References: 18

    This study extends the exploration of fiction as meta-journalistic discourse beyond American contexts and general audiences by focusing on how Flemish (Belgian) journalists perceive and engage with fictional representations of journalism. It examines how these journalists interact with portrayals of their profession in fiction and whether these interactions reinforce or challenge existing discourses related to the construction and maintenance of …

  • Decoding Fictional Journalism

    Maxine De Wulf Helskens•ARTICLE•Journalism Studies•2025•References: 21

    Employing a diary-interview method, this study delved into how Flemish audiences make sense of fictional journalism series originating from various production contexts. Initially, it corroborated the prevalence of an overarching journalism discourse largely influenced by American fiction but extending to non-American narratives. However, participants’ engagement with this discourse did not exclude critical evaluation. They notably differentiated …

  • Veteran journalists and “vieilles filles

    Maxine De Wulf Helskens, Femke De Sutter•ARTICLE•Feminist Media Studies•2025•References: 35

    This study set out to understand how representational practices of journalism and age congregate in the fiction movie The French Dispatch. Employing textual analysis, we found that the film engages with three overlapping tropes in which journalism and age congregate. First, it represents journalists as different from “normal civilians” especially in their state of loneliness which is a constant throughout the narrative. This difference narrative …

Political science (8 works) · Sociology (7 works) · Media studies (6 works) · Art (5 works) · Journalism (5 works) · Media Studies and Communication (5 works) · Law (4 works) · Literature (4 works) · Politics (4 works) · Representation (politics (4 works)

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