Ewa Kuryluk
Biographic Data
| ID | 1310594 |
|---|---|
| NAME | Ewa Kuryluk |
| GIVEN NAMES | Ewa |
| FAMILY NAME | Kuryluk |
| SIGNATURE | KURYLUK E |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Hyperrealism
The media theory of Marshall McLuhan is the central hinge of the Polish artist and critic Ewa Kuryluk’s survey of contemporary art production in both the USA and Europe. She argues on this basis that the new technologies of imaging and reproduction are not supplements to the creative environment but the environment itself. She develops this thesis by exploring the relationship between the mechanical and photographic rendering and the hyperrealist…
The Fragile World of the Papiertheater
In his biography of George Sand, Andre Maurois wrote that in the disappointment and confusion of the years following the massacres of the June I848 insurrection in France, she retreated from public life and owed her salvation to the theatre (1953:364). Sand left Paris for her estate in Nohant where her son Maurice (then 25 years old) set up a puppet theatre. He carved dolls from lime roots and his mother dressed them. In a letter to
On My Artistic Development Leading to Drawing on Fabrics
The author describes the development of her painting and drawing during the past 15 years. Her work is related to her notions of time and space, to the idea that to live means to exist between one’s external and one’s internal world. As one’s external world is often limited by the lonely time spent in one’s, room, her concerns in her work are personal enclosures. She tries to express simultaneity in or between internal and external worlds: how pu…
No prominent works on this page.
On My Artistic Development Leading to Drawing on Fabrics
The author describes the development of her painting and drawing during the past 15 years. Her work is related to her notions of time and space, to the idea that to live means to exist between one’s external and one’s internal world. As one’s external world is often limited by the lonely time spent in one’s, room, her concerns in her work are personal enclosures. She tries to express simultaneity in or between internal and external worlds: how pu…
The Fragile World of the Papiertheater
In his biography of George Sand, Andre Maurois wrote that in the disappointment and confusion of the years following the massacres of the June I848 insurrection in France, she retreated from public life and owed her salvation to the theatre (1953:364). Sand left Paris for her estate in Nohant where her son Maurice (then 25 years old) set up a puppet theatre. He carved dolls from lime roots and his mother dressed them. In a letter to
Hyperrealism
The media theory of Marshall McLuhan is the central hinge of the Polish artist and critic Ewa Kuryluk’s survey of contemporary art production in both the USA and Europe. She argues on this basis that the new technologies of imaging and reproduction are not supplements to the creative environment but the environment itself. She develops this thesis by exploring the relationship between the mechanical and photographic rendering and the hyperrealist…
Art (3 works) · Aesthetics (2 works) · Art history (2 works) · Visual arts (2 works) · Architecture and Computational Design (1 work) · Art Education and Development (1 work) · Art, Technology, and Culture (1 work) · Biography (1 work) · Computer Science (1 work) · Confusion (1 work)