Richard C Jankowsky
Biographic Data
| ID | 132005 |
|---|---|
| NAME | Richard C Jankowsky |
| GIVEN NAMES | Richard C |
| FAMILY NAME | Jankowsky |
| SIGNATURE | JANKOWSKY R C |
| AFFILIATIONS | Tufts University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 3 |
The Interpersonal Entrainment in Music Performance Data Collection
The Interpersonal Entrainment in Music Performance Data Collection (IEMPDC) comprises six related corpora of music research materials: Cuban Son & Salsa (CSS), European String Quartet (ESQ), Malian Jembe (MJ), North Indian Raga (NIR), Tunisian Stambeli (TS), and Uruguayan Candombe (UC). The core data for each corpus comprises media files and computationally extracted event onset timing data. Annotation of metrical structure and code used in the p…
Absence and 'presence: El-Hadhraand the cultural politics of staging Sufi music in Tunisia
Sufisms in North Africa are both esoteric and exoteric; that is, they harbour hidden forms of knowledge and experience known only to initiates but perform them regularly in rituals that are public or semi-public, making them accessible to all. When musics of these rituals are brought onto the concert stage, then, they pose analytical challenges to binaries such as spectatorship/participation, loss/renewal and authenticity/inauthenticity. In Tunis…
Bloomsbury Encyclopedia of Popular Music of the World: Genres: Middle East and North Africa
The Bloomsbury Encyclopedia of Popular Music Volume 10 is one of six volumes within the ‘Genre' strand of the series. This volume discusses the genres of Africa and the Middle East in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; in…
Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance
The recent renewal of interest in trance, within the field of ethnomusicology as well as without, warrants a reconsideration of the particular challenges of studying musics of spirit possession. These include a disciplinary focus on 'the music', an approach that runs the risk of artificially abstracting music from the larger ritual and cultural complex of which it is a part. They also involve wrestling with the limits of epistemology and with per…
Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia
Research Article| October 01 2006 Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia Richard C. Jankowsky Richard C. Jankowsky Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (3): 373–410. https://doi.org/10.2307/20174467 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard C. Jankowsky; Black Spirits, White Saints: Music, Spi…
Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance
The recent renewal of interest in trance, within the field of ethnomusicology as well as without, warrants a reconsideration of the particular challenges of studying musics of spirit possession. These include a disciplinary focus on 'the music', an approach that runs the risk of artificially abstracting music from the larger ritual and cultural complex of which it is a part. They also involve wrestling with the limits of epistemology and with per…
Absence and 'presence: El-Hadhraand the cultural politics of staging Sufi music in Tunisia
Sufisms in North Africa are both esoteric and exoteric; that is, they harbour hidden forms of knowledge and experience known only to initiates but perform them regularly in rituals that are public or semi-public, making them accessible to all. When musics of these rituals are brought onto the concert stage, then, they pose analytical challenges to binaries such as spectatorship/participation, loss/renewal and authenticity/inauthenticity. In Tunis…
Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia
Research Article| October 01 2006 Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia Richard C. Jankowsky Richard C. Jankowsky Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (3): 373–410. https://doi.org/10.2307/20174467 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard C. Jankowsky; Black Spirits, White Saints: Music, Spi…
Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia
Research Article| October 01 2006 Black Spirits, White Saints: Music, Spirit Possession, and Sub-Saharans in Tunisia Richard C. Jankowsky Richard C. Jankowsky Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (3): 373–410. https://doi.org/10.2307/20174467 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard C. Jankowsky; Black Spirits, White Saints: Music, Spi…
Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance
The recent renewal of interest in trance, within the field of ethnomusicology as well as without, warrants a reconsideration of the particular challenges of studying musics of spirit possession. These include a disciplinary focus on 'the music', an approach that runs the risk of artificially abstracting music from the larger ritual and cultural complex of which it is a part. They also involve wrestling with the limits of epistemology and with per…
Bloomsbury Encyclopedia of Popular Music of the World: Genres: Middle East and North Africa
The Bloomsbury Encyclopedia of Popular Music Volume 10 is one of six volumes within the ‘Genre' strand of the series. This volume discusses the genres of Africa and the Middle East in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; in…
Absence and 'presence: El-Hadhraand the cultural politics of staging Sufi music in Tunisia
Sufisms in North Africa are both esoteric and exoteric; that is, they harbour hidden forms of knowledge and experience known only to initiates but perform them regularly in rituals that are public or semi-public, making them accessible to all. When musics of these rituals are brought onto the concert stage, then, they pose analytical challenges to binaries such as spectatorship/participation, loss/renewal and authenticity/inauthenticity. In Tunis…
The Interpersonal Entrainment in Music Performance Data Collection
The Interpersonal Entrainment in Music Performance Data Collection (IEMPDC) comprises six related corpora of music research materials: Cuban Son & Salsa (CSS), European String Quartet (ESQ), Malian Jembe (MJ), North Indian Raga (NIR), Tunisian Stambeli (TS), and Uruguayan Candombe (UC). The core data for each corpus comprises media files and computationally extracted event onset timing data. Annotation of metrical structure and code used in the p…
Art (5 works) · Computer Science (3 works) · History (3 works) · Music History and Culture (3 works) · Musical (3 works) · Philosophy (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Diverse Musicological Studies (2 works)