Richard M Shain
Datos Biográficos
| ID | 132114 |
|---|---|
| NOMBRE | Richard M Shain |
| NOMBRES | Richard M |
| APELLIDO | Shain |
| FIRMA | SHAIN R M |
| AFILIACIONES | Philadelphia University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 44 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 3 |
| PRIMER AÑO DE PUBLICACIÓN | 1988 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 4 |
Roots in Reverse
A study of the impact of Cuban music on Senegalese music and modernity
The Re(Public) of Salsa
This article explores why, despite its diminished popularity, Afro-Cuban music remains among the most performed musics in Senegalese music clubs. Since the Second World War, many Senegalese have associated Afro-Cuban music with cosmopolitanism and modernity. In particular, Senegalese who came of age during the Independence era associate Latin music with a new model of sociability that emphasized 'correct' behaviour - elegant attire and self-disci…
Index
Preliminary Material
The Salt That Binds
Titles and Locations of Maps and other Figures
Introduction
Representing African Music
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Roots in Reverse
Richard M. Shain, Roots in Reverse: Cubanismo in Twentieth-Century Senegalese Music, The International Journal of African Historical Studies, Vol. 35, No. 1, Special Issue: Leisure in African History (2002), pp. 83-101
Rumba on the River
There was always music along the banks of the Congo River-lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabsele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound Soukous or rumba rock; most of Africa called i…
Africa
Modernity and Its Malcontents
The Black and the White
THE BLACK AND THE WHITE: THE USE OF DUALITIES IN ETULO HISTORICAL THOUGHT* BY RICHARD M. SHAIN (Towson State University, U.S.A.) Dualities, agency and the Etulo In exploring the oral tradition of the Etulo of central Nigeria, it soon becomes apparent that their reconstructions of the past are organised at least in part by dualistic principles of categorisation. On the surface, this mirrors a cleavage in Etulo between two dif- ferent types of sacr…
Roots in Reverse
Richard M. Shain, Roots in Reverse: Cubanismo in Twentieth-Century Senegalese Music, The International Journal of African Historical Studies, Vol. 35, No. 1, Special Issue: Leisure in African History (2002), pp. 83-101
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Rumba on the River
There was always music along the banks of the Congo River-lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabsele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound Soukous or rumba rock; most of Africa called i…
The Re(Public) of Salsa
This article explores why, despite its diminished popularity, Afro-Cuban music remains among the most performed musics in Senegalese music clubs. Since the Second World War, many Senegalese have associated Afro-Cuban music with cosmopolitanism and modernity. In particular, Senegalese who came of age during the Independence era associate Latin music with a new model of sociability that emphasized 'correct' behaviour - elegant attire and self-disci…
The Black and the White
THE BLACK AND THE WHITE: THE USE OF DUALITIES IN ETULO HISTORICAL THOUGHT* BY RICHARD M. SHAIN (Towson State University, U.S.A.) Dualities, agency and the Etulo In exploring the oral tradition of the Etulo of central Nigeria, it soon becomes apparent that their reconstructions of the past are organised at least in part by dualistic principles of categorisation. On the surface, this mirrors a cleavage in Etulo between two dif- ferent types of sacr…
Modernity and Its Malcontents
Africa
Rumba on the River
There was always music along the banks of the Congo River-lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabsele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound Soukous or rumba rock; most of Africa called i…
Roots in Reverse
Richard M. Shain, Roots in Reverse: Cubanismo in Twentieth-Century Senegalese Music, The International Journal of African Historical Studies, Vol. 35, No. 1, Special Issue: Leisure in African History (2002), pp. 83-101
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Representing African Music
Index
Preliminary Material
The Salt That Binds
Titles and Locations of Maps and other Figures
Introduction
The Re(Public) of Salsa
This article explores why, despite its diminished popularity, Afro-Cuban music remains among the most performed musics in Senegalese music clubs. Since the Second World War, many Senegalese have associated Afro-Cuban music with cosmopolitanism and modernity. In particular, Senegalese who came of age during the Independence era associate Latin music with a new model of sociability that emphasized 'correct' behaviour - elegant attire and self-disci…
Roots in Reverse
A study of the impact of Cuban music on Senegalese music and modernity
History (9 obras) · Geography (8 obras) · History (6 obras) · Sociology (6 obras) · African history and culture studies (5 obras) · Computer Science (4 obras) · Music History and Culture (4 obras) · Political science (4 obras) · Anthropology (3 obras) · Art (3 obras)