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Richard R Flores

Biographic Data

ID133100
NAMERichard R Flores
GIVEN NAMESRichard R
FAMILY NAMEFlores
SIGNATUREFLORES R R
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS85
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2003
H-INDEX4
  • Remembering the Alamo: Memory, Modernity, and the Master Symbol

    Richard B Winders, Richard R Flores et al.•ARTICLE•Western Historical Quarterly•2003

    Journal Article Remembering the Alamo: Memory, Modernity, and the Master Symbol Get access Remembering the Alamo: Memory, Modernity, and the Master Symbol. By Flores Richard R.. (Austin: University of Texas Press, 2002. xxi + 192 pp. Illustrations, notes, bibliography, index. $40.00, cloth; $17.95, paper.) Richard B. Winders Richard B. Winders The Alamo Search for other works by this author on: Oxford Academic Google Scholar Western Historical Qu…

  • Mexicans in a Material World: From John Wayne’s The Alamo to Stand-Up Democracy on the Border

    Open Access•Richard R Flores, Richard Flores•CHAPTER•Materializing Democracy•2002

  • Remembering the Alamo: Memory, Modernity, and the Master Symbol

    Richard R Flores, Richard Flores•BOOK•Remembering the Alamo•2002

    "Remember the Alamo!" reverberates through Texas history and culture, but what exactly are we remembering? Over nearly two centuries, the Mexican victory over an outnumbered band of Alamo defenders has been transformed into an American victory for the love of liberty. Why did the historical battle of 1836 undergo this metamorphosis in memory and mythology to become such a potent master symbol in Texan and American culture? In this probing book, R…

  • Materializing Democracy: Toward a Revitalized Cultural Politics

    Open Access•Donald E Pease, Joan Dayan et al.•BOOK•Materializing Democracy•2002•Cited by: 66

    For the most part, democracy is simply presumed to exist in the United States. It is viewed as a completed project rather than as a goal to be achieved. Fifteen leading scholars challenge that stasis in Materializing Democracy . They aim to reinvigorate the idea of democracy by placing it in the midst of a contentious political and cultural fray, which, the volume's editors argue, is exactly where it belongs. Drawing on literary criticism, cultur…

  • The Alamo: Myth, Public History, and the Politics of Inclusion

    Richard R Flores, Richard Flores•ARTICLE•Radical History Review•2000•Cited by: 1

    Research Article| May 01 2000 The Alamo: Myth, Public History, and the Politics of Inclusion Richard R. Flores Richard R. Flores Search for other works by this author on: This Site Google Radical History Review (2000) 2000 (77): 91–103. https://doi.org/10.1215/01636545-2000-77-91 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard R. Flores; The Alamo: Myth, Public History, and the Politics of…

  • The Alamo Remembered: Tejano Accounts and Perspectives

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Ethnologist•1999

    The Alamo Remembered: Tejano Accounts and Perspectives. TIMOTHY M. MATOVINA. Austin: University of Texas Press, 1995. xii. 146 pp., figures, bibliography, index, illustrations

  • Private Visions, Public Culture: The Making of the Alamo

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Cultural Anthropology•1995•Cited by: 5•References: 7

  • "Los Pastores" and the gifting of performance

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Ethnologist•1994•Cited by: 6•References: 23

    This study of Los Pastores, a folk drama performed in San Antonio, Texas, argues that the struggle over the production and reproduction of culture is situated in the emergent social formation evoked through performance. As such, the interrelationship between gifting and labor constitutes a communicative dialectic upon which an analysis of expressive culture, one based on performance as production, is centered. [performance, cultural production, g…

  • History,'Los Pastores', and the Shifting Poetics of Dislocation

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Journal of Historical Sociology•1993•Cited by: 4•References: 15

    The history of 'Los Pastores' in Texas, a nativity play from medieval Spain used by the early missionaries to teach Christian doctrine, is embedded in the larger social arena of political change and social subordination of mexicanos in this region. Any effort to understand the historical practice and contemporary meaning of Los Pastores cannot be separated from the way both performers and event have been narratively inscribed through various sele…

  • The Lost Gold Mine of Juan Mondragón: A Legend from New Mexico Performed by Melaquías Romero . Charles L. Briggs and Julian Josue Vigil

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Anthropologist•1992

  • The Corrido and the Emergence of Texas-Mexican Social Identity

    Richard R Flores, Richard Flores•ARTICLE•Journal of American Folklore•1992•Cited by: 3

    Le Lower-Border Corrido (ballade traditionnelle du Sud Texas) est un genre lie a la tension culturelle existant a la frontiere Texas-Mexique depuis le debut du 19 e siecle. Cet article montre comment « los Sediciosos », corrido apparu vers 1915, denote un tournant, de la forme de recit classique du corrido vers une anticipation des futurs pratiques narratives des Mexicain-Americains et des Chicanos. Dans le Sud Texas, la performance narrative tra…

  • The Mexican Corrido: A Feminist Analysis

    Richard R Flores, Richard Flores et al.•ARTICLE•Journal of American Folklore•1992

  • Materializing Democracy: Toward a Revitalized Cultural Politics

    Open Access•Donald E Pease, Joan Dayan et al.•BOOK•Materializing Democracy•2002•Cited by: 66

    For the most part, democracy is simply presumed to exist in the United States. It is viewed as a completed project rather than as a goal to be achieved. Fifteen leading scholars challenge that stasis in Materializing Democracy . They aim to reinvigorate the idea of democracy by placing it in the midst of a contentious political and cultural fray, which, the volume's editors argue, is exactly where it belongs. Drawing on literary criticism, cultur…

  • "Los Pastores" and the gifting of performance

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Ethnologist•1994•Cited by: 6•References: 23

    This study of Los Pastores, a folk drama performed in San Antonio, Texas, argues that the struggle over the production and reproduction of culture is situated in the emergent social formation evoked through performance. As such, the interrelationship between gifting and labor constitutes a communicative dialectic upon which an analysis of expressive culture, one based on performance as production, is centered. [performance, cultural production, g…

  • Private Visions, Public Culture: The Making of the Alamo

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Cultural Anthropology•1995•Cited by: 5•References: 7

  • History,'Los Pastores', and the Shifting Poetics of Dislocation

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Journal of Historical Sociology•1993•Cited by: 4•References: 15

    The history of 'Los Pastores' in Texas, a nativity play from medieval Spain used by the early missionaries to teach Christian doctrine, is embedded in the larger social arena of political change and social subordination of mexicanos in this region. Any effort to understand the historical practice and contemporary meaning of Los Pastores cannot be separated from the way both performers and event have been narratively inscribed through various sele…

  • The Corrido and the Emergence of Texas-Mexican Social Identity

    Richard R Flores, Richard Flores•ARTICLE•Journal of American Folklore•1992•Cited by: 3

    Le Lower-Border Corrido (ballade traditionnelle du Sud Texas) est un genre lie a la tension culturelle existant a la frontiere Texas-Mexique depuis le debut du 19 e siecle. Cet article montre comment « los Sediciosos », corrido apparu vers 1915, denote un tournant, de la forme de recit classique du corrido vers une anticipation des futurs pratiques narratives des Mexicain-Americains et des Chicanos. Dans le Sud Texas, la performance narrative tra…

  • The Alamo: Myth, Public History, and the Politics of Inclusion

    Richard R Flores, Richard Flores•ARTICLE•Radical History Review•2000•Cited by: 1

    Research Article| May 01 2000 The Alamo: Myth, Public History, and the Politics of Inclusion Richard R. Flores Richard R. Flores Search for other works by this author on: This Site Google Radical History Review (2000) 2000 (77): 91–103. https://doi.org/10.1215/01636545-2000-77-91 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard R. Flores; The Alamo: Myth, Public History, and the Politics of…

  • The Lost Gold Mine of Juan Mondragón: A Legend from New Mexico Performed by Melaquías Romero . Charles L. Briggs and Julian Josue Vigil

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Anthropologist•1992

  • The Corrido and the Emergence of Texas-Mexican Social Identity

    Richard R Flores, Richard Flores•ARTICLE•Journal of American Folklore•1992•Cited by: 3

    Le Lower-Border Corrido (ballade traditionnelle du Sud Texas) est un genre lie a la tension culturelle existant a la frontiere Texas-Mexique depuis le debut du 19 e siecle. Cet article montre comment « los Sediciosos », corrido apparu vers 1915, denote un tournant, de la forme de recit classique du corrido vers une anticipation des futurs pratiques narratives des Mexicain-Americains et des Chicanos. Dans le Sud Texas, la performance narrative tra…

  • The Mexican Corrido: A Feminist Analysis

    Richard R Flores, Richard Flores et al.•ARTICLE•Journal of American Folklore•1992

  • History,'Los Pastores', and the Shifting Poetics of Dislocation

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Journal of Historical Sociology•1993•Cited by: 4•References: 15

    The history of 'Los Pastores' in Texas, a nativity play from medieval Spain used by the early missionaries to teach Christian doctrine, is embedded in the larger social arena of political change and social subordination of mexicanos in this region. Any effort to understand the historical practice and contemporary meaning of Los Pastores cannot be separated from the way both performers and event have been narratively inscribed through various sele…

  • "Los Pastores" and the gifting of performance

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Ethnologist•1994•Cited by: 6•References: 23

    This study of Los Pastores, a folk drama performed in San Antonio, Texas, argues that the struggle over the production and reproduction of culture is situated in the emergent social formation evoked through performance. As such, the interrelationship between gifting and labor constitutes a communicative dialectic upon which an analysis of expressive culture, one based on performance as production, is centered. [performance, cultural production, g…

  • Private Visions, Public Culture: The Making of the Alamo

    Open Access•Richard R Flores, Richard Flores•ARTICLE•Cultural Anthropology•1995•Cited by: 5•References: 7

  • The Alamo Remembered: Tejano Accounts and Perspectives

    Open Access•Richard R Flores, Richard Flores•ARTICLE•American Ethnologist•1999

    The Alamo Remembered: Tejano Accounts and Perspectives. TIMOTHY M. MATOVINA. Austin: University of Texas Press, 1995. xii. 146 pp., figures, bibliography, index, illustrations

  • The Alamo: Myth, Public History, and the Politics of Inclusion

    Richard R Flores, Richard Flores•ARTICLE•Radical History Review•2000•Cited by: 1

    Research Article| May 01 2000 The Alamo: Myth, Public History, and the Politics of Inclusion Richard R. Flores Richard R. Flores Search for other works by this author on: This Site Google Radical History Review (2000) 2000 (77): 91–103. https://doi.org/10.1215/01636545-2000-77-91 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard R. Flores; The Alamo: Myth, Public History, and the Politics of…

  • Mexicans in a Material World: From John Wayne’s The Alamo to Stand-Up Democracy on the Border

    Open Access•Richard R Flores, Richard Flores•CHAPTER•Materializing Democracy•2002

  • Remembering the Alamo: Memory, Modernity, and the Master Symbol

    Richard R Flores, Richard Flores•BOOK•Remembering the Alamo•2002

    "Remember the Alamo!" reverberates through Texas history and culture, but what exactly are we remembering? Over nearly two centuries, the Mexican victory over an outnumbered band of Alamo defenders has been transformed into an American victory for the love of liberty. Why did the historical battle of 1836 undergo this metamorphosis in memory and mythology to become such a potent master symbol in Texan and American culture? In this probing book, R…

  • Materializing Democracy: Toward a Revitalized Cultural Politics

    Open Access•Donald E Pease, Joan Dayan et al.•BOOK•Materializing Democracy•2002•Cited by: 66

    For the most part, democracy is simply presumed to exist in the United States. It is viewed as a completed project rather than as a goal to be achieved. Fifteen leading scholars challenge that stasis in Materializing Democracy . They aim to reinvigorate the idea of democracy by placing it in the midst of a contentious political and cultural fray, which, the volume's editors argue, is exactly where it belongs. Drawing on literary criticism, cultur…

  • Remembering the Alamo: Memory, Modernity, and the Master Symbol

    Richard B Winders, Richard R Flores et al.•ARTICLE•Western Historical Quarterly•2003

    Journal Article Remembering the Alamo: Memory, Modernity, and the Master Symbol Get access Remembering the Alamo: Memory, Modernity, and the Master Symbol. By Flores Richard R.. (Austin: University of Texas Press, 2002. xxi + 192 pp. Illustrations, notes, bibliography, index. $40.00, cloth; $17.95, paper.) Richard B. Winders Richard B. Winders The Alamo Search for other works by this author on: Oxford Academic Google Scholar Western Historical Qu…

History (10 works) · Latin American and Latino Studies (10 works) · Sociology (7 works) · Art (5 works) · Computer Science (5 works) · Archaeology and Natural History (3 works) · Citation (3 works) · Classics (3 works) · History (3 works) · Humanities (3 works)

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