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Suzanne Preston Blier

Dados Biográficos

ID133596
NOMESuzanne Preston Blier
PRENOMESSuzanne Preston
SOBRENOMEBlier
ASSINATURABLIER S P
AFILIAÇÕESHarvard University Press
VERIFICADONão
TOTAL DE OBRAS31
TOTAL DE CITAÇÕES95
TOTAL COMO AUTOR31
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1981
ANO MAIS RECENTE DE PUBLICAÇÃO2017
ÍNDICE H4
  • The Image of the Black in African and Asian Art

    David Bindman, Henry Louis Gates et al.•BOOK•The image of the Black in African…•2017•Citada por: 1

    BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …

  • Art and Risk in Ancient Yoruba

    Suzanne Preston Blier•BOOK•Art and Risk in Ancient Yoruba•2015

    In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of …

  • Art in Ancient Ife, Birthplace of the Yoruba

    Suzanne Preston Blier•ARTICLE•African Arts•2012•Referências: 20

    December 01 2012 Art in Ancient Ife, Birthplace of the Yoruba Suzanne Preston Blier Suzanne Preston Blier Suzanne Preston Blier is the Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies, Harvard University. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Suzanne Preston Blier Suzanne Preston Blier is the Allen Whitehill Clowes Professor …

  • Vernacular Architecture

    Suzanne Preston Blier, Suzanne Blier•CHAPTER•Handbook of Material Culture•2006

  • African Creation Myths as Political Strategy

    Suzanne Preston Blier•ARTICLE•African Arts•2004•Citada por: 1

  • The Art of Assemblage

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•2004•Citada por: 3

  • Africa

    Suzanne Preston Blier, Jean M Borgatti et al.•CHAPTER•2003

  • Nine Contradictions in the New Golden Age of African Art

    Suzanne Preston Blier•ARTICLE•African Arts•2002•Citada por: 2

  • Autobiography and Art History

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•2001

  • Geest en Kracht

    Suzanne Preston Blier, Irene Hübner et al.•ARTICLE•African Arts•1998

  • African Vodun

    Edna G Bay, Suzanne Preston Blier•ARTICLE•African Arts•1998•Citada por: 1

  • African Vodun

    Monni Adams, Suzanne Preston Blier•ARTICLE•The International Journal of…•1996

  • The Anatomy of Architecture

    Julia A Risser, Julia Risser et al.•ARTICLE•African Studies Review•1996•Citada por: 3

  • The Path of the Leopard

    Open Access•Suzanne Preston Blier•ARTICLE•The Journal of African History•1995•Citada por: 9•Referências: 20

    This article examines Danhomè (Dahomey) myths of dynastic origin, offering at once a critique and counter-narrative to the official dynastic history. Critical to this counter-narrative are the early women of the state, most importantly the mothers and wives of the first rulers. The provocative stories of these women not only add an important human dimension to Danhomè history but also raise important methodological issues, for events associated w…

  • Shadow Plays

    Suzanne Preston Blier•ARTICLE•African Arts•1992

  • King Glele of Danhomè Part Two

    Suzanne Preston Blier•ARTICLE•African Arts•1991

    Les animaux-symboles du roi Glele de Danhome (actuellement Benin) et leur representation (seconde moitie du 19 eme siecle). Les insignes royaux. Les divinites associees a la personne royale

  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referências: 7

  • King Glele of Danhomè, Part One

    Suzanne Preston Blier•ARTICLE•African Arts•1990•Citada por: 1

    Les symboles du pouvoir du roi Glele du royaume de Danhome (Dahomey) qui regna au 19 e siecle

  • Field Days

    Open Access•Suzanne Preston Blier•ARTICLE•History in Africa•1989•Citada por: 4•Referências: 5

    In recent years anthropologists and literary critics, most importantly George Stocking Jr. (1983), James Clifford and George E. Marcus (1986), and Clifford Geertz (1987), have led the way to a closer reading of the writings of early anthropologists and a fuller exploration of the intellectual climates in which they were working. As the founder of African studies in this country, Melville J. Herskovits is of considerable importance in terms of rel…

  • The Anatomy of Architecture

    T O Beidelman, Suzanne Preston Blier•ARTICLE•Man•1989

  • Words about Words about Icons

    Suzanne Preston Blier•ARTICLE•Art Journal•1988•Citada por: 4

    If we understand “iconology” to mean “the study of icons” (“words about icons”) then “iconologology” may be said to refer to “the study of iconology” (“words about words about icons”). Discourse on iconology, as Jan Bialostocki explains in a historically focused essay on the subject, goes back to the sixteenth century with its manuals of symbols, allegories, and personifications. One of the better known of these works is Cesare Ripa's Iconologia,…

  • The Anatomy of Architecture

    Judith R Blau, Suzanne Preston Blier•ARTICLE•Contemporary Sociology A Journal…•1988•Citada por: 8

  • African Art in the Cycle of Life

    Suzanne Preston Blier, Roy Sieber et al.•ARTICLE•African Arts•1988

  • The Anatomy of Architecture

    Labelle Prussin, Suzanne Preston Blier•ARTICLE•African Arts•1988

  • Melville J. Herskovits and the Arts of Ancient Dahomey

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•1988

Próximo
  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referências: 7

  • The Path of the Leopard

    Open Access•Suzanne Preston Blier•ARTICLE•The Journal of African History•1995•Citada por: 9•Referências: 20

    This article examines Danhomè (Dahomey) myths of dynastic origin, offering at once a critique and counter-narrative to the official dynastic history. Critical to this counter-narrative are the early women of the state, most importantly the mothers and wives of the first rulers. The provocative stories of these women not only add an important human dimension to Danhomè history but also raise important methodological issues, for events associated w…

  • The Anatomy of Architecture

    Judith R Blau, Suzanne Preston Blier•ARTICLE•Contemporary Sociology A Journal…•1988•Citada por: 8

  • Field Days

    Open Access•Suzanne Preston Blier•ARTICLE•History in Africa•1989•Citada por: 4•Referências: 5

    In recent years anthropologists and literary critics, most importantly George Stocking Jr. (1983), James Clifford and George E. Marcus (1986), and Clifford Geertz (1987), have led the way to a closer reading of the writings of early anthropologists and a fuller exploration of the intellectual climates in which they were working. As the founder of African studies in this country, Melville J. Herskovits is of considerable importance in terms of rel…

  • Words about Words about Icons

    Suzanne Preston Blier•ARTICLE•Art Journal•1988•Citada por: 4

    If we understand “iconology” to mean “the study of icons” (“words about icons”) then “iconologology” may be said to refer to “the study of iconology” (“words about words about icons”). Discourse on iconology, as Jan Bialostocki explains in a historically focused essay on the subject, goes back to the sixteenth century with its manuals of symbols, allegories, and personifications. One of the better known of these works is Cesare Ripa's Iconologia,…

  • The Art of Assemblage

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•2004•Citada por: 3

  • The Anatomy of Architecture

    Julia A Risser, Julia Risser et al.•ARTICLE•African Studies Review•1996•Citada por: 3

  • Nine Contradictions in the New Golden Age of African Art

    Suzanne Preston Blier•ARTICLE•African Arts•2002•Citada por: 2

  • The Image of the Black in African and Asian Art

    David Bindman, Henry Louis Gates et al.•BOOK•The image of the Black in African…•2017•Citada por: 1

    BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …

  • African Creation Myths as Political Strategy

    Suzanne Preston Blier•ARTICLE•African Arts•2004•Citada por: 1

  • African Vodun

    Edna G Bay, Suzanne Preston Blier•ARTICLE•African Arts•1998•Citada por: 1

  • King Glele of Danhomè, Part One

    Suzanne Preston Blier•ARTICLE•African Arts•1990•Citada por: 1

    Les symboles du pouvoir du roi Glele du royaume de Danhome (Dahomey) qui regna au 19 e siecle

  • The Dance of Death

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•1981

  • Africa's Cross River

    John Povey, George Nelson Preston et al.•ARTICLE•African Arts•1981

  • African Journey

    Suzanne Preston Blier•ARTICLE•African Arts•1981

  • The Idiom of War in the Bamum Court Arts

    Suzanne Preston Blier, Christraud M Geary et al.•ARTICLE•African Arts•1982

  • Antelopes and Anvils Tamberma Works of Iron

    Suzanne Preston Blier•ARTICLE•African Arts•1984

  • African Masterpieces from Munich

    Suzanne Preston Blier, Maria Kecskési•ARTICLE•African Arts•1987

  • Words about Words about Icons

    Suzanne Preston Blier•ARTICLE•Art Journal•1988•Citada por: 4

    If we understand “iconology” to mean “the study of icons” (“words about icons”) then “iconologology” may be said to refer to “the study of iconology” (“words about words about icons”). Discourse on iconology, as Jan Bialostocki explains in a historically focused essay on the subject, goes back to the sixteenth century with its manuals of symbols, allegories, and personifications. One of the better known of these works is Cesare Ripa's Iconologia,…

  • The Anatomy of Architecture

    Judith R Blau, Suzanne Preston Blier•ARTICLE•Contemporary Sociology A Journal…•1988•Citada por: 8

  • African Art in the Cycle of Life

    Suzanne Preston Blier, Roy Sieber et al.•ARTICLE•African Arts•1988

  • The Anatomy of Architecture

    Labelle Prussin, Suzanne Preston Blier•ARTICLE•African Arts•1988

  • Melville J. Herskovits and the Arts of Ancient Dahomey

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•1988

  • Field Days

    Open Access•Suzanne Preston Blier•ARTICLE•History in Africa•1989•Citada por: 4•Referências: 5

    In recent years anthropologists and literary critics, most importantly George Stocking Jr. (1983), James Clifford and George E. Marcus (1986), and Clifford Geertz (1987), have led the way to a closer reading of the writings of early anthropologists and a fuller exploration of the intellectual climates in which they were working. As the founder of African studies in this country, Melville J. Herskovits is of considerable importance in terms of rel…

  • The Anatomy of Architecture

    T O Beidelman, Suzanne Preston Blier•ARTICLE•Man•1989

  • King Glele of Danhomè, Part One

    Suzanne Preston Blier•ARTICLE•African Arts•1990•Citada por: 1

    Les symboles du pouvoir du roi Glele du royaume de Danhome (Dahomey) qui regna au 19 e siecle

  • King Glele of Danhomè Part Two

    Suzanne Preston Blier•ARTICLE•African Arts•1991

    Les animaux-symboles du roi Glele de Danhome (actuellement Benin) et leur representation (seconde moitie du 19 eme siecle). Les insignes royaux. Les divinites associees a la personne royale

  • Dogon Restudied

    Rogier Bedaux, R M A Bedaux et al.•ARTICLE•Current Anthropology•1991•Citada por: 58•Referências: 7

  • Shadow Plays

    Suzanne Preston Blier•ARTICLE•African Arts•1992

  • The Path of the Leopard

    Open Access•Suzanne Preston Blier•ARTICLE•The Journal of African History•1995•Citada por: 9•Referências: 20

    This article examines Danhomè (Dahomey) myths of dynastic origin, offering at once a critique and counter-narrative to the official dynastic history. Critical to this counter-narrative are the early women of the state, most importantly the mothers and wives of the first rulers. The provocative stories of these women not only add an important human dimension to Danhomè history but also raise important methodological issues, for events associated w…

  • African Vodun

    Monni Adams, Suzanne Preston Blier•ARTICLE•The International Journal of…•1996

  • The Anatomy of Architecture

    Julia A Risser, Julia Risser et al.•ARTICLE•African Studies Review•1996•Citada por: 3

  • Geest en Kracht

    Suzanne Preston Blier, Irene Hübner et al.•ARTICLE•African Arts•1998

  • African Vodun

    Edna G Bay, Suzanne Preston Blier•ARTICLE•African Arts•1998•Citada por: 1

  • Autobiography and Art History

    Open Access•Suzanne Preston Blier•ARTICLE•Res: Anthropology and Aesthetics•2001

  • Nine Contradictions in the New Golden Age of African Art

    Suzanne Preston Blier•ARTICLE•African Arts•2002•Citada por: 2

  • Africa

    Suzanne Preston Blier, Jean M Borgatti et al.•CHAPTER•2003

Art (27 obras) · History (18 obras) · Visual arts (17 obras) · African history and culture studies (12 obras) · Computer Science (11 obras) · Art history (10 obras) · History (10 obras) · Sociology (9 obras) · Global Maritime and Colonial Histories (8 obras) · Philosophy (8 obras)

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