Seán Ó Cadhla
Biographic Data
| ID | 133663 |
|---|---|
| NAME | Seán Ó Cadhla |
| GIVEN NAMES | Seán Ó |
| FAMILY NAME | Cadhla |
| SIGNATURE | CADHLA S Ó |
| AFFILIATIONS | Technological University Dublin |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Cognitive dissidents
Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads
This article critically considers the representation of armed femininity within the attendant song tradition of Irish physical-force Republicanism, with specific focus on the personal and cultural consequences for two prominent female Republican activists, both of whom successfully traverse the gender demarcation lines of war. While noting the didactic, often misogynistic, trajectory of works narrating "transgressive" females within the broader b…
Then to Death Walked, Softly Smiling
This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republ…
Then to Death Walked, Softly Smiling
This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republ…
Then to Death Walked, Softly Smiling
This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republ…
Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads
This article critically considers the representation of armed femininity within the attendant song tradition of Irish physical-force Republicanism, with specific focus on the personal and cultural consequences for two prominent female Republican activists, both of whom successfully traverse the gender demarcation lines of war. While noting the didactic, often misogynistic, trajectory of works narrating "transgressive" females within the broader b…
Cognitive dissidents
Irish (3 works) · Irish and British Studies (3 works) · Art (2 works) · Ballad (2 works) · Historical Studies of British Isles (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works)