Aime Cesaire
Biographic Data
| ID | 133908 |
|---|---|
| NAME | Aime Cesaire |
| GIVEN NAMES | Aime |
| FAMILY NAME | Cesaire |
| SIGNATURE | CESAIRE A |
| AFFILIATIONS | Musée du Quai Branly – Jacques Chirac |
| VERIFIED | No |
| TOTAL WORKS | 50 |
| TOTAL CITATIONS | 77 |
| AUTHOR COUNT | 50 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 5 |
It Is Through Poetry That One Copes With Solitude: An Interview with Aimé Césaire
Discourse on Colonialism
Aime Cesaire's poetics were backed by a rigorous analysis of colonialism and nowhere did he state this more fully than here in his Discourse on Colonialism which must be viewed as a founding text for post-colonial criticism. This text, which was written in the 1950s, places the blame for Western civilization firmly on the shoulders of the European bourgeoisie. The two major problems he sees as being the proletariat and the colonial problem and th…
État des lieux
Le message de Péguy
Nègreries: Jeunesse Noire Et Assimilation
Nègreries: Conscience Raciale Et Révolution Sociale
La pensée politique de Sékou Touré
Culture and Colonization
“Culture and Colonization,” which has long been unavailable in English translation, was Aimé Césaire's speech at Le Premier Congrès International des Ecrivains et Artistes Noirs, hosted by the journal Présence africaine in Paris in September 1956. The congress is one of the pivotal events of the Pan-African movement, bringing together artists and intellectuals from around the African diaspora, including Alioune Diop, Jacques Rabemananjara, Léopol…
Letter to Maurice Thorez
Aimé Césaire's Lettre à Maurice Thorez , which appears here in a new translation by Chike Jeffers, is the Martinican poet, playwright, theorist, and politician's letter of resignation from the French Communist Party (PCF). He first explains his resignation by making reference to the revelations concerning Stalin in Khrushchev's famous “Secret Speech” and to the PCF's reluctance to deStalinize. He soon turns, however, to considerations related to …
Discours prononcé par Aimé Césaire à Dakar le 6 avril 1966: Dans le cadre du Colloque sur l’art dans la vie du peuple qui marqua l’ouverture du Premier Festival mondial des arts nègres (30 mars - 21 a…
Monsieur le Président, Mesdames, Messieurs, Je voudrais d’abord vous faire part des hésitations que j’ai eues à prendre la parole dans ce colloque. Je ne suis à aucun degré un homme de science, à aucun degré un expert, et j’ai conscience que dans une telle assemblée, j’ai beaucoup plus à apprendre qu’à enseigner. Aussi bien vous demanderai-je de ne voir dans cette intervention que la manifestation du désir que j’ai à vous dire à quel point j’ai é…
From Notebook of a Return to the Native Land
from Notebook of a Return to the Native Land* Aimé Césaire At the end of daybreak... Beat it, I said to him, you cop, you lousy pig, beat it, I detest the flunkies of order and the cockchafers of hope. Beat it, evil grigri, you bedbug of a petty monk. Then I turned toward paradises lost for him and his kin, calmer than the face of a woman telling lies, and there, rocked by the flux of a never exhausted thought I nourished the wind, I unlaced the …
Sur la poésie nationale
The Automatic Crystal
Callaloo - Volume 24, Number 3, Summer 2001
Wifredo Lam
Aimé Césaire, a reknowned politician, scholar and poet, was born in 1913 in Martinique. He is perhaps best known for Return to My Native Land (1939), Discourse on Colonialism (1955), and A Tempest (1968), an adaptation of Shakespeare's The Tempest. Many of his poems are reprinted in Aimé Césaire: Collected Works. With Léopold Senghor, he founded Negritude, an influential movement to restore the cultural identity of black Africans, and began the j…
Your Portrait
Discourse on colonialism . A poetics of anticolonialism
Cesaire's essay stands as an important document in development of third world consciousness--a process in which [he] played a prominent role. --Library Journal This classic work, first published in France in 1955, profoundly influenced generation of scholars and activists at forefront of liberation struggles in Africa, Latin America, and Caribbean. Nearly twenty years later, when published for first time in English, Discourse on Colonialism inspi…
Nicolás Guillén. Popular Poet of the Caribbean
The Poet's Africa: Africanness in the Poetry of Nicolas Guillén and Aimé Césaire
Preface The Emergence of Caribbean Rhetorical Discourse on Africa Inventing the Primitive African Calling into Question the Universals of History The Double Proletarian: Race and the Caribbean Social Space Language as (De)Sign of Cultural Roots and Centralized Power Artistic Cross-Fertilization or Polyrhythmic Structures Conclusion: Keeping Alive the Discourse on Africa Selected Bibliography Index
[C'est l'obligé Passage….]/[It Is The Necessary Passage….]
References/References
Supreme Masque/Supreme Mask
A Festival of Plays
Engagement and the Language of the Subject in the Poetry of Aimé Césaire
Addis-Abeba 1963
Aimé Césaire, the collected poetry
This edition, containing an extensive introduction, notes, the French original, and a new translation of Césaire's poetry—the complex and challenging later works as well as the famous Notebook—will remain the definitive Césaire in English.
Letter to Maurice Thorez
Aimé Césaire's Lettre à Maurice Thorez , which appears here in a new translation by Chike Jeffers, is the Martinican poet, playwright, theorist, and politician's letter of resignation from the French Communist Party (PCF). He first explains his resignation by making reference to the revelations concerning Stalin in Khrushchev's famous “Secret Speech” and to the PCF's reluctance to deStalinize. He soon turns, however, to considerations related to …
La Tragédie du Roi Christophe
Culture and Colonization
“Culture and Colonization,” which has long been unavailable in English translation, was Aimé Césaire's speech at Le Premier Congrès International des Ecrivains et Artistes Noirs, hosted by the journal Présence africaine in Paris in September 1956. The congress is one of the pivotal events of the Pan-African movement, bringing together artists and intellectuals from around the African diaspora, including Alioune Diop, Jacques Rabemananjara, Léopol…
Culture et colonisation
The man of culture and his responsibilities
Nègreries: Conscience Raciale Et Révolution Sociale
Une Tempête: D'Après La Tempête De Shakespeare) (Adaptation Pour Un Théâtre Nègre)
Nègreries: Jeunesse Noire Et Assimilation
Crise dans le départements d'Outre-Mer ou crise de la départementalisation
Le message de Péguy
La pensée politique de Sékou Touré
From Notebook of a Return to the Native Land
from Notebook of a Return to the Native Land* Aimé Césaire At the end of daybreak... Beat it, I said to him, you cop, you lousy pig, beat it, I detest the flunkies of order and the cockchafers of hope. Beat it, evil grigri, you bedbug of a petty monk. Then I turned toward paradises lost for him and his kin, calmer than the face of a woman telling lies, and there, rocked by the flux of a never exhausted thought I nourished the wind, I unlaced the …
Sur la poésie nationale
Stèle obsidienne pour Alioune Diop
Société et littérature dans les Antilles
Return to My Native Land (Cahier d'un Retour au Pays Natal)
Liminaire
Poèmes inédits
Culture et colonisation
Poèmes
Mémorial de Louis Delgrès
Poèmes
The man of culture and his responsibilities
Toussaint Louverture: La Révolution française et le problème colonial
Crise dans le départements d'Outre-Mer ou crise de la départementalisation
La Tragédie du Roi Christophe
Deuil aux Antilles
Hommages à Frantz Fanon
Poèmes
Hommages à Jean Amrouche
Liminaire
Une Tempête: D'Après La Tempête De Shakespeare) (Adaptation Pour Un Théâtre Nègre)
Return to My Native Land (Cahier d'un Retour au Pays Natal)
Poetry as Exorcism
Société et littérature dans les Antilles
Esthétique césairienne (1944)
Discours sur l'art africain (1966)
Este artigo reproduz um discurso proferido por Aimé Césaire em 1966 sobre a arte africana. Césaire argumenta que a arte africana não deve ser vista simplesmente como estética, mas como uma expressão profunda da filosofia, da visão de mundo e da organização social dos povos africanos. Ele destaca a importância da arte africana para a compreensão da história e da cultura africana, enfatizando sua resistência à desumanização colonial e sua contribui…
Poésie
Aimé Césaire, the collected poetry
This edition, containing an extensive introduction, notes, the French original, and a new translation of Césaire's poetry—the complex and challenging later works as well as the famous Notebook—will remain the definitive Césaire in English.
Collected Poetry
Cahier d'UN Retour Au Pays Natal / Notebook of a Return to the Native Land
Stèle obsidienne pour Alioune Diop
Art (27 works) · History (12 works) · Caribbean and African Literature and Culture (11 works) · Humanities (10 works) · Philosophy (10 works) · French Urban and Social Studies (9 works) · Political science (9 works) · African history and culture studies (7 works) · Literature (7 works) · Philosophy (6 works)