Stephen Zepke
Biographic Data
| ID | 1339744 |
|---|---|
| NAME | Stephen Zepke |
| GIVEN NAMES | Stephen |
| FAMILY NAME | Zepke |
| SIGNATURE | ZEPKE S |
| AFFILIATIONS | a Köhlergasse 5-18, 1180 Vienna, Austria E-mail |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Violence and Resistance, Art and Politics in Colombia
This book examines a comprehensive cross-section of arts in Colombia, including music, painting, installation, dance, activism, literature and cinema.
Memories of the Future
Thirty years on from the publication of Chaosmosis, Guattari’s words invite an evaluation: ‘The aesthetic power of feeling seems on the verge of occupying a privileged position within the collective Assemblages of enunciation of our era.’ While this privilege can be seen today in the realms of social networks, mass media and populist politics, its place in contemporary artistic practices is more ambiguous. Guattari is careful to separate ‘aesthet…
Violence and Resistance, Art and Politics in Colombia
Art as Abstract Machine
Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, auton…
The Sublime Conditions of Contemporary Art
Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experien…
Deleuze and Contemporary Art
Chaos, Territory, Art
La cartografía artística de la sensación
Uno solo o varios mundos
Este libro desarrolla una discusión alrededor de las relaciones entre la producción, la circulación y la apropiación del conocimiento. Para ello se interroga por el signifi cado actual de algunos de los planteamientos que surgieron alrededor de la idea de crisis de la representación, después de trascurridos cuarenta años de su anuncio. Lo que discuten hoy las distintas vertientes de las ciencias sociales críticas es la relación entre dos tendenci…
Against Nihilism
The concept of art when art is not a concept
Chaos, Territory, Art
Uno solo o varios mundos
Este libro desarrolla una discusión alrededor de las relaciones entre la producción, la circulación y la apropiación del conocimiento. Para ello se interroga por el signifi cado actual de algunos de los planteamientos que surgieron alrededor de la idea de crisis de la representación, después de trascurridos cuarenta años de su anuncio. Lo que discuten hoy las distintas vertientes de las ciencias sociales críticas es la relación entre dos tendenci…
The concept of art when art is not a concept
The concept of art when art is not a concept
Uno solo o varios mundos
Este libro desarrolla una discusión alrededor de las relaciones entre la producción, la circulación y la apropiación del conocimiento. Para ello se interroga por el signifi cado actual de algunos de los planteamientos que surgieron alrededor de la idea de crisis de la representación, después de trascurridos cuarenta años de su anuncio. Lo que discuten hoy las distintas vertientes de las ciencias sociales críticas es la relación entre dos tendenci…
Against Nihilism
La cartografía artística de la sensación
Deleuze and Contemporary Art
Chaos, Territory, Art
The Sublime Conditions of Contemporary Art
Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experien…
Art as Abstract Machine
Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, auton…
Memories of the Future
Thirty years on from the publication of Chaosmosis, Guattari’s words invite an evaluation: ‘The aesthetic power of feeling seems on the verge of occupying a privileged position within the collective Assemblages of enunciation of our era.’ While this privilege can be seen today in the realms of social networks, mass media and populist politics, its place in contemporary artistic practices is more ambiguous. Guattari is careful to separate ‘aesthet…
Violence and Resistance, Art and Politics in Colombia
Violence and Resistance, Art and Politics in Colombia
This book examines a comprehensive cross-section of arts in Colombia, including music, painting, installation, dance, activism, literature and cinema.
Philosophy (7 works) · Aesthetics (6 works) · Art (6 works) · Epistemology (5 works) · Art, Politics, and Modernism (4 works) · Politics (4 works) · Law (3 works) · Philosophy (3 works) · Sociology (3 works) · Art history (2 works)