Julián Daniel Gutiérrez-Albilla
Biographic Data
| ID | 1339949 |
|---|---|
| NAME | Julián Daniel Gutiérrez-Albilla |
| GIVEN NAMES | Julián Daniel |
| FAMILY NAME | Gutiérrez-Albilla |
| SIGNATURE | GUTIÉRREZ-ALBILLA J D |
| AFFILIATIONS | a Newcastle University , Old Library Building, Newcastle upon Tyne NE1 7RU, UK E-mail |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Introduction
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar
Rethinking Spanish Visual Cultural Studies through an ‘Untimely’ Encounter with the Dance/Performance Art of La Ribot
This article focuses on the dance/performance art of La Ribot in order to conceive her work as a ‘theoretical object’ that articulates and reformulates key conceptual concerns in visual culture, enabling us to engage with questions that relate directly to the medium of dance/performance art and to think in a trans-disciplinary manner about other visual media. Through an exploration of La Ribot's formal and conceptual concerns in relation to embod…
Abjection and the politics of feminist and queer subjectivities in contemporary art
Fictions of Reality/Documents of the Real Encounter
This paper draws on Lacan's notion of the Real, that which resists symbolization, a gap-in-knowledge that subverts the presumption to know it. I explore how Bunuel's Los olvidados (1950), a film that is often interpreted as a realistic documentation of misery in the Mexican historical context of the traumatic, accelerated push towards a modern industrial economy that characterized Mexico in the late 1940s and early 1950s, can be read in a way tha…
Fictions of Reality/Documents of the Real Encounter
This paper draws on Lacan's notion of the Real, that which resists symbolization, a gap-in-knowledge that subverts the presumption to know it. I explore how Bunuel's Los olvidados (1950), a film that is often interpreted as a realistic documentation of misery in the Mexican historical context of the traumatic, accelerated push towards a modern industrial economy that characterized Mexico in the late 1940s and early 1950s, can be read in a way tha…
Abjection and the politics of feminist and queer subjectivities in contemporary art
Rethinking Spanish Visual Cultural Studies through an ‘Untimely’ Encounter with the Dance/Performance Art of La Ribot
This article focuses on the dance/performance art of La Ribot in order to conceive her work as a ‘theoretical object’ that articulates and reformulates key conceptual concerns in visual culture, enabling us to engage with questions that relate directly to the medium of dance/performance art and to think in a trans-disciplinary manner about other visual media. Through an exploration of La Ribot's formal and conceptual concerns in relation to embod…
Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar
Introduction
Aesthetics (5 works) · Art (5 works) · Sociology (4 works) · Philosophy (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Cinema and Media Studies (2 works) · Cinema History and Criticism (2 works)