Erin Mosely
Biographic Data
| ID | 1344504 |
|---|---|
| NAME | Erin Mosely |
| GIVEN NAMES | Erin |
| FAMILY NAME | Mosely |
| SIGNATURE | MOSELY E |
| AFFILIATIONS | University of Maryland, College Park |
| ORCID | 0000-0002-6118-032X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Becoming the “High Priest of Hutu Supremacy”
This article reconsiders the International Criminal Tribunal for Rwanda (ICTR) “Media Trial” that followed in the wake of the 1994 Rwandan genocide. While both the original trial (2000–03) and its appeal (2007) have been widely analyzed, most observers have approached it as a case against three media bosses. This article suggests that the Media Trial was not only invested in the line between press freedom and criminal hate speech and, in relation…
I Am Evelyn Amony
"Visualizing" Apartheid
This article examines contemporary artwork in South Africa in order to understand its role within the larger process of transitional justice taking place in the country. How has contemporary art contributed to and/or shaped the construction of a 'collective memory' about Apartheid? How has this art interacted with the Truth and Reconciliation Commission (TRC)? The author argues that South African artists have played a significant role in the over…
"Visualizing" Apartheid
This article examines contemporary artwork in South Africa in order to understand its role within the larger process of transitional justice taking place in the country. How has contemporary art contributed to and/or shaped the construction of a 'collective memory' about Apartheid? How has this art interacted with the Truth and Reconciliation Commission (TRC)? The author argues that South African artists have played a significant role in the over…
"Visualizing" Apartheid
This article examines contemporary artwork in South Africa in order to understand its role within the larger process of transitional justice taking place in the country. How has contemporary art contributed to and/or shaped the construction of a 'collective memory' about Apartheid? How has this art interacted with the Truth and Reconciliation Commission (TRC)? The author argues that South African artists have played a significant role in the over…
I Am Evelyn Amony
Becoming the “High Priest of Hutu Supremacy”
This article reconsiders the International Criminal Tribunal for Rwanda (ICTR) “Media Trial” that followed in the wake of the 1994 Rwandan genocide. While both the original trial (2000–03) and its appeal (2007) have been widely analyzed, most observers have approached it as a case against three media bosses. This article suggests that the Media Trial was not only invested in the line between press freedom and criminal hate speech and, in relation…
Law in Society and Culture (2 works) · African history and culture studies (1 work) · Appeal (1 work) · Art (1 work) · Art history (1 work) · Biology (1 work) · Collective memory (1 work) · Commission (1 work) · Contemporary art (1 work) · Criminal court (1 work)