Hero Granger-Taylor
Biographic Data
| ID | 1344831 |
|---|---|
| NAME | Hero Granger-Taylor |
| GIVEN NAMES | Hero |
| FAMILY NAME | Granger-Taylor |
| SIGNATURE | GRANGER-TAYLOR H |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
Ancient Rome
Coptic art
Dress in Classical antiquity and the early Middle Ages
Early Christian and Byzantine art
Three figured silks from the tomb of the emperor Henry VI at Palermo
Les trois soieries sont datees par leur contexte avant 1215. Il s'agit d'abord d'un taffetas lance a liage repris employe pour la mitre, en soie blanche ton sur ton, qui constitue la croisure la plus primitive du point de vue technique. Cependant, au cours du tissage, certains de ses fils de chaine ont ete soumis a un double controle a la fois par les lisses de fond et par les cordes du rame qui creent le dessin. La deuxieme soierie, egalement bl…
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
Three figured silks from the tomb of the emperor Henry VI at Palermo
Les trois soieries sont datees par leur contexte avant 1215. Il s'agit d'abord d'un taffetas lance a liage repris employe pour la mitre, en soie blanche ton sur ton, qui constitue la croisure la plus primitive du point de vue technique. Cependant, au cours du tissage, certains de ses fils de chaine ont ete soumis a un double controle a la fois par les lisses de fond et par les cordes du rame qui creent le dessin. La deuxieme soierie, egalement bl…
Ancient Rome
Coptic art
Dress in Classical antiquity and the early Middle Ages
Early Christian and Byzantine art
The goddess' new clothes
White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflec…
Art (3 works) · Ancient Egypt and Archaeology (2 works) · Ancient Mediterranean Archaeology and History (2 works) · Clothing (2 works) · History (2 works) · Period (music) (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work) · Archaeology (1 work) · Archaeology and Historical Studies (1 work)