Ute Holl
Biographic Data
| ID | 1346652 |
|---|---|
| NAME | Ute Holl |
| GIVEN NAMES | Ute |
| FAMILY NAME | Holl |
| SIGNATURE | HOLL U |
| AFFILIATIONS | Universität Basel, Seminar für Medienwissenschaft Holbeinstrasse 12, CH-4051 Basel Schweiz |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Talking Heads, Mostly Silenced: Invisible Infrastructures in Electronic Conferencing
Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy
Counter-Memories in Iranian Cinema
Counter-Memories in Iranian Cinema
On the Difficulty of Forgetting
In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting. In Akerman’s films, history insists, returns, refuses to disappear. Memories are haunting and haunt those who were, and are, persecuted. The conference examined Akerman’s cinematic…
God's Will or Peoples' Power: Believing in Sonic Environments
The article approaches the issue of believing and making believe from the point of view of sound and music. According to the classical aesthetic theory of Hegel, the power of music takes a grip on the subject and animates it. According to a newer theory of cultural techniques and to media thinking, the individual and the social space, the subjective and the objective are much more entangled. Arnold Schoenberg, in negotiating religious space, esta…
Systemische Räume
Über die Kunst, an Land zu navigieren. Zu Maya Derens At Land
Cinema, Trance and Cybernetics
We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be s…
Fernsehen: Blinde Befehle
Einwegbilder
Bildkritik befasst sich üblicherweise mit Bildern, die aufbewahrt und gehütet, archiviert und dokumentiert werden. Was aber ist mit Bildern, denen kein dauerhafter Wert zugebilligt wird? Einwegbilder generieren ihren Wert in der kurzen Dauer, in der sie ihre Funktion erfüllen. Ihnen scheinen eindeutige und ausschließliche Rezeptions- und Gebrauchsweisen eingeschrieben zu sein. Eintrittskarten werden entwertet, Briefmarken abgestempelt, Plakate üb…
Radiophonie: Forschungen für ein kommendes Radio
No prominent works on this page.
Radiophonie: Forschungen für ein kommendes Radio
Fernsehen: Blinde Befehle
Einwegbilder
Bildkritik befasst sich üblicherweise mit Bildern, die aufbewahrt und gehütet, archiviert und dokumentiert werden. Was aber ist mit Bildern, denen kein dauerhafter Wert zugebilligt wird? Einwegbilder generieren ihren Wert in der kurzen Dauer, in der sie ihre Funktion erfüllen. Ihnen scheinen eindeutige und ausschließliche Rezeptions- und Gebrauchsweisen eingeschrieben zu sein. Eintrittskarten werden entwertet, Briefmarken abgestempelt, Plakate üb…
Systemische Räume
Über die Kunst, an Land zu navigieren. Zu Maya Derens At Land
Cinema, Trance and Cybernetics
We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be s…
On the Difficulty of Forgetting
In October 2016, we organized a symposium in Basel, Switzerland, in commemoration of Chantal Akerman. Through screenings of her films, as well as talks, presentations, and accounts of friends and collaborators, the event focused on issues of remembering and forgetting. In Akerman’s films, history insists, returns, refuses to disappear. Memories are haunting and haunt those who were, and are, persecuted. The conference examined Akerman’s cinematic…
God's Will or Peoples' Power: Believing in Sonic Environments
The article approaches the issue of believing and making believe from the point of view of sound and music. According to the classical aesthetic theory of Hegel, the power of music takes a grip on the subject and animates it. According to a newer theory of cultural techniques and to media thinking, the individual and the social space, the subjective and the objective are much more entangled. Arnold Schoenberg, in negotiating religious space, esta…
Different Time, Different Space: Filmic Forms of Counter-Memory in Abbas Kiarostami’s Koker Trilogy
Counter-Memories in Iranian Cinema
Counter-Memories in Iranian Cinema
Talking Heads, Mostly Silenced: Invisible Infrastructures in Electronic Conferencing
Art (9 works) · Computer Science (6 works) · Literature (4 works) · Aesthetics (3 works) · Art history (3 works) · Political science (3 works) · Contemporary and Historical Greek Studies (2 works) · Cybernetics and Technology in Society (2 works) · European history and politics (2 works) · History (2 works)