Terence Grieder
Biographic Data
| ID | 135077 |
|---|---|
| NAME | Terence Grieder |
| GIVEN NAMES | Terence |
| FAMILY NAME | Grieder |
| SIGNATURE | GRIEDER T |
| AFFILIATIONS | The University of Texas at Austin |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 24 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 3 |
La Galgada
Art and Prestige Among Noble Houses of the Equatorial Andes
Origins of Pre-Columbian Art
Origins of Pre-Columbian Art
Moche Art of Peru
Archaeology
Note On
(1975). NOTE ON: “A DATED SEQUENCE OF BUILDING AND POTTERY AT LAS HALDAS”. Nawpa Pacha: Vol. 13, No. 1, pp. 106-106
A Dated Sequence of Building and Pottery at Las Haldas
(1975). A DATED SEQUENCE OF BUILDING AND POTTERY AT LAS HALDAS. Nawpa Pacha: Vol. 13, No. 1, pp. 99-111
The Interpretation of Ancient Symbols1
Two methods of interpreting ancient pictorial symbols are in use: Kubler's "configurational" method of describing internal relationships of images within a style; and the widely used "ethnological" method seeking comparable expressions in verbal form in ethnographic and historical documents. Ethnological analogy may offer only comparisons, but ethnology can also define one end of a tradition of symbolic meaning and can be used to generate premise…
A History of Mexican Mural Painting
A History of Mexican Mural Painting
New Brazilian Art
Historia de la pintura en Venezuela. Vol II
A History of Spanish Painting. Vol. XIII
A History of Spanish Painting. Vol. XIII
Historia de la pintura en Venezuela. Vol II
Historia del arte en el Reino de Chile
Camille Pissarro en Venezuela
Periods in Pecos Style Pictographs
Relative chronology is found in the paintings in twelve Texas rock shelters which have Pecos Style pictographs. Three periods are defined within the Pecos Style. The earliest period comprises large-scale polychrome paintings emphasizing fishing subjects, suggesting a rivercentered life. The second period comprises slightly smaller-scale polychrome paintings in which deer first appear and become progressively more common. Fishermen still appear bu…
Representation of Space and Form in Maya Painting on Pottery
The Maya imagined both the visible and the conceptual in three-dimensional form. Thus their painters had to represent the third dimension on flat surfaces. Seven ways of showing solid form were invented: combined front and profile views, overlapping, foreshortening, 'half-view,' variations in line weight, arbitrary shading, and detached contour lines. Two ways of showing spatial depth were invented: overlapping and raising the level in the compos…
A Dated Sequence of Building and Pottery at Las Haldas
(1975). A DATED SEQUENCE OF BUILDING AND POTTERY AT LAS HALDAS. Nawpa Pacha: Vol. 13, No. 1, pp. 99-111
The Interpretation of Ancient Symbols1
Two methods of interpreting ancient pictorial symbols are in use: Kubler's "configurational" method of describing internal relationships of images within a style; and the widely used "ethnological" method seeking comparable expressions in verbal form in ethnographic and historical documents. Ethnological analogy may offer only comparisons, but ethnology can also define one end of a tradition of symbolic meaning and can be used to generate premise…
Periods in Pecos Style Pictographs
Relative chronology is found in the paintings in twelve Texas rock shelters which have Pecos Style pictographs. Three periods are defined within the Pecos Style. The earliest period comprises large-scale polychrome paintings emphasizing fishing subjects, suggesting a rivercentered life. The second period comprises slightly smaller-scale polychrome paintings in which deer first appear and become progressively more common. Fishermen still appear bu…
Representation of Space and Form in Maya Painting on Pottery
The Maya imagined both the visible and the conceptual in three-dimensional form. Thus their painters had to represent the third dimension on flat surfaces. Seven ways of showing solid form were invented: combined front and profile views, overlapping, foreshortening, 'half-view,' variations in line weight, arbitrary shading, and detached contour lines. Two ways of showing spatial depth were invented: overlapping and raising the level in the compos…
Representation of Space and Form in Maya Painting on Pottery
The Maya imagined both the visible and the conceptual in three-dimensional form. Thus their painters had to represent the third dimension on flat surfaces. Seven ways of showing solid form were invented: combined front and profile views, overlapping, foreshortening, 'half-view,' variations in line weight, arbitrary shading, and detached contour lines. Two ways of showing spatial depth were invented: overlapping and raising the level in the compos…
Periods in Pecos Style Pictographs
Relative chronology is found in the paintings in twelve Texas rock shelters which have Pecos Style pictographs. Three periods are defined within the Pecos Style. The earliest period comprises large-scale polychrome paintings emphasizing fishing subjects, suggesting a rivercentered life. The second period comprises slightly smaller-scale polychrome paintings in which deer first appear and become progressively more common. Fishermen still appear bu…
Camille Pissarro en Venezuela
Historia de la pintura en Venezuela. Vol II
A History of Spanish Painting. Vol. XIII
A History of Spanish Painting. Vol. XIII
Historia de la pintura en Venezuela. Vol II
Historia del arte en el Reino de Chile
A History of Mexican Mural Painting
A History of Mexican Mural Painting
New Brazilian Art
Note On
(1975). NOTE ON: “A DATED SEQUENCE OF BUILDING AND POTTERY AT LAS HALDAS”. Nawpa Pacha: Vol. 13, No. 1, pp. 106-106
A Dated Sequence of Building and Pottery at Las Haldas
(1975). A DATED SEQUENCE OF BUILDING AND POTTERY AT LAS HALDAS. Nawpa Pacha: Vol. 13, No. 1, pp. 99-111
The Interpretation of Ancient Symbols1
Two methods of interpreting ancient pictorial symbols are in use: Kubler's "configurational" method of describing internal relationships of images within a style; and the widely used "ethnological" method seeking comparable expressions in verbal form in ethnographic and historical documents. Ethnological analogy may offer only comparisons, but ethnology can also define one end of a tradition of symbolic meaning and can be used to generate premise…
Archaeology
Moche Art of Peru
Origins of Pre-Columbian Art
Origins of Pre-Columbian Art
Art and Prestige Among Noble Houses of the Equatorial Andes
La Galgada
Art (13 works) · Geography (9 works) · History (9 works) · Archaeology (8 works) · Art history (6 works) · History (6 works) · Painting (6 works) · Historical Art and Architecture Studies (5 works) · Visual arts (5 works) · Photographic and Visual Arts (4 works)