John Eliot Gardiner
Biographic Data
| ID | 1353427 |
|---|---|
| NAME | John Eliot Gardiner |
| GIVEN NAMES | John Eliot |
| FAMILY NAME | Gardiner |
| SIGNATURE | GARDINER J E |
| AFFILIATIONS | Galapagos (Belgium) |
| ORCID | 0009-0000-3182-8722 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 1 |
John Eliot Gardiner, de Monteverdi à Messiaen
Un an après avoir dirigé Carmen de Bizet, John Eliot Gardiner retrouve l'Opéra Comique pour un autre chef d'œuvre de l'art lyrique, Pelléas et Mélisande de Claude Debussy. Au cours d'un entretien, il revient sur ses liens avec le répertoire français, tissés lors de sa formation avec Nadia Boulanger, ainsi que sur son parcours très éclectique
Suspension and Exclusion Rates for Aboriginal Students in Western Australia
This brief report highlights an apparently inflated suspension and exclusion rate for Aboriginal students in Western Australian government schools. The elevated rates for both suspension and exclusion, but especially for the more serious step of exclusion, should be reason for concern for all educators
Suspension and Exclusion Rates for Aboriginal Students in Western Australia
This brief report highlights an apparently inflated suspension and exclusion rate for Aboriginal students in Western Australian government schools. The elevated rates for both suspension and exclusion, but especially for the more serious step of exclusion, should be reason for concern for all educators
Suspension and Exclusion Rates for Aboriginal Students in Western Australia
This brief report highlights an apparently inflated suspension and exclusion rate for Aboriginal students in Western Australian government schools. The elevated rates for both suspension and exclusion, but especially for the more serious step of exclusion, should be reason for concern for all educators
John Eliot Gardiner, de Monteverdi à Messiaen
Un an après avoir dirigé Carmen de Bizet, John Eliot Gardiner retrouve l'Opéra Comique pour un autre chef d'œuvre de l'art lyrique, Pelléas et Mélisande de Claude Debussy. Au cours d'un entretien, il revient sur ses liens avec le répertoire français, tissés lors de sa formation avec Nadia Boulanger, ainsi que sur son parcours très éclectique
Art (1 work) · Art history (1 work) · Criminology (1 work) · Education Discipline and Inequality (1 work) · Education Systems and Policy (1 work) · Historical and Literary Analyses (1 work) · Historical and Literary Studies (1 work) · Humanities (1 work) · Indigenous and Place-Based Education (1 work) · Law (1 work)