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Njeri Ngugi

Biographic Data

ID135418
NAMENjeri Ngugi
GIVEN NAMESNjeri
FAMILY NAMENgugi
SIGNATURENGUGI N
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS2
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Presenting and (mis)representing history in fiction film: Sembe`ne'sCamp de Thiaroyeand Attenborough'sCry Freedom

    Njeri Ngugi•ARTICLE•Journal of African Cultural Studies•2003•Cited by: 2

    This article will explore what happens when it is the director who calls on historical fact in the production of fiction film. I will argue that in taking on the dual role of director and historian, Ousmane Sembe`ne in Camp de Thiaroye and Richard Attenborough in Cry Freedom ‘control’ history, that is, they depict their vision of a particular set of historical facts – in the hope of persuading their audience that this is the ‘true’ or ‘correct’ r…

  • Presenting and (mis)representing history in fiction film: Sembe`ne'sCamp de Thiaroyeand Attenborough'sCry Freedom

    Njeri Ngugi•ARTICLE•Journal of African Cultural Studies•2003•Cited by: 2

    This article will explore what happens when it is the director who calls on historical fact in the production of fiction film. I will argue that in taking on the dual role of director and historian, Ousmane Sembe`ne in Camp de Thiaroye and Richard Attenborough in Cry Freedom ‘control’ history, that is, they depict their vision of a particular set of historical facts – in the hope of persuading their audience that this is the ‘true’ or ‘correct’ r…

  • Presenting and (mis)representing history in fiction film: Sembe`ne'sCamp de Thiaroyeand Attenborough'sCry Freedom

    Njeri Ngugi•ARTICLE•Journal of African Cultural Studies•2003•Cited by: 2

    This article will explore what happens when it is the director who calls on historical fact in the production of fiction film. I will argue that in taking on the dual role of director and historian, Ousmane Sembe`ne in Camp de Thiaroye and Richard Attenborough in Cry Freedom ‘control’ history, that is, they depict their vision of a particular set of historical facts – in the hope of persuading their audience that this is the ‘true’ or ‘correct’ r…

Aesthetics (1 works) · Art (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Control (management (1 works) · History (1 works) · Ideology (1 works) · Law (1 works)

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