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Lisa Ortiz-Vilarelle

Biographic Data

ID1356278
NAMELisa Ortiz-Vilarelle
GIVEN NAMESLisa
FAMILY NAMEOrtiz-Vilarelle
SIGNATUREORTIZ-VILARELLE L
AFFILIATIONSCollege of New Jersey
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS6
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Milk Poems and Blood Poems

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025•References: 2

  • The 2025 Hogan Prize

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025•References: 1

  • Ten Years of a/b

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025

  • Autoethnography in the 21st Century, Volume I

    Lisa Ortiz-Vilarelle•BOOK•Autoethnography in the 21st…•2024

  • Assembling Academic Persona and Personhood in a Digital World

    Open Access•Lisa Ortiz-Vilarelle•ARTICLE•Persona Studies•2022

    Digital automedia have become a standard mechanism for academics seeking to construct and promote their professional profiles. Through a range of autobiographical forms enabled by the digital age, on-line platforms, including blogs, Facebook groups, and Twitter, have become something of a business card for academics. But what about the self-authored personnel narratives that are not shared publicly and serve, nonetheless, as self-portraits of aca…

  • (Life) Writing to Belong

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2022•References: 1

  • Textile Auto/biography

    Lisa Ortiz-Vilarelle•ARTICLE•Biography•2022

    Textile Auto/biographyProtest, Testimony, and Solidarity in the Chilean Arpillerista Movement Lisa Ortiz-Vilarelle (bio) The arpilleras are storytellers, for it is through them that these women have recorded and preserved the memory of a period of Chilean history that many others have chosen to forget. Marjorie Agosín, Tapestries of Hope When we examine an arpillera at length, we can be assured that it relates the lives of thousands of families, …

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 5

    Life Writing’s choice to feature twenty-first century autoethnography offers interpretive, analytic, interactive, performative, experiential, and embodied forms of constructed self and culture in w

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 4

  • Women Activating Agency in Academia

    Lisa Ortiz-Vilarelle•ARTICLE•Biography•2020

    Reviewed by: Women Activating Agency in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis, and: Lived Experiences of Women in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis Lisa Ortiz-Vilarelle (bio) Women Activating Agency in Academia: Metaphors, Manifestos and Memoir Alison L. Black and Susanne Garvis, editors Routledge, 2018, xvii + 210 pp. ISBN 9780367890957, $48.95 pape…

  • Academic career construction

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2020•Cited by: 3•References: 2

    In this essay, I consider the implications of career construction theory for the writing and peer review of academic career narratives. I take tenure and promotion essays, employment letters, vitas, website profiles, publication bios, and other self-authored documents required, written, and reviewed for determining and maintaining academic careers to be a form of professional life writing. While these forms of self-reflective writing are not typi…

  • Autobiographical Unveiling in the Dramatic Performances of Childhood

    Erika Camila Pereira dos Santos, Erika Pereira Santos et al.•ARTICLE•a/b Auto/Biography Studies•2019•References: 1

  • Concealing and Revealing

    Laura J Beard, Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2019

  • Milk Poems and Blood Poems

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2018•Cited by: 1•References: 4

    The focus of this essay is on the construction of Sandinista womanhood through its autobiographical depiction in a full range of embodied self-expression. It highlights the poetry of six guerilla poets of the revolution—Daisy Zamora, Gioconda Belli, Yolanda Blanco, Michele Najlis, Vidaluz Meneses, and Rosario Murillo—all of whom vocalize the emergence of the “new Nicaraguan woman” as experienced in the physical body

  • Academic career construction

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2020•Cited by: 3•References: 2

    In this essay, I consider the implications of career construction theory for the writing and peer review of academic career narratives. I take tenure and promotion essays, employment letters, vitas, website profiles, publication bios, and other self-authored documents required, written, and reviewed for determining and maintaining academic careers to be a form of professional life writing. While these forms of self-reflective writing are not typi…

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 5

    Life Writing’s choice to feature twenty-first century autoethnography offers interpretive, analytic, interactive, performative, experiential, and embodied forms of constructed self and culture in w

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 4

  • Milk Poems and Blood Poems

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2018•Cited by: 1•References: 4

    The focus of this essay is on the construction of Sandinista womanhood through its autobiographical depiction in a full range of embodied self-expression. It highlights the poetry of six guerilla poets of the revolution—Daisy Zamora, Gioconda Belli, Yolanda Blanco, Michele Najlis, Vidaluz Meneses, and Rosario Murillo—all of whom vocalize the emergence of the “new Nicaraguan woman” as experienced in the physical body

  • Milk Poems and Blood Poems

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2018•Cited by: 1•References: 4

    The focus of this essay is on the construction of Sandinista womanhood through its autobiographical depiction in a full range of embodied self-expression. It highlights the poetry of six guerilla poets of the revolution—Daisy Zamora, Gioconda Belli, Yolanda Blanco, Michele Najlis, Vidaluz Meneses, and Rosario Murillo—all of whom vocalize the emergence of the “new Nicaraguan woman” as experienced in the physical body

  • Autobiographical Unveiling in the Dramatic Performances of Childhood

    Erika Camila Pereira dos Santos, Erika Pereira Santos et al.•ARTICLE•a/b Auto/Biography Studies•2019•References: 1

  • Concealing and Revealing

    Laura J Beard, Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2019

  • Women Activating Agency in Academia

    Lisa Ortiz-Vilarelle•ARTICLE•Biography•2020

    Reviewed by: Women Activating Agency in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis, and: Lived Experiences of Women in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis Lisa Ortiz-Vilarelle (bio) Women Activating Agency in Academia: Metaphors, Manifestos and Memoir Alison L. Black and Susanne Garvis, editors Routledge, 2018, xvii + 210 pp. ISBN 9780367890957, $48.95 pape…

  • Academic career construction

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2020•Cited by: 3•References: 2

    In this essay, I consider the implications of career construction theory for the writing and peer review of academic career narratives. I take tenure and promotion essays, employment letters, vitas, website profiles, publication bios, and other self-authored documents required, written, and reviewed for determining and maintaining academic careers to be a form of professional life writing. While these forms of self-reflective writing are not typi…

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 5

    Life Writing’s choice to feature twenty-first century autoethnography offers interpretive, analytic, interactive, performative, experiential, and embodied forms of constructed self and culture in w

  • Autoethnography and Beyond

    Lisa Ortiz-Vilarelle•ARTICLE•Life Writing•2021•Cited by: 1•References: 4

  • Assembling Academic Persona and Personhood in a Digital World

    Open Access•Lisa Ortiz-Vilarelle•ARTICLE•Persona Studies•2022

    Digital automedia have become a standard mechanism for academics seeking to construct and promote their professional profiles. Through a range of autobiographical forms enabled by the digital age, on-line platforms, including blogs, Facebook groups, and Twitter, have become something of a business card for academics. But what about the self-authored personnel narratives that are not shared publicly and serve, nonetheless, as self-portraits of aca…

  • (Life) Writing to Belong

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2022•References: 1

  • Textile Auto/biography

    Lisa Ortiz-Vilarelle•ARTICLE•Biography•2022

    Textile Auto/biographyProtest, Testimony, and Solidarity in the Chilean Arpillerista Movement Lisa Ortiz-Vilarelle (bio) The arpilleras are storytellers, for it is through them that these women have recorded and preserved the memory of a period of Chilean history that many others have chosen to forget. Marjorie Agosín, Tapestries of Hope When we examine an arpillera at length, we can be assured that it relates the lives of thousands of families, …

  • Autoethnography in the 21st Century, Volume I

    Lisa Ortiz-Vilarelle•BOOK•Autoethnography in the 21st…•2024

  • Milk Poems and Blood Poems

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025•References: 2

  • The 2025 Hogan Prize

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025•References: 1

  • Ten Years of a/b

    Lisa Ortiz-Vilarelle•ARTICLE•a/b Auto/Biography Studies•2025

Art (9 works) · Psychology (9 works) · Literature (7 works) · Sociology (6 works) · History (5 works) · Aesthetics (4 works) · Gender Studies (4 works) · History (4 works) · Law (4 works) · Narrative (4 works)

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