Linda Haverty Rugg
Biographic Data
| ID | 1356348 |
|---|---|
| NAME | Linda Haverty Rugg |
| GIVEN NAMES | Linda Haverty |
| FAMILY NAME | Rugg |
| SIGNATURE | RUGG L H |
| AFFILIATIONS | The Ohio State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Displacing Crimes against Nature
Research Article| December 01 2017 Displacing Crimes against Nature: Scandinavian Ecocrime Fiction Linda Haverty Rugg Linda Haverty Rugg University of California, Berkeley Search for other works by this author on: This Site Google Scandinavian Studies (2017) 89 (4): 597–615. https://doi.org/10.5406/scanstud.89.4.0597 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Haverty Rugg; Displacing Crimes against Nature: Scan…
Keaton's Leap
In exploring what we are talking about when we talk about a film as the self-projection of a filmmaker, this introduction suggests film's potential for not only recrafting the act of self-representation, but also for examining the nature of selfhood and its construction, as the very impossibility of cinematic autobiography aids in the discovery of a more implicated, complex, and unrepresentable subject
Carefully I Touched the Faces of My Parents
Despite the promise implicit in my title, which alludes to the films and texts of Ingmar Bergman, it is not entirely clear in what sense we may speak of cinematic autobiography. The process of writing an autobiography calls for a single author who produces a narrative account of his or her own life. As famously defined by Philippe Lejeune (1982), a "true" autobiography must have an author who bears the same name as the protagonist who is identica…
Picturing Ourselves
Self at Large in the Hall of Mirrors
Kinski/Herzog y Ullman/Bergman
La idea del autor cinematográfico implica que una sola visión artística es la que crea el filme, y que esa visión es muy personal. De hecho, una película hecha por un autor supuestamente refleja de alguna manera a la persona del director/autor y puede entenderse como biográfica, aunque la noción de autobiografía precisa ser reformulada para el ámbito del cine. La naturaleza cooperativa del cine, por ejemplo, parece ir en contra de la esencia de l…
Displacing Crimes against Nature
Research Article| December 01 2017 Displacing Crimes against Nature: Scandinavian Ecocrime Fiction Linda Haverty Rugg Linda Haverty Rugg University of California, Berkeley Search for other works by this author on: This Site Google Scandinavian Studies (2017) 89 (4): 597–615. https://doi.org/10.5406/scanstud.89.4.0597 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Haverty Rugg; Displacing Crimes against Nature: Scan…
Keaton's Leap
In exploring what we are talking about when we talk about a film as the self-projection of a filmmaker, this introduction suggests film's potential for not only recrafting the act of self-representation, but also for examining the nature of selfhood and its construction, as the very impossibility of cinematic autobiography aids in the discovery of a more implicated, complex, and unrepresentable subject
Carefully I Touched the Faces of My Parents
Despite the promise implicit in my title, which alludes to the films and texts of Ingmar Bergman, it is not entirely clear in what sense we may speak of cinematic autobiography. The process of writing an autobiography calls for a single author who produces a narrative account of his or her own life. As famously defined by Philippe Lejeune (1982), a "true" autobiography must have an author who bears the same name as the protagonist who is identica…
Kinski/Herzog y Ullman/Bergman
La idea del autor cinematográfico implica que una sola visión artística es la que crea el filme, y que esa visión es muy personal. De hecho, una película hecha por un autor supuestamente refleja de alguna manera a la persona del director/autor y puede entenderse como biográfica, aunque la noción de autobiografía precisa ser reformulada para el ámbito del cine. La naturaleza cooperativa del cine, por ejemplo, parece ir en contra de la esencia de l…
Self at Large in the Hall of Mirrors
Picturing Ourselves
Carefully I Touched the Faces of My Parents
Despite the promise implicit in my title, which alludes to the films and texts of Ingmar Bergman, it is not entirely clear in what sense we may speak of cinematic autobiography. The process of writing an autobiography calls for a single author who produces a narrative account of his or her own life. As famously defined by Philippe Lejeune (1982), a "true" autobiography must have an author who bears the same name as the protagonist who is identica…
Keaton's Leap
In exploring what we are talking about when we talk about a film as the self-projection of a filmmaker, this introduction suggests film's potential for not only recrafting the act of self-representation, but also for examining the nature of selfhood and its construction, as the very impossibility of cinematic autobiography aids in the discovery of a more implicated, complex, and unrepresentable subject
Displacing Crimes against Nature
Research Article| December 01 2017 Displacing Crimes against Nature: Scandinavian Ecocrime Fiction Linda Haverty Rugg Linda Haverty Rugg University of California, Berkeley Search for other works by this author on: This Site Google Scandinavian Studies (2017) 89 (4): 597–615. https://doi.org/10.5406/scanstud.89.4.0597 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Linda Haverty Rugg; Displacing Crimes against Nature: Scan…
Art (6 works) · Computer Science (3 works) · Literature (3 works) · Biography (2 works) · History (2 works) · Kierkegaardian Philosophy and Influence (2 works) · Literature and Cultural Memory (2 works) · Philosophy (2 works) · World Wide Web (2 works) · Aesthetics (1 work)