Y S Alone
Biographic Data
| ID | 1356452 |
|---|---|
| NAME | Y S Alone |
| GIVEN NAMES | Y S |
| FAMILY NAME | Alone |
| SIGNATURE | ALONE Y S |
| AFFILIATIONS | Jawaharlal Nehru University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Perspectives on Ambedkarian Aesthetics and Social Movements
This contribution proposes to restitute a conversation organized between the art historian and professor at JNU, Yashadatta Alone, and the practicing artist Anupam Roy. These two protagonists discuss constitutive characteristics of artistic activism in South Asia, and focus on four main thematics: the impact of the concept of 'Brahmanical Modernity,' how it has contributed to the constitution of the history of Modern Art in India, as well as its …
Caste Life Narratives, Visual Representation, And Protected Ignorance
Caste life narratives in India that have emerged through Ambedkarite social, cultural, and political movements have challenged the Brahmanical metanarratives of aesthetic canons as well as the nature of language and representation. Representation in this case is not an abstract entity but operates more at a physical level, empowering people to express their experiences in language. This essay is an attempt to interrogate pictorial representations…
Caste Life Narratives, Visual Representation, And Protected Ignorance
Caste life narratives in India that have emerged through Ambedkarite social, cultural, and political movements have challenged the Brahmanical metanarratives of aesthetic canons as well as the nature of language and representation. Representation in this case is not an abstract entity but operates more at a physical level, empowering people to express their experiences in language. This essay is an attempt to interrogate pictorial representations…
Caste Life Narratives, Visual Representation, And Protected Ignorance
Caste life narratives in India that have emerged through Ambedkarite social, cultural, and political movements have challenged the Brahmanical metanarratives of aesthetic canons as well as the nature of language and representation. Representation in this case is not an abstract entity but operates more at a physical level, empowering people to express their experiences in language. This essay is an attempt to interrogate pictorial representations…
Perspectives on Ambedkarian Aesthetics and Social Movements
This contribution proposes to restitute a conversation organized between the art historian and professor at JNU, Yashadatta Alone, and the practicing artist Anupam Roy. These two protagonists discuss constitutive characteristics of artistic activism in South Asia, and focus on four main thematics: the impact of the concept of 'Brahmanical Modernity,' how it has contributed to the constitution of the history of Modern Art in India, as well as its …
Aesthetics (2 works) · Art (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · South Asian Cinema and Culture (2 works) · Anthropological Studies and Insights (1 work) · Anthropology (1 work) · Art history (1 work)