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Anna Makolkin

Biographic Data

ID1356548
NAMEAnna Makolkin
GIVEN NAMESAnna
FAMILY NAMEMakolkin
SIGNATUREMAKOLKIN A
AFFILIATIONSUniversity of Toronto
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Aeneas, the Cultural Father and Spirit in Virgil, Dante and Kotliarev’sky

    Open Access•Anna Makolkin•ARTICLE•Inozenma Philologia•2019

    The purpose of this comparative analysis of the three poets separated by time, languages, ethnicity and history is to defi ne their shared European cultural identity and continental belonging. The paper underscores Europeannes of Virgil, the Mantua, Dante, the Florentine, and Kotlliarevs’ky from Poltava whose common roots take them in the Graeco-Roman antiquity. Aeneas, the legendary Homeric character, happens to be their common cultural and poet…

  • Russian, Stalinist and Soviet Re-Readings of Kierkegaard

    Anna Makolkin•ARTICLE•Canadian Slavonic Papers•2002

    This is a comparative analysis of the Russian re-readings of Seren Kierkegaard. The paper demonstrates a profound interdependence between the text and cultural context. Special attention is given to Lev Shestov’s presentation of Kierkegaard as “Dostoevsky’s Double” and Piama Gaidenko’s modernist depiction of Kierkegaard as a “master of paradox and irony.” The former was written in France at the beginning of the twentieth century, while the latter…

  • The European legacy of hate

    Anna Makolkin•ARTICLE•The European Legacy•1997

    Curope may pride itself not only in the extraordinary achievements in art, science, and technology but also in the exceptionally sophisticated philosophies of hate, exclusion, and persecution. The purpose of this paper lies in mapping a summarized philosophical pathway of exclusion from the ancient concepts and myths to the modern ethnocentric delusions supported by the pseudoscientific modern theories and models

  • Probing the Origins of Literary Biography

    Anna Makolkin•ARTICLE•Biography•1996

    Tracing the origins of biography to funeral songs and narratological structures used in mourning, this article explores the origins of literary and nonliterary biography, and provides suggestions about the origins of other literary genres which the author sees as coming from biography. A comparative analysis of Greek, Roman, English, and Russian biographical traditions suggests narrative generic invariants which transcend time, geography, religio…

No prominent works on this page.

  • Probing the Origins of Literary Biography

    Anna Makolkin•ARTICLE•Biography•1996

    Tracing the origins of biography to funeral songs and narratological structures used in mourning, this article explores the origins of literary and nonliterary biography, and provides suggestions about the origins of other literary genres which the author sees as coming from biography. A comparative analysis of Greek, Roman, English, and Russian biographical traditions suggests narrative generic invariants which transcend time, geography, religio…

  • The European legacy of hate

    Anna Makolkin•ARTICLE•The European Legacy•1997

    Curope may pride itself not only in the extraordinary achievements in art, science, and technology but also in the exceptionally sophisticated philosophies of hate, exclusion, and persecution. The purpose of this paper lies in mapping a summarized philosophical pathway of exclusion from the ancient concepts and myths to the modern ethnocentric delusions supported by the pseudoscientific modern theories and models

  • Russian, Stalinist and Soviet Re-Readings of Kierkegaard

    Anna Makolkin•ARTICLE•Canadian Slavonic Papers•2002

    This is a comparative analysis of the Russian re-readings of Seren Kierkegaard. The paper demonstrates a profound interdependence between the text and cultural context. Special attention is given to Lev Shestov’s presentation of Kierkegaard as “Dostoevsky’s Double” and Piama Gaidenko’s modernist depiction of Kierkegaard as a “master of paradox and irony.” The former was written in France at the beginning of the twentieth century, while the latter…

  • Aeneas, the Cultural Father and Spirit in Virgil, Dante and Kotliarev’sky

    Open Access•Anna Makolkin•ARTICLE•Inozenma Philologia•2019

    The purpose of this comparative analysis of the three poets separated by time, languages, ethnicity and history is to defi ne their shared European cultural identity and continental belonging. The paper underscores Europeannes of Virgil, the Mantua, Dante, the Florentine, and Kotlliarevs’ky from Poltava whose common roots take them in the Graeco-Roman antiquity. Aeneas, the legendary Homeric character, happens to be their common cultural and poet…

Art (2 works) · Epistemology (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work)

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