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Victoria N Alexander

Biographic Data

ID1356575
NAMEVictoria N Alexander
GIVEN NAMESVictoria N
FAMILY NAMEAlexander
SIGNATUREALEXANDER V N
AFFILIATIONSVIT-AP University
ORCID0000-0003-3723-652X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Animism

    Open Access•Victoria N Alexander, Magnus Levin•ARTICLE•interconnections journal of…•2025

    The short story explores how life might change in the future when all our smart devices have LLM capabilities and seem to be alive. The hero is an elderly man who is spending the weekend with his three-year-old great grandson. With the story framed from the point of view of the old man, the tone is somber; the character is “timesick,” nostalgic for the old days. The child, however, embraces the new world where every thing is alive and this seems …

  • Angela Carter and the “Sociology of clothes” in The Infernal Desire Machines of Doctor Hoffman

    Victoria N Alexander•ARTICLE•ANQ A Quarterly Journal of Short…•2024

    The richly allusive tapestry of Carter’s fictional costumes – comprising varying fabrics, face-paint, tattoos, and other forms of bodily modifications – invites closer examination of the complex politics that undergird them. This paper examines Carter’s The Infernal Desire Machines of Doctor Hoffman to understand how the novel uses dress not only to foreground gender-coded sartorial practices but also to draw attention to the ways in which it ind…

  • The Environment of Horror in Angela Carter’s “The Fall River Axe Murders”

    Victoria N Alexander•ARTICLE•ANQ A Quarterly Journal of Short…•2022

    “The Fall River Axe Murders” (1985), originally titled “Mise-en-Scene for a Parricide” (1981), flaunts its affiliations to theater and the tradition of homicidal plots in classical Western tragedie

  • The Whole Creature

    Victoria N Alexander•ARTICLE•Configurations•2006

    Reviewed by: The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture Victoria N. Alexander (bio) The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture. London: Lawrence & Wishart, 2006, 192 pp., ISBN 1905007302. Wendy Wheeler’s The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture is a finely written, broadly interdisciplinary exploration of human social relations as natural and naturally …

No prominent works on this page.

  • The Whole Creature

    Victoria N Alexander•ARTICLE•Configurations•2006

    Reviewed by: The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture Victoria N. Alexander (bio) The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture. London: Lawrence & Wishart, 2006, 192 pp., ISBN 1905007302. Wendy Wheeler’s The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture is a finely written, broadly interdisciplinary exploration of human social relations as natural and naturally …

  • The Environment of Horror in Angela Carter’s “The Fall River Axe Murders”

    Victoria N Alexander•ARTICLE•ANQ A Quarterly Journal of Short…•2022

    “The Fall River Axe Murders” (1985), originally titled “Mise-en-Scene for a Parricide” (1981), flaunts its affiliations to theater and the tradition of homicidal plots in classical Western tragedie

  • Angela Carter and the “Sociology of clothes” in The Infernal Desire Machines of Doctor Hoffman

    Victoria N Alexander•ARTICLE•ANQ A Quarterly Journal of Short…•2024

    The richly allusive tapestry of Carter’s fictional costumes – comprising varying fabrics, face-paint, tattoos, and other forms of bodily modifications – invites closer examination of the complex politics that undergird them. This paper examines Carter’s The Infernal Desire Machines of Doctor Hoffman to understand how the novel uses dress not only to foreground gender-coded sartorial practices but also to draw attention to the ways in which it ind…

  • Animism

    Open Access•Victoria N Alexander, Magnus Levin•ARTICLE•interconnections journal of…•2025

    The short story explores how life might change in the future when all our smart devices have LLM capabilities and seem to be alive. The hero is an elderly man who is spending the weekend with his three-year-old great grandson. With the story framed from the point of view of the old man, the tone is somber; the character is “timesick,” nostalgic for the old days. The child, however, embraces the new world where every thing is alive and this seems …

Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Animism (1 work) · Art (1 work) · Biosemiotics (1 work) · Cellular Automata and Applications (1 work) · Clothing (1 work) · Cognitive science (1 work) · Crafts, Textile, and Design (1 work)

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