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Barend Van Heusden

Biographic Data

ID1356633
NAMEBarend Van Heusden
GIVEN NAMESBarend
FAMILY NAMEVan Heusden
SIGNATUREVAN HEUSDEN B
AFFILIATIONSUniversity of Groningen
ORCID0000-0002-4375-1053
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS2
AUTHOR COUNT9
EDITOR COUNT1
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2026
H-INDEX1
  • What is this thing called narrative? A cognitive-semiotic perspective

    Open Access•Barend Van Heusden•ARTICLE•Frontiers of Narrative Studies•2026

    Taking a cognitive-semiotic perspective, my aim, in this paper, is to analyze narrative as a species of the genus semiosis and to contribute, by so doing, to our insight in the complex structure(s) of narrative sense-making – more specifically in its reflexive, imaginative, and linguistic dimensions. It will be argued that a theory of semiosis allows us to systematically relate definitions of narrative that cover different aspects and dimensions …

  • Making sense of experience

    Open Access•Barend Van Heusden•ARTICLE•Language and Semiotic Studies•2026

    In 1934, Jan Mukařovský stated that ‘art is a semiotic fact’. This statement raised two issues that haven’t as yet been satisfactorily dealt with. The first concerns the nature of the sign : what, and when is a sign? The second relates to the consequences, for the humanities, of the semiotic nature of its object. While the focus is on literature, this paper aims at tackling both issues, thus contributing to a scientific semiotics of culture and l…

  • Semiotic cognition and the logic of culture

    Barend Van Heusden•ARTICLE•Pragmatics & Cognition•2009

    In this paper I argue that semiotic cognition is a distinctive form of cognition, which must have evolved out of earlier forms of non-semiotic cognition. Semiotic cognition depends on the use of signs. Signs are understood in terms of a specific organization, or structure, of the cognitive process. Semiotic cognition is a unique form of cognition. Once this form of cognition was available to humans, the semiotic provided the ground structure for …

  • Semiosis, art, and literature

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•2007•References: 2

    The ‘state of literature’ in a visual culture is analyzed against the background of a theoretical semiotic framework based upon the distinction between three types of signs: one-place images , two-place symbols , and three-place structures . It is argued that literature is linguistic mimetic meta-representation . The semiotic perspective allows us to deal, in a productive way, with a number of key issues in literary theory (such as ‘literariness,…

  • Why representation(s) will not go away

    Open Access•René Jorna, Barend Van Heusden•ARTICLE•Semiotica•2003•References: 5

  • Jakob von Uexküll and Ernst Cassirer

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•2001

  • The emergence of difference

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•1999•Cited by: 1

    En considerant la perspective biologique et anthropologique comme etant la perspective la plus prometteuse de la semiotique, dans la mesure ou elle prend en compte l'emergence des signes, l'A. tente de determiner comment la semiosis humaine est arrivee dans l'evolution, comment elle s'est adaptee au comportement des differentes especes et quelles ont ete les realites biologiques, a la fois par rapport a l'environnement et entre les organismes, qu…

  • Semiotics and Information Psychology

    Open Access•René Jorna, René J Jorna et al.•ARTICLE•Theory & Psychology•1998

    In both information science (e.g. learning, networks and interface design) and management science (e.g. knowledge creation and knowledge management) psychology and semiotics are almost absent. In this paper we take this observation as a starting point. From a psychological perspective we will discuss what is missing in the sciences of management and information, and, as a consequence, how this absence could be explained. Then, we do the same from…

  • Semiotics of the user interface

    Open Access•René Jorna, Barend Van Heusden•ARTICLE•Semiotica•1996•Cited by: 1

    Les As. analysent en detail plusieurs aspects de l'interface de l'utilisateur d'un ordinateur. Ils examinent d'abord brievement l'interface de l'utilisateur elle-meme et les deux theories developpees pour la conception d'une interface de haut niveau, et etudient les differents styles d'interaction ainsi que les dispositifs utilises dans la mise en page de l'interface. Ils explorent ensuite d'une maniere detaillee le role des symboles et des icone…

  • Psychoanalysis

    Open Access•Barend Van Heusden•ARTICLE•Poetics•1984

  • The emergence of difference

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•1999•Cited by: 1

    En considerant la perspective biologique et anthropologique comme etant la perspective la plus prometteuse de la semiotique, dans la mesure ou elle prend en compte l'emergence des signes, l'A. tente de determiner comment la semiosis humaine est arrivee dans l'evolution, comment elle s'est adaptee au comportement des differentes especes et quelles ont ete les realites biologiques, a la fois par rapport a l'environnement et entre les organismes, qu…

  • Semiotics of the user interface

    Open Access•René Jorna, Barend Van Heusden•ARTICLE•Semiotica•1996•Cited by: 1

    Les As. analysent en detail plusieurs aspects de l'interface de l'utilisateur d'un ordinateur. Ils examinent d'abord brievement l'interface de l'utilisateur elle-meme et les deux theories developpees pour la conception d'une interface de haut niveau, et etudient les differents styles d'interaction ainsi que les dispositifs utilises dans la mise en page de l'interface. Ils explorent ensuite d'une maniere detaillee le role des symboles et des icone…

  • Psychoanalysis

    Open Access•Barend Van Heusden•ARTICLE•Poetics•1984

  • Semiotics of the user interface

    Open Access•René Jorna, Barend Van Heusden•ARTICLE•Semiotica•1996•Cited by: 1

    Les As. analysent en detail plusieurs aspects de l'interface de l'utilisateur d'un ordinateur. Ils examinent d'abord brievement l'interface de l'utilisateur elle-meme et les deux theories developpees pour la conception d'une interface de haut niveau, et etudient les differents styles d'interaction ainsi que les dispositifs utilises dans la mise en page de l'interface. Ils explorent ensuite d'une maniere detaillee le role des symboles et des icone…

  • Semiotics and Information Psychology

    Open Access•René Jorna, René J Jorna et al.•ARTICLE•Theory & Psychology•1998

    In both information science (e.g. learning, networks and interface design) and management science (e.g. knowledge creation and knowledge management) psychology and semiotics are almost absent. In this paper we take this observation as a starting point. From a psychological perspective we will discuss what is missing in the sciences of management and information, and, as a consequence, how this absence could be explained. Then, we do the same from…

  • The emergence of difference

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•1999•Cited by: 1

    En considerant la perspective biologique et anthropologique comme etant la perspective la plus prometteuse de la semiotique, dans la mesure ou elle prend en compte l'emergence des signes, l'A. tente de determiner comment la semiosis humaine est arrivee dans l'evolution, comment elle s'est adaptee au comportement des differentes especes et quelles ont ete les realites biologiques, a la fois par rapport a l'environnement et entre les organismes, qu…

  • Jakob von Uexküll and Ernst Cassirer

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•2001

  • Why representation(s) will not go away

    Open Access•René Jorna, Barend Van Heusden•ARTICLE•Semiotica•2003•References: 5

  • Semiosis, art, and literature

    Open Access•Barend Van Heusden•ARTICLE•Semiotica•2007•References: 2

    The ‘state of literature’ in a visual culture is analyzed against the background of a theoretical semiotic framework based upon the distinction between three types of signs: one-place images , two-place symbols , and three-place structures . It is argued that literature is linguistic mimetic meta-representation . The semiotic perspective allows us to deal, in a productive way, with a number of key issues in literary theory (such as ‘literariness,…

  • Semiotic cognition and the logic of culture

    Barend Van Heusden•ARTICLE•Pragmatics & Cognition•2009

    In this paper I argue that semiotic cognition is a distinctive form of cognition, which must have evolved out of earlier forms of non-semiotic cognition. Semiotic cognition depends on the use of signs. Signs are understood in terms of a specific organization, or structure, of the cognitive process. Semiotic cognition is a unique form of cognition. Once this form of cognition was available to humans, the semiotic provided the ground structure for …

  • What is this thing called narrative? A cognitive-semiotic perspective

    Open Access•Barend Van Heusden•ARTICLE•Frontiers of Narrative Studies•2026

    Taking a cognitive-semiotic perspective, my aim, in this paper, is to analyze narrative as a species of the genus semiosis and to contribute, by so doing, to our insight in the complex structure(s) of narrative sense-making – more specifically in its reflexive, imaginative, and linguistic dimensions. It will be argued that a theory of semiosis allows us to systematically relate definitions of narrative that cover different aspects and dimensions …

  • Making sense of experience

    Open Access•Barend Van Heusden•ARTICLE•Language and Semiotic Studies•2026

    In 1934, Jan Mukařovský stated that ‘art is a semiotic fact’. This statement raised two issues that haven’t as yet been satisfactorily dealt with. The first concerns the nature of the sign : what, and when is a sign? The second relates to the consequences, for the humanities, of the semiotic nature of its object. While the focus is on literature, this paper aims at tackling both issues, thus contributing to a scientific semiotics of culture and l…

Philosophy (7 works) · Semiotics (7 works) · Epistemology (5 works) · Semiosis (5 works) · Semiotics and Representation Studies (4 works) · Linguistics (3 works) · Social semiotics (3 works) · Art (2 works) · Cognitive science (2 works) · Language, Metaphor, and Cognition (2 works)

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