Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Anahid Kassabian

Biographic Data

ID135679
NAMEAnahid Kassabian
GIVEN NAMESAnahid
FAMILY NAMEKassabian
SIGNATUREKASSABIAN A
AFFILIATIONSFordham University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS11
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2013
H-INDEX2
  • Ubiquitous Listening

    Anahid Kassabian•BOOK•Ubiquitous Listening•2013

    How does the constant presence of music in modern life—on iPods, in shops and elevators, on television—affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues …

  • Remembering David Sanjek (1952-2011)

    Open Access•Paul Fischer, Norma Coates et al.•ARTICLE•Journal of Popular Music Studies•2013

  • Have Canons Outlived Their Usefulness?

    Open Access•Anahid Kassabian•ARTICLE•Journal of Popular Music Studies•2010

  • From somewhere else

    Anahid Kassabian, David Kazanjian•ARTICLE•Third Text•2005

    You leave me stranded, alone to defend myself, alone to convince you of so many things you must already know. Or have you forgotten? Has this place made you forget our history? Has this place that

  • Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism

    Open Access•Anahid Kassabian•ARTICLE•twentieth-century music•2004•Cited by: 9

    Through an examination of the labels Hear Music and Putumayo and their place in coffee shops and retail stores on the one hand, and of world music scholarship on the other, I argue that listening to world music in public spaces demands new theoretical perspectives. The kinds of tourism that take place in listening to world music inattentively suggest a kind of bi-location. Borrowing from quantum mechanics, I suggest that the term 'entanglement' m…

  • One-and-a-Half Little Blue Pills

    Open Access•Anahid Kassabian•ARTICLE•Qualitative Inquiry•2002

    Cet article se penche sur les relations et la memoire familiales a travers l'immigration armenienne. L'A. fait part de sa propre experience et definit les sentiments de filiation feminine

  • Writing and Reading Feminist Poststructural Criticism in U.S. Sociology

    Open Access•Anahid Kassabian, Michal M Mccall et al.•ARTICLE•Qualitative Inquiry•2001•References: 4

    At the 1999 meetings of the Midwest Sociological Society, a session was organized to mark the 1998 publication of the second edition of Patricia Clough’s 1992 book The End(s) of Ethnography: From Realism to Social Criticism. Presenters had been asked to comment on the significance of Clough’s book and its arguments in their own work and thought. There were four brief presentations, and Clough responded to questions and comments afterward. Slightl…

  • Roundtable

    Open Access•Line Grenier, Anahid Kassabian et al.•ARTICLE•Journal of Popular Music Studies•1999

  • Mass Mediating Diaspora

    David Kazanjian, Anahid Kassabian•ARTICLE•Diaspora A Journal of Transnational…•1996•Cited by: 2

    Diaspora 5:2 1996 Mass Mediating Diaspora: Iranian Exile Culture in Los Angeles David Kazanjian University of California, Berkeley Anahid Kassabian Fordham University The Making of Exile Cultures—Iranian Television in Los Angeles. Hamid Naficy. Minneapolis: University of Minnesota Press, 1993. In this most recent era oftransnational movements oflabor, commodity , capital, and information, distinctions among cultures and conditions of exile, diasp…

  • Claudia Gorbman, Unheard Melodies

    Anahid Kassabian•ARTICLE•Screen•1990

    Journal Article Claudia Gorbman, Unheard Melodies: Narrative Film Music; Rick Altman, The American Film Musical Get access Claudia Gorbman, Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press, and London: BFI Publishing, 1987, 186 pp. Rick Altman, The American Film Musical. Bloomington: Indiana University Press, and London: BFI Publishing, 1987, 306 pp. Anahid Kassabian Anahid Kassabian Search for other works by this aut…

  • Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism

    Open Access•Anahid Kassabian•ARTICLE•twentieth-century music•2004•Cited by: 9

    Through an examination of the labels Hear Music and Putumayo and their place in coffee shops and retail stores on the one hand, and of world music scholarship on the other, I argue that listening to world music in public spaces demands new theoretical perspectives. The kinds of tourism that take place in listening to world music inattentively suggest a kind of bi-location. Borrowing from quantum mechanics, I suggest that the term 'entanglement' m…

  • Mass Mediating Diaspora

    David Kazanjian, Anahid Kassabian•ARTICLE•Diaspora A Journal of Transnational…•1996•Cited by: 2

    Diaspora 5:2 1996 Mass Mediating Diaspora: Iranian Exile Culture in Los Angeles David Kazanjian University of California, Berkeley Anahid Kassabian Fordham University The Making of Exile Cultures—Iranian Television in Los Angeles. Hamid Naficy. Minneapolis: University of Minnesota Press, 1993. In this most recent era oftransnational movements oflabor, commodity , capital, and information, distinctions among cultures and conditions of exile, diasp…

  • Claudia Gorbman, Unheard Melodies

    Anahid Kassabian•ARTICLE•Screen•1990

    Journal Article Claudia Gorbman, Unheard Melodies: Narrative Film Music; Rick Altman, The American Film Musical Get access Claudia Gorbman, Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press, and London: BFI Publishing, 1987, 186 pp. Rick Altman, The American Film Musical. Bloomington: Indiana University Press, and London: BFI Publishing, 1987, 306 pp. Anahid Kassabian Anahid Kassabian Search for other works by this aut…

  • Mass Mediating Diaspora

    David Kazanjian, Anahid Kassabian•ARTICLE•Diaspora A Journal of Transnational…•1996•Cited by: 2

    Diaspora 5:2 1996 Mass Mediating Diaspora: Iranian Exile Culture in Los Angeles David Kazanjian University of California, Berkeley Anahid Kassabian Fordham University The Making of Exile Cultures—Iranian Television in Los Angeles. Hamid Naficy. Minneapolis: University of Minnesota Press, 1993. In this most recent era oftransnational movements oflabor, commodity , capital, and information, distinctions among cultures and conditions of exile, diasp…

  • Roundtable

    Open Access•Line Grenier, Anahid Kassabian et al.•ARTICLE•Journal of Popular Music Studies•1999

  • Writing and Reading Feminist Poststructural Criticism in U.S. Sociology

    Open Access•Anahid Kassabian, Michal M Mccall et al.•ARTICLE•Qualitative Inquiry•2001•References: 4

    At the 1999 meetings of the Midwest Sociological Society, a session was organized to mark the 1998 publication of the second edition of Patricia Clough’s 1992 book The End(s) of Ethnography: From Realism to Social Criticism. Presenters had been asked to comment on the significance of Clough’s book and its arguments in their own work and thought. There were four brief presentations, and Clough responded to questions and comments afterward. Slightl…

  • One-and-a-Half Little Blue Pills

    Open Access•Anahid Kassabian•ARTICLE•Qualitative Inquiry•2002

    Cet article se penche sur les relations et la memoire familiales a travers l'immigration armenienne. L'A. fait part de sa propre experience et definit les sentiments de filiation feminine

  • Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism

    Open Access•Anahid Kassabian•ARTICLE•twentieth-century music•2004•Cited by: 9

    Through an examination of the labels Hear Music and Putumayo and their place in coffee shops and retail stores on the one hand, and of world music scholarship on the other, I argue that listening to world music in public spaces demands new theoretical perspectives. The kinds of tourism that take place in listening to world music inattentively suggest a kind of bi-location. Borrowing from quantum mechanics, I suggest that the term 'entanglement' m…

  • From somewhere else

    Anahid Kassabian, David Kazanjian•ARTICLE•Third Text•2005

    You leave me stranded, alone to defend myself, alone to convince you of so many things you must already know. Or have you forgotten? Has this place made you forget our history? Has this place that

  • Have Canons Outlived Their Usefulness?

    Open Access•Anahid Kassabian•ARTICLE•Journal of Popular Music Studies•2010

  • Ubiquitous Listening

    Anahid Kassabian•BOOK•Ubiquitous Listening•2013

    How does the constant presence of music in modern life—on iPods, in shops and elevators, on television—affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues …

  • Remembering David Sanjek (1952-2011)

    Open Access•Paul Fischer, Norma Coates et al.•ARTICLE•Journal of Popular Music Studies•2013

Music History and Culture (5 works) · Art (4 works) · Computer Science (4 works) · Citation (3 works) · Diverse Musicological Studies (3 works) · History (3 works) · Library science (3 works) · Sociology (3 works) · Anthropology (2 works) · Immigration (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae