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Julia Skelly

Biographic Data

ID1357005
NAMEJulia Skelly
GIVEN NAMESJulia
FAMILY NAMESkelly
SIGNATURESKELLY J
AFFILIATIONSMcGill University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS2
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Rozanne Hawksley

    Julia Skelly•ARTICLE•TEXTILE•2024

  • Art, Medicine, and Femininity

    Julia Skelly•ARTICLE•The Social History of Alcohol…•2024

  • The Erotic Cloth

    Julia Skelly•ARTICLE•TEXTILE•2019

    The Erotic Cloth: Seduction and Fetishism in Textiles (Bloomsbury, 2018), edited by Lesley Millar and Alice Kettle, is a volume of self-reflexive, vulnerable and at times painfully intimate writing

  • Peter John Brownlee, The Commerce of Vision

    Open Access•Julia Skelly•ARTICLE•Social History of Medicine•2019

    With The Commerce of Vision: Optical Culture and Perception in Antebellum America, Peter John Brownlee offers an elegantly written and extremely interesting study of a range of visual artefacts, including newspapers, paintings, photographs, caricatures, eye glasses, paper money and signboards, among others. Brownlee effectively weaves together a number of thematic threads to create a cohesive investigation of how people in antebellum America look…

  • Skin and Scars

    Open Access•Julia Skelly•ARTICLE•Body & Society•2018•Cited by: 2•References: 8

    What does considering skin carefully and specifically illuminate about addiction, addiction discourse and/or the visual culture of addiction, that more general considerations of the body do not? What light is shed when we talk about skin and addiction? I want to propose in this brief article that in looking at addiction and addiction discourse through the lens of skin studies, we see with even more clarity the thinness of the argument that addict…

  • Uses of Excess in Visual and Material Culture, 1600-2010

    Julia Skelly, Romita Ray•BOOK•Uses of Excess in Visual and…•2017

  • Object Lessons

    Julia Skelly•ARTICLE•TEXTILE•2016

    Banners were the primary textile of choice for Canadian members of the Woman's Christian Temperance Union (WCTU) in the late nineteenth and early twentieth centuries. Drawing on the methodology proposed by Arjun Appadurai in The Social Life of Things, as well as on feminist scholarship by Rozsika Parker, Lisa Tickner, and Patricia Mainardi, among others, this article traces the various stages in the "social life" of a set of temperance banners th…

  • Women Drinking Out in Britain since the Early Twentieth Century

    Julia Skelly•ARTICLE•Contemporary British History•2015

  • Advertising Masculine Vulnerability

    Julia Skelly•ARTICLE•Visual Culture in Britain•2013

    This article examines Alfred Priest's (1874–1929) ‘problem picture’ Cocaine, which was exhibited at the Royal Academy in 1919, and an advertisement for Kenilworth cigarettes, which was published in The Graphic only a month before a photograph of Cocaine was reproduced in that same periodical. Despite the differences in media, there are striking similarities between the images. In both the painting and the advertisement a man and woman lounge toge…

  • Addictive Architecture

    Julia Skelly•ARTICLE•The Social History of Alcohol…•2011•References: 1

    This article critically examines the Crystal Palace, which was originally built in 1851 for the Great Exhibition in London, and public drinking spaces such as gin palaces from the perspective of visual culture studies informed by feminist theory. Many nineteenth-century commentators concerned with alcohol consumption argued that the Crystal Palace would function as an alternative to the public house for working-class people. However, some Victori…

  • Skin and Scars

    Open Access•Julia Skelly•ARTICLE•Body & Society•2018•Cited by: 2•References: 8

    What does considering skin carefully and specifically illuminate about addiction, addiction discourse and/or the visual culture of addiction, that more general considerations of the body do not? What light is shed when we talk about skin and addiction? I want to propose in this brief article that in looking at addiction and addiction discourse through the lens of skin studies, we see with even more clarity the thinness of the argument that addict…

  • Addictive Architecture

    Julia Skelly•ARTICLE•The Social History of Alcohol…•2011•References: 1

    This article critically examines the Crystal Palace, which was originally built in 1851 for the Great Exhibition in London, and public drinking spaces such as gin palaces from the perspective of visual culture studies informed by feminist theory. Many nineteenth-century commentators concerned with alcohol consumption argued that the Crystal Palace would function as an alternative to the public house for working-class people. However, some Victori…

  • Advertising Masculine Vulnerability

    Julia Skelly•ARTICLE•Visual Culture in Britain•2013

    This article examines Alfred Priest's (1874–1929) ‘problem picture’ Cocaine, which was exhibited at the Royal Academy in 1919, and an advertisement for Kenilworth cigarettes, which was published in The Graphic only a month before a photograph of Cocaine was reproduced in that same periodical. Despite the differences in media, there are striking similarities between the images. In both the painting and the advertisement a man and woman lounge toge…

  • Women Drinking Out in Britain since the Early Twentieth Century

    Julia Skelly•ARTICLE•Contemporary British History•2015

  • Object Lessons

    Julia Skelly•ARTICLE•TEXTILE•2016

    Banners were the primary textile of choice for Canadian members of the Woman's Christian Temperance Union (WCTU) in the late nineteenth and early twentieth centuries. Drawing on the methodology proposed by Arjun Appadurai in The Social Life of Things, as well as on feminist scholarship by Rozsika Parker, Lisa Tickner, and Patricia Mainardi, among others, this article traces the various stages in the "social life" of a set of temperance banners th…

  • Uses of Excess in Visual and Material Culture, 1600-2010

    Julia Skelly, Romita Ray•BOOK•Uses of Excess in Visual and…•2017

  • Skin and Scars

    Open Access•Julia Skelly•ARTICLE•Body & Society•2018•Cited by: 2•References: 8

    What does considering skin carefully and specifically illuminate about addiction, addiction discourse and/or the visual culture of addiction, that more general considerations of the body do not? What light is shed when we talk about skin and addiction? I want to propose in this brief article that in looking at addiction and addiction discourse through the lens of skin studies, we see with even more clarity the thinness of the argument that addict…

  • The Erotic Cloth

    Julia Skelly•ARTICLE•TEXTILE•2019

    The Erotic Cloth: Seduction and Fetishism in Textiles (Bloomsbury, 2018), edited by Lesley Millar and Alice Kettle, is a volume of self-reflexive, vulnerable and at times painfully intimate writing

  • Peter John Brownlee, The Commerce of Vision

    Open Access•Julia Skelly•ARTICLE•Social History of Medicine•2019

    With The Commerce of Vision: Optical Culture and Perception in Antebellum America, Peter John Brownlee offers an elegantly written and extremely interesting study of a range of visual artefacts, including newspapers, paintings, photographs, caricatures, eye glasses, paper money and signboards, among others. Brownlee effectively weaves together a number of thematic threads to create a cohesive investigation of how people in antebellum America look…

  • Rozanne Hawksley

    Julia Skelly•ARTICLE•TEXTILE•2024

  • Art, Medicine, and Femininity

    Julia Skelly•ARTICLE•The Social History of Alcohol…•2024

Art (7 works) · Psychology (5 works) · Political science (4 works) · Psychoanalysis (4 works) · Sociology (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Art history (3 works) · Fashion and Cultural Textiles (3 works) · Law (3 works)

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