Jane Lavery
Biographic Data
| ID | 1361485 |
|---|---|
| NAME | Jane Lavery |
| GIVEN NAMES | Jane |
| FAMILY NAME | Lavery |
| SIGNATURE | LAVERY J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Ana Clavel’s Las Violetas son flores del deseo and Peritextuality
Taking my cue from a number of theories on paratextuality and specifically peritextuality, this essay argues that the hitherto unaddressed peritextual features of Ana Clavel’s Las Violetas son flores del deseo (2007), including illustration, title, jacket copy, and epigraph are central in understanding the strong reactions which the image on the front cover provoked. I argue that the peritextual dimension, which ambiguously anchors but also disru…
The Representation of the Female Body in the Multimedia Works of Regina José Galindo
The female body is central to the performance art, poetry and blog site interventions of Guatemalan Regina José Galindo. While Galindo is best known for her performance work, this article compares the hereto overlooked, distinctive and often shocking representations of the female body across her multimedia outputs. We first consider the ways in which, in all three media, Galindo presents an 'excessive', carnivalised, grotesque and abject female b…
The Representation of the Female Body in the Multimedia Works of Regina José Galindo
The female body is central to the performance art, poetry and blog site interventions of Guatemalan Regina José Galindo. While Galindo is best known for her performance work, this article compares the hereto overlooked, distinctive and often shocking representations of the female body across her multimedia outputs. We first consider the ways in which, in all three media, Galindo presents an 'excessive', carnivalised, grotesque and abject female b…
The Representation of the Female Body in the Multimedia Works of Regina José Galindo
The female body is central to the performance art, poetry and blog site interventions of Guatemalan Regina José Galindo. While Galindo is best known for her performance work, this article compares the hereto overlooked, distinctive and often shocking representations of the female body across her multimedia outputs. We first consider the ways in which, in all three media, Galindo presents an 'excessive', carnivalised, grotesque and abject female b…
Ana Clavel’s Las Violetas son flores del deseo and Peritextuality
Taking my cue from a number of theories on paratextuality and specifically peritextuality, this essay argues that the hitherto unaddressed peritextual features of Ana Clavel’s Las Violetas son flores del deseo (2007), including illustration, title, jacket copy, and epigraph are central in understanding the strong reactions which the image on the front cover provoked. I argue that the peritextual dimension, which ambiguously anchors but also disru…
Aesthetics (2 works) · Art (2 works) · Anthropology (1 work) · Comparative Literary Analysis and Criticism (1 work) · Epistemology (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · Gender, Feminism, and Media (1 work) · Hegemony (1 work) · Identity (music (1 work)