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Iñigo Sánchez-Fuarros

Biographic Data

ID1362559
NAMEIñigo Sánchez-Fuarros
GIVEN NAMESIñigo
FAMILY NAMESánchez-Fuarros
SIGNATURESÁNCHEZ-FUARROS I
AFFILIATIONSInstituto de Ciencias del Patrimonio
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS4
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Sonic touristification and the transformation of Lisbon’s urban ambiances

    Open Access•Iban Sanchez, Iñigo Sánchez-Fuarros et al.•ARTICLE•Tourism Geographies•2026

    This article introduces ‘sonic touristification’ as an analytical framework for examining how tourism reshapes urban soundscapes. Drawing on ethnographic research (2012–2024) across three Lisbon neighborhoods, we identify three mechanisms through which tourism alters sonic environments: thematization (commodifying local sounds), equalization (filtering unwanted sounds), and production of new tourist-driven ambiances. Our multi-sited ethnography c…

  • Más allá de las fosas comunes

    Open Access•Paula Sánchez-Carrera, Carlos Diz et al.•ARTICLE•Revista de Antropología Social•2026

    Este artículo contribuye al estudio del movimiento memorialista español a partir de la etnografía del laboratorio de la Asociación para la Recuperación de la Memoria Histórica (ARMH). Más allá de las fosas comunes, la lucha por la memoria se sostiene en espacios invisibilizados como éste. Nuestro trabajo de campo presta atención a su vida cotidiana, colaborando con personal científico, activistas, voluntarias y miembros de la asociación que traba…

  • The Fado Museum

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    This article explores Lisbon’s Fado Museum as an affective, material, symbolic, and performative site of memory in which different audiences such as tourists and the local fado community converge, without necessarily intersecting. We argue that the Fado Museum has evolved from a mere exhibiting space to become a multivalent “heritage infrastructure” that facilitates new spaces of agency in which novel forms of relating to —and dwelling in— herita…

  • O Museu do Fado

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    Este artigo aborda o Museu do Fado, situado em Lisboa, como um espaço mobilizador de imaginários turísticos e de memórias afetivas, simbólicas e performativas no qual convergem, sem necessariamente se cruzarem, diferentes públicos como os turistas, aficionados de fado e a comunidade fadista local. Argumentamos que o Museu do Fado evoluiu de um mero espaço expositivo para se tornar numa “infra-estrutura patrimonial” multivalente que facilita novos…

  • Le musée du fado

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    Cet article explore le musée du fado de Lisbonne en tant que site affectif, matériel, symbolique et performatif de la mémoire dans lequel convergent, sans nécessairement se croiser, différents publics tels que les touristes et la communauté locale du fado. Nous soutenons que le musée du fado a évolué d’un simple espace d’exposition à une « infrastructure patrimoniale » polyvalente qui facilite de nouveaux espaces d’action dans lesquels émergent d…

  • Tourism-Dependent Local Music Ecosystems under Covid-19

    Iban Sanchez, Iñigo Sánchez-Fuarros et al.•ARTICLE•Journal of World Popular Music•2022

    This article aims to examine the changing atmosphere of Lisbon’s fado live music scene during the COVID-19 crisis. In particular, it focuses on the effects of the lockdown measures and other public health restrictions on the casas de fado, a distinctive type of local institution where music, tourism and the quest for experiences of authenticity intersect. Drawing on in-person and remote interviews with venue owners, local association representati…

  • Antropoceno Sónico - Práticas Sonoras para um Ambiente em Mudança (II)

    Lucas Do Amaral Afonso, Pedro Filho Amorim et al.•OTHER•Cadernos de arte e antropologia•2021

  • A Sonic Anthropocene. Sound Practices in a Changing Environment

    Ivo Louro, Margarida Mendes et al.•ARTICLE•Cadernos de arte e antropologia•2020•Cited by: 4•References: 32

    The introduction to this double issue entitled "A Sonic Anthropocene: Sound Practices in a Changing Environment" explores some of the concepts and methodological issues that inform our understanding of what we call the "Sonic Anthropocene". We argue that incorporating practices of listening and aural documentation that register the transformations in the acoustic landscape creates a space of potential for examining the increasing impact of human …

  • A Sonic Anthropocene. Sound Practices in a Changing Environment

    Ivo Louro, Margarida Mendes et al.•ARTICLE•Cadernos de arte e antropologia•2020•Cited by: 4•References: 32

    The introduction to this double issue entitled "A Sonic Anthropocene: Sound Practices in a Changing Environment" explores some of the concepts and methodological issues that inform our understanding of what we call the "Sonic Anthropocene". We argue that incorporating practices of listening and aural documentation that register the transformations in the acoustic landscape creates a space of potential for examining the increasing impact of human …

  • A Sonic Anthropocene. Sound Practices in a Changing Environment

    Ivo Louro, Margarida Mendes et al.•ARTICLE•Cadernos de arte e antropologia•2020•Cited by: 4•References: 32

    The introduction to this double issue entitled "A Sonic Anthropocene: Sound Practices in a Changing Environment" explores some of the concepts and methodological issues that inform our understanding of what we call the "Sonic Anthropocene". We argue that incorporating practices of listening and aural documentation that register the transformations in the acoustic landscape creates a space of potential for examining the increasing impact of human …

  • Antropoceno Sónico - Práticas Sonoras para um Ambiente em Mudança (II)

    Lucas Do Amaral Afonso, Pedro Filho Amorim et al.•OTHER•Cadernos de arte e antropologia•2021

  • Tourism-Dependent Local Music Ecosystems under Covid-19

    Iban Sanchez, Iñigo Sánchez-Fuarros et al.•ARTICLE•Journal of World Popular Music•2022

    This article aims to examine the changing atmosphere of Lisbon’s fado live music scene during the COVID-19 crisis. In particular, it focuses on the effects of the lockdown measures and other public health restrictions on the casas de fado, a distinctive type of local institution where music, tourism and the quest for experiences of authenticity intersect. Drawing on in-person and remote interviews with venue owners, local association representati…

  • The Fado Museum

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    This article explores Lisbon’s Fado Museum as an affective, material, symbolic, and performative site of memory in which different audiences such as tourists and the local fado community converge, without necessarily intersecting. We argue that the Fado Museum has evolved from a mere exhibiting space to become a multivalent “heritage infrastructure” that facilitates new spaces of agency in which novel forms of relating to —and dwelling in— herita…

  • O Museu do Fado

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    Este artigo aborda o Museu do Fado, situado em Lisboa, como um espaço mobilizador de imaginários turísticos e de memórias afetivas, simbólicas e performativas no qual convergem, sem necessariamente se cruzarem, diferentes públicos como os turistas, aficionados de fado e a comunidade fadista local. Argumentamos que o Museu do Fado evoluiu de um mero espaço expositivo para se tornar numa “infra-estrutura patrimonial” multivalente que facilita novos…

  • Le musée du fado

    Open Access•Salwa El-Shawan Castelo-Branco, Iban Sanchez et al.•ARTICLE•Via Tourism Review•2023

    Cet article explore le musée du fado de Lisbonne en tant que site affectif, matériel, symbolique et performatif de la mémoire dans lequel convergent, sans nécessairement se croiser, différents publics tels que les touristes et la communauté locale du fado. Nous soutenons que le musée du fado a évolué d’un simple espace d’exposition à une « infrastructure patrimoniale » polyvalente qui facilite de nouveaux espaces d’action dans lesquels émergent d…

  • Sonic touristification and the transformation of Lisbon’s urban ambiances

    Open Access•Iban Sanchez, Iñigo Sánchez-Fuarros et al.•ARTICLE•Tourism Geographies•2026

    This article introduces ‘sonic touristification’ as an analytical framework for examining how tourism reshapes urban soundscapes. Drawing on ethnographic research (2012–2024) across three Lisbon neighborhoods, we identify three mechanisms through which tourism alters sonic environments: thematization (commodifying local sounds), equalization (filtering unwanted sounds), and production of new tourist-driven ambiances. Our multi-sited ethnography c…

  • Más allá de las fosas comunes

    Open Access•Paula Sánchez-Carrera, Carlos Diz et al.•ARTICLE•Revista de Antropología Social•2026

    Este artículo contribuye al estudio del movimiento memorialista español a partir de la etnografía del laboratorio de la Asociación para la Recuperación de la Memoria Histórica (ARMH). Más allá de las fosas comunes, la lucha por la memoria se sostiene en espacios invisibilizados como éste. Nuestro trabajo de campo presta atención a su vida cotidiana, colaborando con personal científico, activistas, voluntarias y miembros de la asociación que traba…

Cultural Heritage Management and Preservation (4 works) · Sociology (4 works) · Art (3 works) · Computer Science (3 works) · Cultural Identity and Heritage (3 works) · Political science (3 works) · Tourism (3 works) · Humanities (2 works) · Social science (2 works) · 2019-20 coronavirus outbreak (1 work)

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