Frederic Chaume
Biographic Data
| ID | 1365375 |
|---|---|
| NAME | Frederic Chaume |
| GIVEN NAMES | Frederic |
| FAMILY NAME | Chaume |
| SIGNATURE | CHAUME F |
| AFFILIATIONS | Universitat Jaume I |
| ORCID | 0000-0002-4843-5228 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 21 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 3 |
Beyond compliance: Creativity and human agency in audiovisual translation
A história da tradução audiovisual
O artigo discute o papel da tradução nos tempos do cinema mudo, onde a história da tradução audiovisual transcorre, não sendo de outra forma, de maneira paralela à história do cinema e, mais tarde, nos meios audiovisuais. Logo depois, o cinema começa a incorporar uma linguagem escrita com a representação icônica. É então que aparece a necessidade de traduzir o texto escrito para uma compreensão da narrativa fílmica naqueles países onde não se fal…
Subtitling Language Diversity in Spanish Immigration Films
In Spain, the growing number of films depicting characters in multicultural settings bears testimony to the demographic changes experienced by Spanish society since the late 1980s. From a translational point of view, these films attract attention of researchers because of the presence of immigrant characters that use their mother tongue in addition to the language(s) of their host society. In this paper we present the results of the second stage …
Discourse Markers in Audiovisual Translating
Discourse markers are mostly used for the production of coherent conversation and, especially, to make clear the speaker's intentions and show what the speaker intends to do with words. In general, there is no one-to-one correspondence between two languages in the field of discourse markers: most of the time their correlates in the target language have not the same pragmatic meaning, constituting a usual pitfall in translation. In the domain of a…
Models of Research in Audiovisual Translation
This paper will aims to establish a classification of the research models in audiovisual translation and to describe the different theoretical approaches towards this field proposed during the last two decades. Received: 31-05-04/ Accepted: 22-05-04 How to reference this article: Chaume Varela, F. (2004). Modelos de investigación en traducción audiovisual. Íkala. 9 (1), pp. 351 – 365
Film Studies and Translation Studies: Two Disciplines at Stake in Audiovisual Translation
Audiovisual texts are usually built according to the conventions of film language, a complex language that overcomes linguistic communication and has its own rules and conventions. In film language it is possible to distinguish several signifying codes which complement and frame words and linguistic meaning. This paper will focus on the interplay of non-linguistic codes in film language and audiovisual translation. In the first place, I will argu…
La traducción audiovisual: Investigación y docencia
This article tries to describe the role of audiovisual translating in the field of Translation Studies. As a research topic, audiovisual translation has been recently studied a) as a process, taking into consideration the genre of audiovisual texts and the semiotic interplay between text and images, and b) as a product, focusing either on film adaptations of former literary works or on the cultural impact that translated audiovisual texts can hav…
Foreword and Proólogo
Film Studies and Translation Studies: Two Disciplines at Stake in Audiovisual Translation
Audiovisual texts are usually built according to the conventions of film language, a complex language that overcomes linguistic communication and has its own rules and conventions. In film language it is possible to distinguish several signifying codes which complement and frame words and linguistic meaning. This paper will focus on the interplay of non-linguistic codes in film language and audiovisual translation. In the first place, I will argu…
Discourse Markers in Audiovisual Translating
Discourse markers are mostly used for the production of coherent conversation and, especially, to make clear the speaker's intentions and show what the speaker intends to do with words. In general, there is no one-to-one correspondence between two languages in the field of discourse markers: most of the time their correlates in the target language have not the same pragmatic meaning, constituting a usual pitfall in translation. In the domain of a…
Subtitling Language Diversity in Spanish Immigration Films
In Spain, the growing number of films depicting characters in multicultural settings bears testimony to the demographic changes experienced by Spanish society since the late 1980s. From a translational point of view, these films attract attention of researchers because of the presence of immigrant characters that use their mother tongue in addition to the language(s) of their host society. In this paper we present the results of the second stage …
Models of Research in Audiovisual Translation
This paper will aims to establish a classification of the research models in audiovisual translation and to describe the different theoretical approaches towards this field proposed during the last two decades. Received: 31-05-04/ Accepted: 22-05-04 How to reference this article: Chaume Varela, F. (2004). Modelos de investigación en traducción audiovisual. Íkala. 9 (1), pp. 351 – 365
Foreword and Proólogo
La traducción audiovisual: Investigación y docencia
This article tries to describe the role of audiovisual translating in the field of Translation Studies. As a research topic, audiovisual translation has been recently studied a) as a process, taking into consideration the genre of audiovisual texts and the semiotic interplay between text and images, and b) as a product, focusing either on film adaptations of former literary works or on the cultural impact that translated audiovisual texts can hav…
Foreword and Proólogo
Models of Research in Audiovisual Translation
This paper will aims to establish a classification of the research models in audiovisual translation and to describe the different theoretical approaches towards this field proposed during the last two decades. Received: 31-05-04/ Accepted: 22-05-04 How to reference this article: Chaume Varela, F. (2004). Modelos de investigación en traducción audiovisual. Íkala. 9 (1), pp. 351 – 365
Film Studies and Translation Studies: Two Disciplines at Stake in Audiovisual Translation
Audiovisual texts are usually built according to the conventions of film language, a complex language that overcomes linguistic communication and has its own rules and conventions. In film language it is possible to distinguish several signifying codes which complement and frame words and linguistic meaning. This paper will focus on the interplay of non-linguistic codes in film language and audiovisual translation. In the first place, I will argu…
Discourse Markers in Audiovisual Translating
Discourse markers are mostly used for the production of coherent conversation and, especially, to make clear the speaker's intentions and show what the speaker intends to do with words. In general, there is no one-to-one correspondence between two languages in the field of discourse markers: most of the time their correlates in the target language have not the same pragmatic meaning, constituting a usual pitfall in translation. In the domain of a…
Subtitling Language Diversity in Spanish Immigration Films
In Spain, the growing number of films depicting characters in multicultural settings bears testimony to the demographic changes experienced by Spanish society since the late 1980s. From a translational point of view, these films attract attention of researchers because of the presence of immigrant characters that use their mother tongue in addition to the language(s) of their host society. In this paper we present the results of the second stage …
A história da tradução audiovisual
O artigo discute o papel da tradução nos tempos do cinema mudo, onde a história da tradução audiovisual transcorre, não sendo de outra forma, de maneira paralela à história do cinema e, mais tarde, nos meios audiovisuais. Logo depois, o cinema começa a incorporar uma linguagem escrita com a representação icônica. É então que aparece a necessidade de traduzir o texto escrito para uma compreensão da narrativa fílmica naqueles países onde não se fal…
Beyond compliance: Creativity and human agency in audiovisual translation
Linguistics (5 works) · Philosophy (5 works) · Translation Studies and Practices (5 works) · Computer Science (4 works) · Subtitles and Audiovisual Media (4 works) · Translation studies (3 works) · Art (2 works) · Artificial Intelligence (2 works) · Artificial Intelligence (2 works) · Field (mathematics (2 works)