Gregory Booth
Biographic Data
| ID | 136900 |
|---|---|
| NAME | Gregory Booth |
| GIVEN NAMES | Gregory |
| FAMILY NAME | Booth |
| SIGNATURE | BOOTH G |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Copyright Law and the Changing Economic Value of Popular Music in India
Using archival and ethnographic data, this study examines Indian understandings of music as intellectual property, as expressed in industrial logic and practice, in industrial, legal and public discourse and through the content of, and approaches to, the Indian Copyright Act. Those understandings were powerfully influenced by changing technology, market dynamics, and Indian relations with the world economy (after 1984). Collectively, these phenom…
The Laya Project
The Laya Project Executive Producer Sastry Karra, Music Producer Patrick Sebag, Film Director Harold Monfils (Boo Films, Malaysia), Writer and Content Sonya Mazumdar Chennai, EarthSync India, 2006
Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs
IntroductionThe commercial Hindi language cinema is among the largest and oldest music film traditions on the planet. One of the most widely remarked and inflexible conventions of this highly stylised popular film genre is the regular appearance of song and dance scenes in almost every commercial Hindi film. A huge body of over 40,000 film songs (filmī gīt, as they are known in Hindi) has grown along with the thousands of Hindi sound films produc…
"SamulNori - "Record of Changes
Sangitasiromani: A Medieval Handbook of Indian Music
The Sangitasiroman i, Crest-jewel of Music, is a major Sanskrit work on Indian musicology, composed in 1428 A.D. by scholars from all parts of India who participated in a musicological congress organized by Sultan Malika Sahi at Kad a (near Allahabad). Designed as a standard text-book on music the work summarizes and explains the opinions of older and contemporary authors. It deals with all the aspects of traditional Indian musicology, such as to…
Shobha Gurtu
Flutes of Rajasthan
Jugal Bandhi: A Benefit Program for the Sri Meenakshi Temple
The New Harvard Dictionary of Music
Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs
IntroductionThe commercial Hindi language cinema is among the largest and oldest music film traditions on the planet. One of the most widely remarked and inflexible conventions of this highly stylised popular film genre is the regular appearance of song and dance scenes in almost every commercial Hindi film. A huge body of over 40,000 film songs (filmī gīt, as they are known in Hindi) has grown along with the thousands of Hindi sound films produc…
The New Harvard Dictionary of Music
Jugal Bandhi: A Benefit Program for the Sri Meenakshi Temple
Flutes of Rajasthan
"SamulNori - "Record of Changes
Sangitasiromani: A Medieval Handbook of Indian Music
The Sangitasiroman i, Crest-jewel of Music, is a major Sanskrit work on Indian musicology, composed in 1428 A.D. by scholars from all parts of India who participated in a musicological congress organized by Sultan Malika Sahi at Kad a (near Allahabad). Designed as a standard text-book on music the work summarizes and explains the opinions of older and contemporary authors. It deals with all the aspects of traditional Indian musicology, such as to…
Shobha Gurtu
Religion, gossip, narrative conventions and the construction of meaning in Hindi film songs
IntroductionThe commercial Hindi language cinema is among the largest and oldest music film traditions on the planet. One of the most widely remarked and inflexible conventions of this highly stylised popular film genre is the regular appearance of song and dance scenes in almost every commercial Hindi film. A huge body of over 40,000 film songs (filmī gīt, as they are known in Hindi) has grown along with the thousands of Hindi sound films produc…
The Laya Project
The Laya Project Executive Producer Sastry Karra, Music Producer Patrick Sebag, Film Director Harold Monfils (Boo Films, Malaysia), Writer and Content Sonya Mazumdar Chennai, EarthSync India, 2006
Copyright Law and the Changing Economic Value of Popular Music in India
Using archival and ethnographic data, this study examines Indian understandings of music as intellectual property, as expressed in industrial logic and practice, in industrial, legal and public discourse and through the content of, and approaches to, the Indian Copyright Act. Those understandings were powerfully influenced by changing technology, market dynamics, and Indian relations with the world economy (after 1984). Collectively, these phenom…
History (6 works) · Art (5 works) · Literature (3 works) · Ancient history (2 works) · Diverse Musicological Studies (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Sociology (2 works) · South Asian Cinema and Culture (2 works) · Agricultural Economics and Practices (1 works)