Ligia S Aldana
Biographic Data
| ID | 1369616 |
|---|---|
| NAME | Ligia S Aldana |
| GIVEN NAMES | Ligia S |
| FAMILY NAME | Aldana |
| SIGNATURE | ALDANA L S |
| AFFILIATIONS | SUNY New Paltz |
| ORCID | 0000-0002-6787-8155 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Harlem: Un folio del archivo (intelectual) de Manuel Zapata Olivella
Este estudio examina el lugar de Harlem, el pos-Harlem Renaissance, en el archivo zapataolivellano. El objetivo es contribuir con los estudios sobre el significado de este legendario espacio negro en el imaginario diaspórico afro, además de determinar la influencia del mismo sobre la narrativa de Manuel Zapata Olivella. Igualmente, este análisis apunta hacia Harlem como espacio que inspira a Zapata Olivella a adoptar decididamente una agenda de r…
‘Paña, Palomo Y Gato…’: La Leyenda Del Pañamán en Los Pañamanes De Fanny Buitrago, Un Eslabón Del Meta-Archipiélago Caribeño
Como proyecto de re-escritura del Caribe, La isla que se repite: El Caribe y la perspectiva posmoderna 1 de Antonio Benítez Rojo se propone reconstituir la memoria y el Ser caribeño en una realidad sin interrupciones al reincorporar el eslabón que encadena el Caribe colombiano con el resto del ámbito insular.El importante capítulo 6 de la Parte III del texto, titulado "El libro" 2 reconecta una pieza crucial de lo que Benítez Rojo llama "el rompe…
Somos Afro: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia
"Somos Afro": Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia Ligia S. Aldana (bio) It can be affirmed categorically that no other people in the history of humankind have suffered a level of violence so devastating, massive, and for so many centuries, and that, nonetheless, responded with greater creativity to oppression. Their contribution to the arts, music, dance, song, theater, literature, sport…
Policing culture: The champeta movement under the new Colombian Constitution
This essay explores the dynamics of cultural policies and the policing of culture as evident in the scene of champeta music in Cartagena, Colombia in light of the Constitution of 1991. By tracing the path and examining the text of constitutional reform in Colombia in the 1990s, this article scrutinizes the redefinition of culture that the new Colombian Constitution produced, and its meaning for Afrodescendants of the Northern Coast in the realm o…
Somos Afro: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia
"Somos Afro": Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia Ligia S. Aldana (bio) It can be affirmed categorically that no other people in the history of humankind have suffered a level of violence so devastating, massive, and for so many centuries, and that, nonetheless, responded with greater creativity to oppression. Their contribution to the arts, music, dance, song, theater, literature, sport…
Policing culture: The champeta movement under the new Colombian Constitution
This essay explores the dynamics of cultural policies and the policing of culture as evident in the scene of champeta music in Cartagena, Colombia in light of the Constitution of 1991. By tracing the path and examining the text of constitutional reform in Colombia in the 1990s, this article scrutinizes the redefinition of culture that the new Colombian Constitution produced, and its meaning for Afrodescendants of the Northern Coast in the realm o…
Policing culture: The champeta movement under the new Colombian Constitution
This essay explores the dynamics of cultural policies and the policing of culture as evident in the scene of champeta music in Cartagena, Colombia in light of the Constitution of 1991. By tracing the path and examining the text of constitutional reform in Colombia in the 1990s, this article scrutinizes the redefinition of culture that the new Colombian Constitution produced, and its meaning for Afrodescendants of the Northern Coast in the realm o…
Somos Afro: Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia
"Somos Afro": Champeta Music as a Means for Cultural/(Political) Organization for Afrodescendants in Colombia Ligia S. Aldana (bio) It can be affirmed categorically that no other people in the history of humankind have suffered a level of violence so devastating, massive, and for so many centuries, and that, nonetheless, responded with greater creativity to oppression. Their contribution to the arts, music, dance, song, theater, literature, sport…
‘Paña, Palomo Y Gato…’: La Leyenda Del Pañamán en Los Pañamanes De Fanny Buitrago, Un Eslabón Del Meta-Archipiélago Caribeño
Como proyecto de re-escritura del Caribe, La isla que se repite: El Caribe y la perspectiva posmoderna 1 de Antonio Benítez Rojo se propone reconstituir la memoria y el Ser caribeño en una realidad sin interrupciones al reincorporar el eslabón que encadena el Caribe colombiano con el resto del ámbito insular.El importante capítulo 6 de la Parte III del texto, titulado "El libro" 2 reconecta una pieza crucial de lo que Benítez Rojo llama "el rompe…
Harlem: Un folio del archivo (intelectual) de Manuel Zapata Olivella
Este estudio examina el lugar de Harlem, el pos-Harlem Renaissance, en el archivo zapataolivellano. El objetivo es contribuir con los estudios sobre el significado de este legendario espacio negro en el imaginario diaspórico afro, además de determinar la influencia del mismo sobre la narrativa de Manuel Zapata Olivella. Igualmente, este análisis apunta hacia Harlem como espacio que inspira a Zapata Olivella a adoptar decididamente una agenda de r…
Art (2 works) · Humanities (2 works) · Law (2 works) · Multiculturalism (2 works) · Musical (2 works) · Political science (2 works) · Politics (2 works) · Politics and Society in Latin America (2 works) · Realm (2 works) · Sociology (2 works)