Inga Scharf
Biographic Data
| ID | 1370125 |
|---|---|
| NAME | Inga Scharf |
| GIVEN NAMES | Inga |
| FAMILY NAME | Scharf |
| SIGNATURE | SCHARF I |
| AFFILIATIONS | Nottingham Trent University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Staging the Border
Geopolitical readings of films have so far largely focused on the latter's ideological function. Yet, as is argued here, such a narrow view of film is not entirely justified. Thus, it is the declared aim of the paper to challenge this still prevalent position. In proposing a critical understanding of film, an analysis of three West German ‘border narratives’ demonstrates how these can be usefully understood in terms of a ‘critical geopolitics’. T…
Narratives of transformation and resistance
In recent years, considerable attention has been paid to the social and economic significance of the arts and cultural production, or 'creative industries'. Research into the relationship between the latter and community changes has been brought to the fore by the introduction of interactive media technologies, and by the need to understand and conceptualise them culturally. However, this is not to say that the issue is a completely new one and t…
Staging the Border
Geopolitical readings of films have so far largely focused on the latter's ideological function. Yet, as is argued here, such a narrow view of film is not entirely justified. Thus, it is the declared aim of the paper to challenge this still prevalent position. In proposing a critical understanding of film, an analysis of three West German ‘border narratives’ demonstrates how these can be usefully understood in terms of a ‘critical geopolitics’. T…
Narratives of transformation and resistance
In recent years, considerable attention has been paid to the social and economic significance of the arts and cultural production, or 'creative industries'. Research into the relationship between the latter and community changes has been brought to the fore by the introduction of interactive media technologies, and by the need to understand and conceptualise them culturally. However, this is not to say that the issue is a completely new one and t…
Staging the Border
Geopolitical readings of films have so far largely focused on the latter's ideological function. Yet, as is argued here, such a narrow view of film is not entirely justified. Thus, it is the declared aim of the paper to challenge this still prevalent position. In proposing a critical understanding of film, an analysis of three West German ‘border narratives’ demonstrates how these can be usefully understood in terms of a ‘critical geopolitics’. T…
Aesthetics (2 works) · Art (2 works) · German (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works) · Narrative (2 works) · Political science (2 works) · Politics (2 works)