Dominika Gasiorowski
Biographic Data
| ID | 137176 |
|---|---|
| NAME | Dominika Gasiorowski |
| GIVEN NAMES | Dominika |
| FAMILY NAME | Gasiorowski |
| SIGNATURE | GASIOROWSKI D |
| AFFILIATIONS | independent scholar |
| ORCID | 0000-0001-6537-2612 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The cinematic, the personal, and the political in Latin America
took place in London.As explained by the conference organisers, the event sought to recognise the vital role played by women 'in the region's rich cinematic history', to advance the study of 'women's contribution to the politics and aesthetics of Latin America's filmic landscape', and to contribute to the development of 'the new critical methodologies required to examine these contributions' (Davies and Geraghty 2017: 377)
Love in times of violence
Maya Goded’s photography and filmmaking career has been tackling issues surrounding sex work in Mexico for more than two decades. Her first feature-length documentary, Plaza de la soledad (2016), set in Mexico City’s La Merced, probes issues of violence, resilience and love, with the main protagonists, who are ageing sex workers, negotiating their precarious positions between traumatic past events and uncertain futures. This paper examines Goded’…
Photographing Children in Mexico City's Red-Light Districts
This paper analyses Mexican photographer Maya Goded's representations of children living in one of Mexico City's red-light districts. Drawing on interviews with the photographer, the practical and ethical difficulties in portraying vulnerable children are analysed to examine the representational limitations of photography in confrontation with child sex exploitation. Through close visual analysis of the images, the paper examines the children's r…
Bodies that Do Not Matter
Maya Goded is one of the most renowned contemporary Mexican photographers. This paper focuses on an analysis of a selection of photographs from her album entitled Plaza de la soledad (2006), which contains images of prostitutes working in the oldest red-light-district of Mexico City. After briefly situating Goded in the context of contemporary Mexican visual culture and its relationship with representing prostitution, the focus will shift to the …
No prominent works on this page.
Bodies that Do Not Matter
Maya Goded is one of the most renowned contemporary Mexican photographers. This paper focuses on an analysis of a selection of photographs from her album entitled Plaza de la soledad (2006), which contains images of prostitutes working in the oldest red-light-district of Mexico City. After briefly situating Goded in the context of contemporary Mexican visual culture and its relationship with representing prostitution, the focus will shift to the …
Photographing Children in Mexico City's Red-Light Districts
This paper analyses Mexican photographer Maya Goded's representations of children living in one of Mexico City's red-light districts. Drawing on interviews with the photographer, the practical and ethical difficulties in portraying vulnerable children are analysed to examine the representational limitations of photography in confrontation with child sex exploitation. Through close visual analysis of the images, the paper examines the children's r…
The cinematic, the personal, and the political in Latin America
took place in London.As explained by the conference organisers, the event sought to recognise the vital role played by women 'in the region's rich cinematic history', to advance the study of 'women's contribution to the politics and aesthetics of Latin America's filmic landscape', and to contribute to the development of 'the new critical methodologies required to examine these contributions' (Davies and Geraghty 2017: 377)
Love in times of violence
Maya Goded’s photography and filmmaking career has been tackling issues surrounding sex work in Mexico for more than two decades. Her first feature-length documentary, Plaza de la soledad (2016), set in Mexico City’s La Merced, probes issues of violence, resilience and love, with the main protagonists, who are ageing sex workers, negotiating their precarious positions between traumatic past events and uncertain futures. This paper examines Goded’…
Art (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Archaeology (3 works) · Gender Studies (3 works) · Gender, Feminism, and Media (3 works) · History (3 works) · Maya (3 works) · Visual arts (3 works)