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Robert Cancel

Biographic Data

ID137203
NAMERobert Cancel
GIVEN NAMESRobert
FAMILY NAMECancel
SIGNATURECANCEL R
AFFILIATIONSUniversity of California San Diego
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS34
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2024
H-INDEX2
  • The rogue in African literature: Trickster or pícaro

    Open Access•Robert Cancel•ARTICLE•Journal of the African Literature…•2024•References: 12

  • The Tabwa Context: Mature Shifting of Frames and Adolescent Assertion

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Telling Tales While Keeping Secrets: Two Lunda Storytelling Sessions

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Writing Oral Narrative: The Role and Description of Self in Recording Living Traditions

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Conclusion: Lessons from Frozen Moments

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Bisa Storytelling: The Politics of Hunting, Beer-Drinks, and Elvis

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Storytelling in Northern Zambia: Theory, Method, Practice and Other Necessary Fictions

    Open Access•Robert Cancel•BOOK•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Last Grave at Dimbaza

    Robert Cancel•ARTICLE•African Arts•2007

  • Asserting/Inventing Traditions on the Luapula: The Lunda Mutomboko Festival

    Robert Cancel•ARTICLE•African Arts•2006

  • Whose Africa Is It, Anyway? Or, What Exactly Is Skip Gates Signifyin

    Robert Cancel•ARTICLE•African Arts•2000

  • Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition

    Allen F Roberts, Robert Cancel•ARTICLE•African Arts•1991

  • Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition

    Daniel F Mccall, Robert Cancel•ARTICLE•The International Journal of…•1990

  • Discourse and Its Disguises: The Interpretation of African Oral Texts

    Kathryn L Green, K Barber et al.•ARTICLE•African Studies Review•1990•Cited by: 32

  • Broadcasting Oral Traditions: The "Logic" of Narrative Variants--The Problem of "Message

    Robert Cancel•ARTICLE•African Studies Review•1986•Cited by: 2•References: 1

    In his article Language and the Media in Graham Mytton (1978) points out that: Radio is the supreme medium of communication in Zambia, and the only one reaching a majority of the population. The Zambia Broadcasting Services provides two groups of programs, the Home Service, in English and the seven national Zambian languages, and the General Service, which is mostly in English, with a bit of programming in Bemba, Nyanja, and, until 1980, Shona an…

  • Introductory Remarks on African Humanities

    Open Access•B Jules-Rosette, Robert Cancel•ARTICLE•African Studies Review•1986

    This issue of the African Studies Review is devoted to research in the African humanities. The appearance of new approaches to the study of literary texts, oral traditions, and the popular arts has inspired us to assemble this collection. Recently, the African humanities have been neglected as an important area in which new empirical and theoretical advances have been made for the study of oral texts, art, and performance.The articles in this col…

  • Epic Elements in Ceddo

    Open Access•Robert Cancel•ARTICLE•A Current Bibliography on African…•1985•References: 3

    While film and oral narrative performance are two distinct media, Ousmane Sembene of Senegal is uniquely gifted to play the role of a cinéaste/griot. In Ceddo, perhaps his most accomplished film to date, he uses several traditional narrative patterns, as well as developing the scope and pageantry of oral epic, to create an allegorical history of the confluence of Islam, Christianity, and the slave trade in a West African kingdom. Sembene also use…

  • Third Cinema in the Third World: The Aesthetics of Liberation

    Robert Cancel, Teshome H Gabriel•ARTICLE•African Arts•1985

  • Writers in Politics

    Robert Cancel, Ngugi Wa Thiong''O et al.•ARTICLE•African Studies Review•1983

  • Growth of the African Novel

    Robert Cancel, Eustace Palmer•ARTICLE•The International Journal of…•1982

  • Folktales of Egypt

    Robert Cancel, Hasan M El-Shamy et al.•ARTICLE•The International Journal of…•1982

    In this book Hasan M. El-Shamy has gathered the first authentic new collection of modern Egyptian folk narratives to appear in nearly a century. El-Shamy's English translations of these orally presented stories not only preserve their spirit, but give Middle Eastern lore the scholarly attention it has long deserved. This collection of seventy recently collected Egyptian tales is a major contribution to African studies and to international distrib…

  • Rich Man's Medicine Poor Man's Medicine . 1979. Produced by Gordian Troeller and Marie Claude Deffarge

    Open Access•Robert Cancel, C Kendall•ARTICLE•Medical Anthropology Newsletter•1980

  • Discourse and Its Disguises: The Interpretation of African Oral Texts

    Kathryn L Green, K Barber et al.•ARTICLE•African Studies Review•1990•Cited by: 32

  • Broadcasting Oral Traditions: The "Logic" of Narrative Variants--The Problem of "Message

    Robert Cancel•ARTICLE•African Studies Review•1986•Cited by: 2•References: 1

    In his article Language and the Media in Graham Mytton (1978) points out that: Radio is the supreme medium of communication in Zambia, and the only one reaching a majority of the population. The Zambia Broadcasting Services provides two groups of programs, the Home Service, in English and the seven national Zambian languages, and the General Service, which is mostly in English, with a bit of programming in Bemba, Nyanja, and, until 1980, Shona an…

  • Rich Man's Medicine Poor Man's Medicine . 1979. Produced by Gordian Troeller and Marie Claude Deffarge

    Open Access•Robert Cancel, C Kendall•ARTICLE•Medical Anthropology Newsletter•1980

  • Growth of the African Novel

    Robert Cancel, Eustace Palmer•ARTICLE•The International Journal of…•1982

  • Folktales of Egypt

    Robert Cancel, Hasan M El-Shamy et al.•ARTICLE•The International Journal of…•1982

    In this book Hasan M. El-Shamy has gathered the first authentic new collection of modern Egyptian folk narratives to appear in nearly a century. El-Shamy's English translations of these orally presented stories not only preserve their spirit, but give Middle Eastern lore the scholarly attention it has long deserved. This collection of seventy recently collected Egyptian tales is a major contribution to African studies and to international distrib…

  • Writers in Politics

    Robert Cancel, Ngugi Wa Thiong''O et al.•ARTICLE•African Studies Review•1983

  • Epic Elements in Ceddo

    Open Access•Robert Cancel•ARTICLE•A Current Bibliography on African…•1985•References: 3

    While film and oral narrative performance are two distinct media, Ousmane Sembene of Senegal is uniquely gifted to play the role of a cinéaste/griot. In Ceddo, perhaps his most accomplished film to date, he uses several traditional narrative patterns, as well as developing the scope and pageantry of oral epic, to create an allegorical history of the confluence of Islam, Christianity, and the slave trade in a West African kingdom. Sembene also use…

  • Third Cinema in the Third World: The Aesthetics of Liberation

    Robert Cancel, Teshome H Gabriel•ARTICLE•African Arts•1985

  • Broadcasting Oral Traditions: The "Logic" of Narrative Variants--The Problem of "Message

    Robert Cancel•ARTICLE•African Studies Review•1986•Cited by: 2•References: 1

    In his article Language and the Media in Graham Mytton (1978) points out that: Radio is the supreme medium of communication in Zambia, and the only one reaching a majority of the population. The Zambia Broadcasting Services provides two groups of programs, the Home Service, in English and the seven national Zambian languages, and the General Service, which is mostly in English, with a bit of programming in Bemba, Nyanja, and, until 1980, Shona an…

  • Introductory Remarks on African Humanities

    Open Access•B Jules-Rosette, Robert Cancel•ARTICLE•African Studies Review•1986

    This issue of the African Studies Review is devoted to research in the African humanities. The appearance of new approaches to the study of literary texts, oral traditions, and the popular arts has inspired us to assemble this collection. Recently, the African humanities have been neglected as an important area in which new empirical and theoretical advances have been made for the study of oral texts, art, and performance.The articles in this col…

  • Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition

    Daniel F Mccall, Robert Cancel•ARTICLE•The International Journal of…•1990

  • Discourse and Its Disguises: The Interpretation of African Oral Texts

    Kathryn L Green, K Barber et al.•ARTICLE•African Studies Review•1990•Cited by: 32

  • Allegorical Speculation in an Oral Society: The Tabwa Narrative Tradition

    Allen F Roberts, Robert Cancel•ARTICLE•African Arts•1991

  • Whose Africa Is It, Anyway? Or, What Exactly Is Skip Gates Signifyin

    Robert Cancel•ARTICLE•African Arts•2000

  • Asserting/Inventing Traditions on the Luapula: The Lunda Mutomboko Festival

    Robert Cancel•ARTICLE•African Arts•2006

  • Last Grave at Dimbaza

    Robert Cancel•ARTICLE•African Arts•2007

  • The Tabwa Context: Mature Shifting of Frames and Adolescent Assertion

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Telling Tales While Keeping Secrets: Two Lunda Storytelling Sessions

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Writing Oral Narrative: The Role and Description of Self in Recording Living Traditions

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Conclusion: Lessons from Frozen Moments

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Bisa Storytelling: The Politics of Hunting, Beer-Drinks, and Elvis

    Open Access•Robert Cancel•CHAPTER•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • Storytelling in Northern Zambia: Theory, Method, Practice and Other Necessary Fictions

    Open Access•Robert Cancel•BOOK•Storytelling in Northern Zambia•2013

    A collection and analysis of the oral narrative traditions of northern Zambia, this innovative book integrates audio and video recordings into the text. Robert Cancel’s critical interpretation, meanwhile, makes his work a much-needed addition to the slender corpus of African folklore studies dealing with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, ref…

  • The rogue in African literature: Trickster or pícaro

    Open Access•Robert Cancel•ARTICLE•Journal of the African Literature…•2024•References: 12

History (14 works) · Art (13 works) · Literature (9 works) · Narrative (9 works) · Visual arts (6 works) · African history and culture studies (5 works) · Computer Science (5 works) · History (5 works) · Political science (5 works) · Sociology (5 works)

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