Jose Maceda
Biographic Data
| ID | 137205 |
|---|---|
| NAME | Jose Maceda |
| GIVEN NAMES | Jose |
| FAMILY NAME | Maceda |
| SIGNATURE | MACEDA J |
| VERIFIED | No |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 23 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 1 |
Clarification of Points in Gongs and Bamboo
Philippines
Kulintang
Philippines, Indigenous and Muslim-influenced traditions
The Structure of Principal Court Musics of East and Southeast Asia
L'A. propose une analyse comparative des structures musicales des principales musiques instrumentales de cour d'Asie orientale et du Sud-Est. La mise en evidence notamment des structures d'intervalles, l'utilisation des concepts d'opposition binaire, de parallelisme, de tension et detente revelent particulierement l'importance des nombres dans l'analyse structurale de la musique. Apres un examen de l'intersection entre architecture et musique, l'…
Gongs & Bamboo
A Logic in Court Music of the Tang Dynasty
L'analyse de 16 solo et de 7 suites, soit un total de 45 morceaux, composes sous la dynastie Tang montre une structure comprenant trois elements de base : le chiffre quatre, la bipolarite et les tons de l'echelle (tons du mode shang). Ces elements correspondent davantage aux pieces ayant des battements « taiko » divisibles par quatre. Un parallele est effectue avec le gamelan de Java
Philippines
Philippines
Drone and Melody
In Search of a Source of Pentatonic Hemitonic and Anhemitonic Scales in Southeast Asia
A Concept of Time in a Music of Southeast Asia (A Preliminary Account)
Aconcept of in China as this was manifest in Chinese science was the object of discussion in lecture delivered by Professor Joseph Needham and published as Time and Eastern Man (1965). According to Needham, the Chinese viewed historical and biological as succession of events, cumulative, linear and algebraic, rather than geometric, system where causes bring like effects, as it was then so it is now, and so will it be forever (ibid.: 16). Contrary…
A Cure of the Sick "bpagipat" in Dulawan, Cotabato (Philippines)
Sama de Sitangkai
A Manual of a Field Music Research with Special Reference to Southeast Asia
Music of the Kenyah and Modang in East Kalimantan, Indonesia
Musikgeschichte in Bildern, Sudost Asien. Band I
A Search for an Old and a New Music in Southeast Asia
Means of Preservation and Diffusion of Traditional Music
A rich variety of pre-Hispanic music in the Philippines is practised by a small group Qf the country's population living in isolated regions in the mountains of northern Luzon, and in the coastal and inner areas of the islands of Mindanao, Sulu and other islands in the South and West. These people, who number approximately eight per cent of the Philippine population of more than thirty millions, have had little or no contact with Western civiliza…
Qualidades latinas no Brasil
.
Music of the Magindanao in the Philippines
Chants from Sagada Mountain Province, Philippines (Part II)
Chants from Sagada Mountain Province, Philippines
M usical life in the Mountain Province,2 Philippines, is spread Sthroughout the year and is practiced in connection with rituals, ceremonies, work, and social functions (Beyer, 1913;Manuel, 1955;Vanoverbergh,3 1954). There are many kinds of chants for varying occasions, each of which is identified by a different melody-type. The functions of a song may consist of prayers for the dead, words of advice for the newly-wed, songs while building a new …
A Concept of Time in a Music of Southeast Asia (A Preliminary Account)
Aconcept of in China as this was manifest in Chinese science was the object of discussion in lecture delivered by Professor Joseph Needham and published as Time and Eastern Man (1965). According to Needham, the Chinese viewed historical and biological as succession of events, cumulative, linear and algebraic, rather than geometric, system where causes bring like effects, as it was then so it is now, and so will it be forever (ibid.: 16). Contrary…
Chants from Sagada Mountain Province, Philippines (Part II)
Chants from Sagada Mountain Province, Philippines
M usical life in the Mountain Province,2 Philippines, is spread Sthroughout the year and is practiced in connection with rituals, ceremonies, work, and social functions (Beyer, 1913;Manuel, 1955;Vanoverbergh,3 1954). There are many kinds of chants for varying occasions, each of which is identified by a different melody-type. The functions of a song may consist of prayers for the dead, words of advice for the newly-wed, songs while building a new …
Qualidades latinas no Brasil
.
Music of the Magindanao in the Philippines
Means of Preservation and Diffusion of Traditional Music
A rich variety of pre-Hispanic music in the Philippines is practised by a small group Qf the country's population living in isolated regions in the mountains of northern Luzon, and in the coastal and inner areas of the islands of Mindanao, Sulu and other islands in the South and West. These people, who number approximately eight per cent of the Philippine population of more than thirty millions, have had little or no contact with Western civiliza…
A Search for an Old and a New Music in Southeast Asia
Musikgeschichte in Bildern, Sudost Asien. Band I
Music of the Kenyah and Modang in East Kalimantan, Indonesia
Sama de Sitangkai
A Manual of a Field Music Research with Special Reference to Southeast Asia
A Cure of the Sick "bpagipat" in Dulawan, Cotabato (Philippines)
A Concept of Time in a Music of Southeast Asia (A Preliminary Account)
Aconcept of in China as this was manifest in Chinese science was the object of discussion in lecture delivered by Professor Joseph Needham and published as Time and Eastern Man (1965). According to Needham, the Chinese viewed historical and biological as succession of events, cumulative, linear and algebraic, rather than geometric, system where causes bring like effects, as it was then so it is now, and so will it be forever (ibid.: 16). Contrary…
In Search of a Source of Pentatonic Hemitonic and Anhemitonic Scales in Southeast Asia
Drone and Melody
Philippines
Philippines
A Logic in Court Music of the Tang Dynasty
L'analyse de 16 solo et de 7 suites, soit un total de 45 morceaux, composes sous la dynastie Tang montre une structure comprenant trois elements de base : le chiffre quatre, la bipolarite et les tons de l'echelle (tons du mode shang). Ces elements correspondent davantage aux pieces ayant des battements « taiko » divisibles par quatre. Un parallele est effectue avec le gamelan de Java
Gongs & Bamboo
Philippines
Kulintang
Philippines, Indigenous and Muslim-influenced traditions
The Structure of Principal Court Musics of East and Southeast Asia
L'A. propose une analyse comparative des structures musicales des principales musiques instrumentales de cour d'Asie orientale et du Sud-Est. La mise en evidence notamment des structures d'intervalles, l'utilisation des concepts d'opposition binaire, de parallelisme, de tension et detente revelent particulierement l'importance des nombres dans l'analyse structurale de la musique. Apres un examen de l'intersection entre architecture et musique, l'…
Clarification of Points in Gongs and Bamboo
Geography (12 works) · Art (11 works) · History (10 works) · Ancient history (6 works) · Southeast asia (6 works) · Diverse Musicological Studies (5 works) · Philippine History and Culture (5 works) · History (4 works) · Musicology and Musical Analysis (4 works) · Asian Culture and Media Studies (3 works)