Robert S Sturges
Biographic Data
| ID | 1372962 |
|---|---|
| NAME | Robert S Sturges |
| GIVEN NAMES | Robert S |
| FAMILY NAME | Sturges |
| SIGNATURE | STURGES R S |
| AFFILIATIONS | University of New Orleans |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Race, sex, slavery
Circulation of Power in Medieval Biblical Drama
A literary reading informed by the recent temporal turn in Queer Theory, this book analyzes medieval Biblical drama for themes representing modes of power such as the body, politics, and law. Revitali
Visual Pleasure andLa Vita nuova
This article examines the relevance of psychoanalytical theories of the gaze to medieval visuality, represented by Dante's text. Lacan's and Mulvey's work has attracted attention from scholars concerned with the medieval representation of vision, and Mulvey's claims about the phallic gaze may be linked to the extramissive model. However, Dante rejects extramission, and Mulvey's theories cannot account for the simultaneity of pleasure in looking a…
Esope au féminin
Chaucer's Pardoner and Gender Theory
Introduction: The Pardoner in Discourse: Theories, Histories, Methods PART I: CONTEXTS The Pardoner's (Over-)Sexed Body The Pardoner's Genders: Linguistic and Other The Pardoner's Different Erotic Practices PART II: READINGS The Pardoner Unveiled A Speaking and Singing Subject The Dismemberment of the Pardoner The Pardoner, the Preacher, and (Gender) Politics Conclusions The Pardoner In and Out of The Canterbury Tales Notes Works Cited
The Construction of Heterosexual Desire in Gottfried von Strassburg's Tristan
The Construction of Heterosexual Desire in Gottfried von Strassburg's Tristan
The Death of the Troubadour
Spectacle and Self-Knowledge
The Towneley Second Shepherds' Play, probably the medieval drama best known to English-speaking audiences, opens in a world in desperate need, both physical and (though the shepherds do not always recognize this) spiritual, and although most of the play concerns its characters' attempts to meet their physical needs, it ends in a world still cold and hungry, but spiritually satisfied (the second passage above clearly contradicts one critic's view …
Ascalaphus and Philomela
Textual Scholarship
(1991). Textual Scholarship: Ideologies of Literary Production. Exemplaria: Vol. 3, No. 1, pp. 109-131
Textual Scholarship
Ascalaphus and Philomela
Textual Scholarship
(1991). Textual Scholarship: Ideologies of Literary Production. Exemplaria: Vol. 3, No. 1, pp. 109-131
Textual Scholarship
Spectacle and Self-Knowledge
The Towneley Second Shepherds' Play, probably the medieval drama best known to English-speaking audiences, opens in a world in desperate need, both physical and (though the shepherds do not always recognize this) spiritual, and although most of the play concerns its characters' attempts to meet their physical needs, it ends in a world still cold and hungry, but spiritually satisfied (the second passage above clearly contradicts one critic's view …
The Death of the Troubadour
The Construction of Heterosexual Desire in Gottfried von Strassburg's Tristan
The Construction of Heterosexual Desire in Gottfried von Strassburg's Tristan
Chaucer's Pardoner and Gender Theory
Introduction: The Pardoner in Discourse: Theories, Histories, Methods PART I: CONTEXTS The Pardoner's (Over-)Sexed Body The Pardoner's Genders: Linguistic and Other The Pardoner's Different Erotic Practices PART II: READINGS The Pardoner Unveiled A Speaking and Singing Subject The Dismemberment of the Pardoner The Pardoner, the Preacher, and (Gender) Politics Conclusions The Pardoner In and Out of The Canterbury Tales Notes Works Cited
Esope au féminin
Visual Pleasure andLa Vita nuova
This article examines the relevance of psychoanalytical theories of the gaze to medieval visuality, represented by Dante's text. Lacan's and Mulvey's work has attracted attention from scholars concerned with the medieval representation of vision, and Mulvey's claims about the phallic gaze may be linked to the extramissive model. However, Dante rejects extramission, and Mulvey's theories cannot account for the simultaneity of pleasure in looking a…
Race, sex, slavery
Circulation of Power in Medieval Biblical Drama
A literary reading informed by the recent temporal turn in Queer Theory, this book analyzes medieval Biblical drama for themes representing modes of power such as the body, politics, and law. Revitali
Art (10 works) · Medieval Literature and History (8 works) · Sociology (6 works) · Psychology (5 works) · History (4 works) · Literature (4 works) · Gender Studies (3 works) · Gender Studies (3 works) · Historical, Literary, and Cultural Studies (3 works) · History (3 works)