Nathanel Amar
Biographic Data
| ID | 1373180 |
|---|---|
| NAME | Nathanel Amar |
| GIVEN NAMES | Nathanel |
| FAMILY NAME | Amar |
| SIGNATURE | AMAR N |
| AFFILIATIONS | Institut d'Etudes Politiques de Paris |
| ORCID | 0000-0002-0574-6464 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Andrew F. Jones. 2020. Circuit Listening
Andrew F. Jones. 2020. Circuit Listening: Chinese Popular Music in the Global 1960s.Minneapolis, MN: University of Minnesota Press. ix + 304pp. ISBN 978-1-5179-0207-0 (pbk)
We come from the underground
The history of the Chinese punk scene in the scientific literature or in retrospective testimonies is traditionally dominated by a Beijing-centric approach, which stresses the importance of Beijing punk bands in the 1990s for the formation of this youth subculture. However, at the same time another punk scene was emerging in Wuhan, and no convincing argument has been provided to explain how, at the same time, in two Chinese cities, a punk movemen…
Navigating and Circumventing (Self)censorship in the Chinese Music Scene
Although the case of “censorship” of Chinese hip-hop in January 2018 has led to extensive news coverage in the international press, it does not account for the multiple forms of musical censorship that exist in contemporary China. This article draws on observations from within the punk rock community to outline how censorship works in practice and which institutions are responsible for overseeing musical productions, from the release of albums to…
The Lives of Dakou in China
1990s : dakou (打 口 ) CDs and tapes. Literally meaning “ cut” or “ gashed,” the term dakou refers to CDs and tapes illegally sold on the Chinese black market in the 1990s, which had been shipped to China from the West in order to recycle unsold CDs and tapes. To prevent them from being sold on the black market, these CDs and tapes were cut (打) on the edges (口) in order to render them useless. This did not take into account, however, that an audio …
Drunk is beautiful
n\nCet article entend montrer en quoi la consommation d’alcool dans la communauté punk chinoise peut être rattachée à tout un répertoire de pratiques propres aux communautés déviantes du jianghu. Le jianghu, littéralement « rivières et lacs », représente depuis la dynastie des Zhou un espace physique et symbolique où les communautés marginales chinoises se retrouvent pour échapper au pouvoir central. Cette affinité entre punks et jianghu se retro…
Navigating and Circumventing (Self)censorship in the Chinese Music Scene
Although the case of “censorship” of Chinese hip-hop in January 2018 has led to extensive news coverage in the international press, it does not account for the multiple forms of musical censorship that exist in contemporary China. This article draws on observations from within the punk rock community to outline how censorship works in practice and which institutions are responsible for overseeing musical productions, from the release of albums to…
The Lives of Dakou in China
1990s : dakou (打 口 ) CDs and tapes. Literally meaning “ cut” or “ gashed,” the term dakou refers to CDs and tapes illegally sold on the Chinese black market in the 1990s, which had been shipped to China from the West in order to recycle unsold CDs and tapes. To prevent them from being sold on the black market, these CDs and tapes were cut (打) on the edges (口) in order to render them useless. This did not take into account, however, that an audio …
We come from the underground
The history of the Chinese punk scene in the scientific literature or in retrospective testimonies is traditionally dominated by a Beijing-centric approach, which stresses the importance of Beijing punk bands in the 1990s for the formation of this youth subculture. However, at the same time another punk scene was emerging in Wuhan, and no convincing argument has been provided to explain how, at the same time, in two Chinese cities, a punk movemen…
Drunk is beautiful
n\nCet article entend montrer en quoi la consommation d’alcool dans la communauté punk chinoise peut être rattachée à tout un répertoire de pratiques propres aux communautés déviantes du jianghu. Le jianghu, littéralement « rivières et lacs », représente depuis la dynastie des Zhou un espace physique et symbolique où les communautés marginales chinoises se retrouvent pour échapper au pouvoir central. Cette affinité entre punks et jianghu se retro…
The Lives of Dakou in China
1990s : dakou (打 口 ) CDs and tapes. Literally meaning “ cut” or “ gashed,” the term dakou refers to CDs and tapes illegally sold on the Chinese black market in the 1990s, which had been shipped to China from the West in order to recycle unsold CDs and tapes. To prevent them from being sold on the black market, these CDs and tapes were cut (打) on the edges (口) in order to render them useless. This did not take into account, however, that an audio …
Navigating and Circumventing (Self)censorship in the Chinese Music Scene
Although the case of “censorship” of Chinese hip-hop in January 2018 has led to extensive news coverage in the international press, it does not account for the multiple forms of musical censorship that exist in contemporary China. This article draws on observations from within the punk rock community to outline how censorship works in practice and which institutions are responsible for overseeing musical productions, from the release of albums to…
Andrew F. Jones. 2020. Circuit Listening
Andrew F. Jones. 2020. Circuit Listening: Chinese Popular Music in the Global 1960s.Minneapolis, MN: University of Minnesota Press. ix + 304pp. ISBN 978-1-5179-0207-0 (pbk)
We come from the underground
The history of the Chinese punk scene in the scientific literature or in retrospective testimonies is traditionally dominated by a Beijing-centric approach, which stresses the importance of Beijing punk bands in the 1990s for the formation of this youth subculture. However, at the same time another punk scene was emerging in Wuhan, and no convincing argument has been provided to explain how, at the same time, in two Chinese cities, a punk movemen…
Art (4 works) · Hong Kong and Taiwan Politics (4 works) · China (3 works) · Music History and Culture (3 works) · Political science (3 works) · Advertising (2 works) · Aesthetics (2 works) · Business (2 works) · Censorship (2 works) · History (2 works)