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Michel Rio

Biographic Data

ID1375114
NAMEMichel Rio
GIVEN NAMESMichel
FAMILY NAMERio
SIGNATURERIO M
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR1978
H-INDEX1
  • Le dit et le vu

    Michel Rio•ARTICLE•Communications•1978

    Rio Michel. Le dit et le vu. In: Communications, 29, 1978. Image(s) et culture(s) sous la direction de Christian Metz et Michel Rio. pp. 57-69

  • Signe et figure

    Michel Rio•ARTICLE•Communications•1978•References: 1

    Rio Michel. Signe et figure. In: Communications, 29, 1978. Image(s) et culture(s) sous la direction de Christian Metz et Michel Rio. pp. 5-13

  • Images and Words

    Michel Rio, Richard M Berrong•ARTICLE•New Literary History•1976

    INTERPRETATIONS OF PAINTINGS are multiple and totally contradictory, just like the phraseologies used to express 1 A. Zemsz is alluding here to contemporary Western painting, which he opposes to the intelligible of certain other peoples; the latter figures differ from the former in that they refer to a system of signification which is unanimously understood in the culture that produced them. We believe that it is this more or less fluctuating, mo…

  • Cadre, plan, lecture

    Michel Rio•ARTICLE•Communications•1976•Cited by: 1

    Rio Michel. Cadre, plan, lecture. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 94-107

  • Cadre, plan, lecture

    Michel Rio•ARTICLE•Communications•1976•Cited by: 1

    Rio Michel. Cadre, plan, lecture. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 94-107

  • Images and Words

    Michel Rio, Richard M Berrong•ARTICLE•New Literary History•1976

    INTERPRETATIONS OF PAINTINGS are multiple and totally contradictory, just like the phraseologies used to express 1 A. Zemsz is alluding here to contemporary Western painting, which he opposes to the intelligible of certain other peoples; the latter figures differ from the former in that they refer to a system of signification which is unanimously understood in the culture that produced them. We believe that it is this more or less fluctuating, mo…

  • Cadre, plan, lecture

    Michel Rio•ARTICLE•Communications•1976•Cited by: 1

    Rio Michel. Cadre, plan, lecture. In: Communications, 24, 1976. La bande dessinée et son discours, sous la direction de Michel Covin, Pierre Fresnault-Deruelle et Bernard Toussaint. pp. 94-107

  • Le dit et le vu

    Michel Rio•ARTICLE•Communications•1978

    Rio Michel. Le dit et le vu. In: Communications, 29, 1978. Image(s) et culture(s) sous la direction de Christian Metz et Michel Rio. pp. 57-69

  • Signe et figure

    Michel Rio•ARTICLE•Communications•1978•References: 1

    Rio Michel. Signe et figure. In: Communications, 29, 1978. Image(s) et culture(s) sous la direction de Christian Metz et Michel Rio. pp. 5-13

Philosophy (3 works) · Art (2 works) · Agriculture and Rural Development Research (1 work) · Cognitive psychology (1 work) · Computer Science (1 work) · Déjà vu (1 work) · Diverse academic and cultural studies (1 work) · French Language Learning Methods (1 work) · French Urban and Social Studies (1 work) · Geography (1 work)

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