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David Greenham

Biographic Data

ID1375467
NAMEDavid Greenham
GIVEN NAMESDavid
FAMILY NAMEGreenham
SIGNATUREGREENHAM D
AFFILIATIONSNottingham Trent University
ORCID0000-0001-9632-0620
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2025
H-INDEX0
  • David Greven, All the Devils Are Here

    Open Access•David Greenham•ARTICLE•Transatlantica•2025

  • Altars to the Beautiful Necessity”

    David Greenham•ARTICLE•Journal of the History of Ideas•2015

    Ralph Waldo Emerson’s 1860 essay “Fate” has long been recognised as one of his most important essays. This paper is the first to examine the significance for Emerson of his reading of F. W. J. Shelling’s “Inquiry into the Nature of Human Freedom” using the unpublished manuscript of James Elliot Cabot’s translation of Schelling from the 1840s (Schlesinger Library, Radcliffe). I locate Emerson’s reading of the MS against the backdrop of his own int…

  • Emerson’s Transatlantic Romanticism

    Open Access•David Greenham•BOOK•Emerson's Transatlantic Romanticism•2012

    This book provides an original account of Emerson's creative debts to the British and European Romantics, including Coleridge and Carlyle, firmly locating them in his New England context. Moreover thi

  • The Divine Mind

    Open Access•David Greenham•CHAPTER•Emerson's Transatlantic Romanticism•2012

    It is in Emerson’s 1836 monograph Nature that he first publishes the progress of his attempt to determine the intimate relationship between nature, man and God which I am condensing into the title of this chapter: ‘the divine mind’. We have already seen that man and nature are mutually defined through Emerson’s homocentrism and that he connects man and God through his interpretation of Coleridge’s reason. This trinity of man, nature and God can b…

  • Afterword

    Open Access•David Greenham•ARTICLE•Literature Compass•2012

    In this afterword I look at the period 1850–1910 from a Transatlantic perspective, focusing on key New England writers whose work spans the disciplines of philosophy and literature: Ralph Waldo Emerson, Henry David Thoreau, Emily Dickinson, Herman Melville and William James. I begin with Stanley Cavell’s claim that America first expressed itself philosophically in the ‘metaphysical riot’ of its literature, which, he argues, pre‐existed the discip…

  • The Poetry of Origins and the Origins of Poetry

    David Greenham•ARTICLE•boundary 2•2005

    Research Article| August 01 2005 The Poetry of Origins and the Origins of Poetry: Norman O. Brown's Giambattista Vico and James Joyce David Greenham David Greenham Search for other works by this author on: This Site Google boundary 2 (2005) 32 (3): 119–137. https://doi.org/10.1215/01903659-32-3-119 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Greenham; The Poetry of Origins and the Origin…

  • Locating an American romanticism

    David Greenham•ARTICLE•Comparative American Studies An…•2003•References: 6

    This article reads Ralph Waldo Emerson's 1844 essay 'Experience' as a work of mourning that gives rise to critical reaction in the romantic tradition to specific philosophical ideas New England had imported from Europe early in the 19th century. The author reads this transatlantic interaction in the wider context of journal entries, arguing that the death of Emerson's son is a test to Emerson's philosophy and his literary form, indeed, the highes…

  • Locating an American romantacism

    David Greenham•ARTICLE•Body & Society•2003

  • Avant‐garde transgression in Absalom, Absalom

    David Greenham•ARTICLE•Renaissance and Modern Studies•1998•References: 2

No prominent works on this page.

  • Avant‐garde transgression in Absalom, Absalom

    David Greenham•ARTICLE•Renaissance and Modern Studies•1998•References: 2

  • Locating an American romanticism

    David Greenham•ARTICLE•Comparative American Studies An…•2003•References: 6

    This article reads Ralph Waldo Emerson's 1844 essay 'Experience' as a work of mourning that gives rise to critical reaction in the romantic tradition to specific philosophical ideas New England had imported from Europe early in the 19th century. The author reads this transatlantic interaction in the wider context of journal entries, arguing that the death of Emerson's son is a test to Emerson's philosophy and his literary form, indeed, the highes…

  • Locating an American romantacism

    David Greenham•ARTICLE•Body & Society•2003

  • The Poetry of Origins and the Origins of Poetry

    David Greenham•ARTICLE•boundary 2•2005

    Research Article| August 01 2005 The Poetry of Origins and the Origins of Poetry: Norman O. Brown's Giambattista Vico and James Joyce David Greenham David Greenham Search for other works by this author on: This Site Google boundary 2 (2005) 32 (3): 119–137. https://doi.org/10.1215/01903659-32-3-119 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation David Greenham; The Poetry of Origins and the Origin…

  • Emerson’s Transatlantic Romanticism

    Open Access•David Greenham•BOOK•Emerson's Transatlantic Romanticism•2012

    This book provides an original account of Emerson's creative debts to the British and European Romantics, including Coleridge and Carlyle, firmly locating them in his New England context. Moreover thi

  • The Divine Mind

    Open Access•David Greenham•CHAPTER•Emerson's Transatlantic Romanticism•2012

    It is in Emerson’s 1836 monograph Nature that he first publishes the progress of his attempt to determine the intimate relationship between nature, man and God which I am condensing into the title of this chapter: ‘the divine mind’. We have already seen that man and nature are mutually defined through Emerson’s homocentrism and that he connects man and God through his interpretation of Coleridge’s reason. This trinity of man, nature and God can b…

  • Afterword

    Open Access•David Greenham•ARTICLE•Literature Compass•2012

    In this afterword I look at the period 1850–1910 from a Transatlantic perspective, focusing on key New England writers whose work spans the disciplines of philosophy and literature: Ralph Waldo Emerson, Henry David Thoreau, Emily Dickinson, Herman Melville and William James. I begin with Stanley Cavell’s claim that America first expressed itself philosophically in the ‘metaphysical riot’ of its literature, which, he argues, pre‐existed the discip…

  • Altars to the Beautiful Necessity”

    David Greenham•ARTICLE•Journal of the History of Ideas•2015

    Ralph Waldo Emerson’s 1860 essay “Fate” has long been recognised as one of his most important essays. This paper is the first to examine the significance for Emerson of his reading of F. W. J. Shelling’s “Inquiry into the Nature of Human Freedom” using the unpublished manuscript of James Elliot Cabot’s translation of Schelling from the 1840s (Schlesinger Library, Radcliffe). I locate Emerson’s reading of the MS against the backdrop of his own int…

  • David Greven, All the Devils Are Here

    Open Access•David Greenham•ARTICLE•Transatlantica•2025

Art (7 works) · History (5 works) · Literature (5 works) · Philosophy (5 works) · Art history (4 works) · American Constitutional Law and Politics (3 works) · Epistemology (3 works) · Historical and Literary Studies (3 works) · Pragmatism in Philosophy and Education (3 works) · Wittgensteinian philosophy and applications (3 works)

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