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Kate Dossett

Biographic Data

ID1375517
NAMEKate Dossett
GIVEN NAMESKate
FAMILY NAMEDossett
SIGNATUREDOSSETT K
AFFILIATIONSDossett: School of History, University of Leeds University of Leeds, Leeds, UK
ORCID0009-0009-1986-6182
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Dark Mirror: African Americans and the Federal Writers’ Project by J. J. Butts (review)

    Kate Dossett•ARTICLE•African American Review•2024

  • Gwendolyn Bennett and Juanita Harrison: Writing the Black Radical Tradition

    Open Access•Owen Walsh, Kate Dossett•ARTICLE•Comparative American Studies An…•2022•References: 20

    Peer reviewed

  • Radical Black Theatre in the New Deal

    Kate Dossett•BOOK•Radical Black Theatre in the New…•2020

    Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated “Negro Units” set up under the FTP, African American artists took on theatre work usually reserved for whites, staged Black versions of “white” classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett ex…

  • Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom

    Open Access•Kate Dossett•ARTICLE•Journal of American History•2019•Cited by: 1

    Keisha N. Blain's fabulous study of black nationalist women will shape the field for some time to come. This eminently readable book builds on the growing scholarship on Marcus Garvey's transnational movement and constructs new parameters for understanding black nationalist and internationalist activism in the middle decades of the twentieth century. Blain's cast of predominantly U.S.-based black nationalist women are both pragmatists and ideolog…

  • Defying Dixie: The Radical Roots of Civil Rights, 1919–1950 – By Glenda Gilmore

    Open Access•Kate Dossett•ARTICLE•History•2010

  • Bridging Race Divides: Black Nationalism, Feminism, and Integration in the United States, 1896-1935

    Rebecca Wanzo, Kate Dossett•ARTICLE•Journal of American History•2009

    While scholars such as Ula Taylor have looked at African American women's participation in black nationalist projects, Kate Dossett's book goes one step further by arguing that African American women were at the forefront of conversations about black nationalism and integration in the early twentieth century. This volume explores how those women “challenged the dichotomy between black nationalism and integrationism,” exploring how some black wome…

  • Staging the Garveyite Home: Black Masculinity, Failure, and Redemption in Theodore Ward's Big White Fog

    Kate Dossett•ARTICLE•African American Review•2009

    Staging the Garveyite Home: Black Masculinity, Failure, and Redemption in Theodore Ward's Big White Fog Kate Dossett (bio) When Theodore Ward's Big White Fog was produced by the Chicago Negro Unit of the Federal Theatre Project in April 1938, it was hailed by fellow artists as an important and original play. Langston Hughes thought it "the greatest encompassing play on Negro life that has ever been written. If it isn't liked by people, it is beca…

  • Bridging Race Divides: Black Nationalism, Feminism, and Integration in the United States, 1896-1935

    Kate Dossett, Kate Dosset•BOOK•Bridging Race Divides•2008

    "Bridging Race Divides" published on by University Press of Florida.

  • Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom

    Open Access•Kate Dossett•ARTICLE•Journal of American History•2019•Cited by: 1

    Keisha N. Blain's fabulous study of black nationalist women will shape the field for some time to come. This eminently readable book builds on the growing scholarship on Marcus Garvey's transnational movement and constructs new parameters for understanding black nationalist and internationalist activism in the middle decades of the twentieth century. Blain's cast of predominantly U.S.-based black nationalist women are both pragmatists and ideolog…

  • Bridging Race Divides: Black Nationalism, Feminism, and Integration in the United States, 1896-1935

    Kate Dossett, Kate Dosset•BOOK•Bridging Race Divides•2008

    "Bridging Race Divides" published on by University Press of Florida.

  • Bridging Race Divides: Black Nationalism, Feminism, and Integration in the United States, 1896-1935

    Rebecca Wanzo, Kate Dossett•ARTICLE•Journal of American History•2009

    While scholars such as Ula Taylor have looked at African American women's participation in black nationalist projects, Kate Dossett's book goes one step further by arguing that African American women were at the forefront of conversations about black nationalism and integration in the early twentieth century. This volume explores how those women “challenged the dichotomy between black nationalism and integrationism,” exploring how some black wome…

  • Staging the Garveyite Home: Black Masculinity, Failure, and Redemption in Theodore Ward's Big White Fog

    Kate Dossett•ARTICLE•African American Review•2009

    Staging the Garveyite Home: Black Masculinity, Failure, and Redemption in Theodore Ward's Big White Fog Kate Dossett (bio) When Theodore Ward's Big White Fog was produced by the Chicago Negro Unit of the Federal Theatre Project in April 1938, it was hailed by fellow artists as an important and original play. Langston Hughes thought it "the greatest encompassing play on Negro life that has ever been written. If it isn't liked by people, it is beca…

  • Defying Dixie: The Radical Roots of Civil Rights, 1919–1950 – By Glenda Gilmore

    Open Access•Kate Dossett•ARTICLE•History•2010

  • Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom

    Open Access•Kate Dossett•ARTICLE•Journal of American History•2019•Cited by: 1

    Keisha N. Blain's fabulous study of black nationalist women will shape the field for some time to come. This eminently readable book builds on the growing scholarship on Marcus Garvey's transnational movement and constructs new parameters for understanding black nationalist and internationalist activism in the middle decades of the twentieth century. Blain's cast of predominantly U.S.-based black nationalist women are both pragmatists and ideolog…

  • Radical Black Theatre in the New Deal

    Kate Dossett•BOOK•Radical Black Theatre in the New…•2020

    Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated “Negro Units” set up under the FTP, African American artists took on theatre work usually reserved for whites, staged Black versions of “white” classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett ex…

  • Gwendolyn Bennett and Juanita Harrison: Writing the Black Radical Tradition

    Open Access•Owen Walsh, Kate Dossett•ARTICLE•Comparative American Studies An…•2022•References: 20

    Peer reviewed

  • Dark Mirror: African Americans and the Federal Writers’ Project by J. J. Butts (review)

    Kate Dossett•ARTICLE•African American Review•2024

Race, History, and American Society (7 works) · History (6 works) · Law (6 works) · Political science (6 works) · Sociology (6 works) · Gender Studies (5 works) · Politics (5 works) · Art (4 works) · Law (4 works) · Gender Studies (3 works)

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