Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Alison Garden

Biographic Data

ID1375559
NAMEAlison Garden
GIVEN NAMESAlison
FAMILY NAMEGarden
SIGNATUREGARDEN A
AFFILIATIONSUniversity College Dublin
ORCID0000-0003-2700-9155
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Like a bee's sting or a bullet: Eroticism, violence and the afterlives of colonial romance in Medbh McGuckian's The Flower Master and Other Poems (1993)

    Open Access•Alison Garden•ARTICLE•Textual Practice•2022

  • The Literary Afterlives of Roger Casement, 1899-2016

    Open Access•Alison Garden•BOOK•Literary Afterlives of Roger…•2020

    This groundbreaking study explores the literary afterlives of Ireland’s most enigmatic, shape-shifting and controversial son: Roger Casement. A seminal human rights activist, a key figure in the struggle for Irish independence, a traitor to British imperialism and an enthusiastic recorder of a sexual life lived in the shadows, Casement has endured as a symbol of ambivalence and multiplicity. Casement can be found in the most curious of places: fr…

  • Girlhood, Desire, Memory, and Northern Ireland in Lucy Caldwell’s Short Fiction

    Open Access•Alison Garden•ARTICLE•Contemporary Women s Writing•2018•References: 8

    This essay discusses two short stories of girlhood written by Lucy Caldwell: “Mayday” (2016) and “Here We Are” (2017). It argues that although Caldwell’s fiction is mobilized by an engagement with the politics of Northern Ireland, it is not the physical violence of “the Troubles” that animates her work. Rather, her stories are concerned with the broader reverberations of the conflict and its aftermath; the conservative political climate that char…

  • We Listen for What the Waves Intone: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes

    Alison Garden•ARTICLE•Comparative American Studies An…•2016•Cited by: 1•References: 15

    This article argues that the poetry of Seamus Heaney, Natasha Trethewey and Kwame Dawes constructs the Atlantic space as an oceanic intertext. Utilising Joseph Roach’s notion of the circum-Atlantic, this article examines how Trethewey’s and Dawes’ intertextual engagement with Heaney highlights how the Atlantic rim retains ‘a memory imperfectly deferred’. Through tracing connections between the work of Heaney, Dawes and Trethewey it becomes appare…

  • We Listen for What the Waves Intone: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes

    Alison Garden•ARTICLE•Comparative American Studies An…•2016•Cited by: 1•References: 15

    This article argues that the poetry of Seamus Heaney, Natasha Trethewey and Kwame Dawes constructs the Atlantic space as an oceanic intertext. Utilising Joseph Roach’s notion of the circum-Atlantic, this article examines how Trethewey’s and Dawes’ intertextual engagement with Heaney highlights how the Atlantic rim retains ‘a memory imperfectly deferred’. Through tracing connections between the work of Heaney, Dawes and Trethewey it becomes appare…

  • We Listen for What the Waves Intone: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes

    Alison Garden•ARTICLE•Comparative American Studies An…•2016•Cited by: 1•References: 15

    This article argues that the poetry of Seamus Heaney, Natasha Trethewey and Kwame Dawes constructs the Atlantic space as an oceanic intertext. Utilising Joseph Roach’s notion of the circum-Atlantic, this article examines how Trethewey’s and Dawes’ intertextual engagement with Heaney highlights how the Atlantic rim retains ‘a memory imperfectly deferred’. Through tracing connections between the work of Heaney, Dawes and Trethewey it becomes appare…

  • Girlhood, Desire, Memory, and Northern Ireland in Lucy Caldwell’s Short Fiction

    Open Access•Alison Garden•ARTICLE•Contemporary Women s Writing•2018•References: 8

    This essay discusses two short stories of girlhood written by Lucy Caldwell: “Mayday” (2016) and “Here We Are” (2017). It argues that although Caldwell’s fiction is mobilized by an engagement with the politics of Northern Ireland, it is not the physical violence of “the Troubles” that animates her work. Rather, her stories are concerned with the broader reverberations of the conflict and its aftermath; the conservative political climate that char…

  • The Literary Afterlives of Roger Casement, 1899-2016

    Open Access•Alison Garden•BOOK•Literary Afterlives of Roger…•2020

    This groundbreaking study explores the literary afterlives of Ireland’s most enigmatic, shape-shifting and controversial son: Roger Casement. A seminal human rights activist, a key figure in the struggle for Irish independence, a traitor to British imperialism and an enthusiastic recorder of a sexual life lived in the shadows, Casement has endured as a symbol of ambivalence and multiplicity. Casement can be found in the most curious of places: fr…

  • Like a bee's sting or a bullet: Eroticism, violence and the afterlives of colonial romance in Medbh McGuckian's The Flower Master and Other Poems (1993)

    Open Access•Alison Garden•ARTICLE•Textual Practice•2022

Art (4 works) · Irish and British Studies (4 works) · Literature (4 works) · History (3 works) · Poetry (3 works) · Archaeology (2 works) · Art history (2 works) · Human sexuality (2 works) · Irish (2 works) · Narrative (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae