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Kevin Mcguirk

Biographic Data

ID1375599
NAMEKevin Mcguirk
GIVEN NAMESKevin
FAMILY NAMEMcguirk
SIGNATUREMCGUIRK K
AFFILIATIONSUniversity of Waterloo
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS2
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Introduction

    Victoria Lamont, Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•2017•References: 2

  • Introduction

    Victoria Lamont, Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•2017•References: 2

  • No arranged terror

    Kevin Mcguirk•ARTICLE•Comparative American Studies An…•2008•References: 9

    Over the last 10 years a number of scholars have addressed the paucity of writing on modern poetry in new historicist and especially New Americanist scholarship. Formal innovation made modern poetry both difficult and seemingly apolitical, diminishing its potential for performing 'cultural work'. But it is modern poetry's innovations in the area of form in connection with its inescapable historical resonance that provides a model for dialectical …

  • A.R. Ammons and "the only terrible health" of Poetics

    Open Access•Kevin Mcguirk•ARTICLE•Postmodern Culture•1998

    Postmodern Culture - Volume 9, Number 1, September 1998

  • Rough Trades’

    Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•1997

    I began this essay with a heuristic suggested to me by the topic of theconference where this article was presented, by the title of a book by theAmerican Language poet and theorist Charles Bernstein—Rough Trades(1991)—and by Bernstein's frequent appearances in literary venues in Can-ada. Bernstein's work might be read, I thought, as a response to the question:Is poetry marked by trade

  • Rough Trades

    Open Access•Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•1997

  • A. R. Ammons and the Whole Earth

    Kevin Mcguirk•ARTICLE•Cultural Critique•1997•Cited by: 2•References: 5

    By time he was writing his book-length Sphere: The Form of Motion in 1972, A. R. Ammons, declared periphery riffler (Selected Poems 71), had created a major canon. He was, Harold Bloom claimed previous year, a descendant of great originals of American Romantic tradition (Ringers 257) and the central poet of my generation (261). His Collected Poems 1951-1971 was to win National Book Award, and Sphere would win Bollingen Prize in Poetry for 1973-74…

  • A. R. Ammons and the Whole Earth

    Kevin Mcguirk•ARTICLE•Cultural Critique•1997•Cited by: 2•References: 5

    By time he was writing his book-length Sphere: The Form of Motion in 1972, A. R. Ammons, declared periphery riffler (Selected Poems 71), had created a major canon. He was, Harold Bloom claimed previous year, a descendant of great originals of American Romantic tradition (Ringers 257) and the central poet of my generation (261). His Collected Poems 1951-1971 was to win National Book Award, and Sphere would win Bollingen Prize in Poetry for 1973-74…

  • Rough Trades’

    Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•1997

    I began this essay with a heuristic suggested to me by the topic of theconference where this article was presented, by the title of a book by theAmerican Language poet and theorist Charles Bernstein—Rough Trades(1991)—and by Bernstein's frequent appearances in literary venues in Can-ada. Bernstein's work might be read, I thought, as a response to the question:Is poetry marked by trade

  • Rough Trades

    Open Access•Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•1997

  • A. R. Ammons and the Whole Earth

    Kevin Mcguirk•ARTICLE•Cultural Critique•1997•Cited by: 2•References: 5

    By time he was writing his book-length Sphere: The Form of Motion in 1972, A. R. Ammons, declared periphery riffler (Selected Poems 71), had created a major canon. He was, Harold Bloom claimed previous year, a descendant of great originals of American Romantic tradition (Ringers 257) and the central poet of my generation (261). His Collected Poems 1951-1971 was to win National Book Award, and Sphere would win Bollingen Prize in Poetry for 1973-74…

  • A.R. Ammons and "the only terrible health" of Poetics

    Open Access•Kevin Mcguirk•ARTICLE•Postmodern Culture•1998

    Postmodern Culture - Volume 9, Number 1, September 1998

  • No arranged terror

    Kevin Mcguirk•ARTICLE•Comparative American Studies An…•2008•References: 9

    Over the last 10 years a number of scholars have addressed the paucity of writing on modern poetry in new historicist and especially New Americanist scholarship. Formal innovation made modern poetry both difficult and seemingly apolitical, diminishing its potential for performing 'cultural work'. But it is modern poetry's innovations in the area of form in connection with its inescapable historical resonance that provides a model for dialectical …

  • Introduction

    Victoria Lamont, Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•2017•References: 2

  • Introduction

    Victoria Lamont, Kevin Mcguirk•ARTICLE•Canadian Review of American Studies•2017•References: 2

Philosophy (5 works) · Art (4 works) · Literature (4 works) · Philosophy (4 works) · Poetry (4 works) · Poetry Analysis and Criticism (3 works) · Aesthetics (2 works) · Currency (2 works) · Epistemology (2 works) · History (2 works)

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