Emily Hong
Biographic Data
| ID | 137560 |
|---|---|
| NAME | Emily Hong |
| GIVEN NAMES | Emily |
| FAMILY NAME | Hong |
| SIGNATURE | HONG E |
| AFFILIATIONS | Cornell University |
| ORCID | 0000-0002-9901-436X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 26 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
Treatment of childhood disruptive behavior disorders and callous‐unemotional traits
Feminist Sensory Ethnography
In this article, we call for a feminist sensory ethnography that centers relations of care, subjectivity, and power between filmmakers, film "subjects," and audiences. Through in‐depth discussion of two films, Smile4Kime (Guzman 2023) and Nobel Nok Dah (Hong, Lai, and Mihai 2015) we explore three techniques of feminist sensory ethnography—a multisensorial theory of the flesh, sensory accompaniment, and narrative intimacy—that draw on feminist and…
The Multiply Produced Film
This article introduces the "multiply produced film" as a methodology and analytic that highlights the asymmetrical dynamics inherent to collaboration. I draw on (auto)ethnographic material from the making of Get By (2014), a film on worker-community solidarity, to explore collaboration across race, class, and gender in subject matter and method. I situate the multiply produced film within a genealogy that grafts ontological insights from the ant…
Scaling struggles over land and law
Digital inequality and racialized place in the 21st century
Despite robust scholarship on the digital divide, little attention has been paid to its spatiality: how does the organization of physical space, especially the status of the built environment, affect digital access? These questions are especially neglected with regard to Asian Americans, who are thought to have consistently high levels of technological attainment. Nonetheless, certain Asian American communities, particularly those that are poor, …
Scaling struggles over land and law
The Multiply Produced Film
This article introduces the "multiply produced film" as a methodology and analytic that highlights the asymmetrical dynamics inherent to collaboration. I draw on (auto)ethnographic material from the making of Get By (2014), a film on worker-community solidarity, to explore collaboration across race, class, and gender in subject matter and method. I situate the multiply produced film within a genealogy that grafts ontological insights from the ant…
Feminist Sensory Ethnography
In this article, we call for a feminist sensory ethnography that centers relations of care, subjectivity, and power between filmmakers, film "subjects," and audiences. Through in‐depth discussion of two films, Smile4Kime (Guzman 2023) and Nobel Nok Dah (Hong, Lai, and Mihai 2015) we explore three techniques of feminist sensory ethnography—a multisensorial theory of the flesh, sensory accompaniment, and narrative intimacy—that draw on feminist and…
Digital inequality and racialized place in the 21st century
Despite robust scholarship on the digital divide, little attention has been paid to its spatiality: how does the organization of physical space, especially the status of the built environment, affect digital access? These questions are especially neglected with regard to Asian Americans, who are thought to have consistently high levels of technological attainment. Nonetheless, certain Asian American communities, particularly those that are poor, …
Scaling struggles over land and law
The Multiply Produced Film
This article introduces the "multiply produced film" as a methodology and analytic that highlights the asymmetrical dynamics inherent to collaboration. I draw on (auto)ethnographic material from the making of Get By (2014), a film on worker-community solidarity, to explore collaboration across race, class, and gender in subject matter and method. I situate the multiply produced film within a genealogy that grafts ontological insights from the ant…
Feminist Sensory Ethnography
In this article, we call for a feminist sensory ethnography that centers relations of care, subjectivity, and power between filmmakers, film "subjects," and audiences. Through in‐depth discussion of two films, Smile4Kime (Guzman 2023) and Nobel Nok Dah (Hong, Lai, and Mihai 2015) we explore three techniques of feminist sensory ethnography—a multisensorial theory of the flesh, sensory accompaniment, and narrative intimacy—that draw on feminist and…
Treatment of childhood disruptive behavior disorders and callous‐unemotional traits
Sociology (4 works) · Anthropology (3 works) · Political science (3 works) · Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Ethnography (2 works) · Filmmaking (2 works) · Gender Studies (2 works) · Law (2 works)