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Rachel Mizsei-Ward

Biographic Data

ID1375612
NAMERachel Mizsei-Ward
GIVEN NAMESRachel
FAMILY NAMEMizsei-Ward
SIGNATUREMIZSEI-WARD R
AFFILIATIONSUniversity of East Anglia
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR2
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Getting in touch with our inner sadistic, bloodthirsty child

    Rachel Mizsei-Ward•ARTICLE•Journal of Adaptation in Film &…•2020

    Adult colouring books have become a permanent fixture in shops across the globe. These books began as a way of marketing illustrators’ work but have expanded to become part of the media franchising industry. This article will explore the two licensed colouring books created for Game of Thrones and the news media response to them. This response is varied, with much criticism of this kind of licensed product which appears to exist as potentially un…

  • Superheroes On World Screens

    Jochen Ecke, Mary J Ainslie et al.•EDITOR•BOOK•Superheroes on World Screens•2015

    There are now superheroes from every corner of the world, and they are becoming increasingly important within local and global cultures alike. This collection brings together a wide range of film, television and media experts from around the world in discussion of the places and positions that superheroes occupy in local, transnational and global culture. Within local media culture, superheroes occupy everything from subaltern to highly commercia…

  • Politics, Race, and Political Fly-Billing

    Rachel Mizsei-Ward•ARTICLE•Comparative American Studies An…•2012•Cited by: 1•References: 1

    In 2009 a fly-bill captioned ‘Socialism’ appeared, depicting Obama as ‘The Joker’ from Nolan’s Batman movie The Dark Knight. The fly-bill was assumed to express a right-wing Republican view, representing an objection to Shepard Fairey’s ‘Hope’ poster. The fly-bill’s appearance coincided with the public debate on healthcare reforms. This article explores the origins of the poster and its range of meanings, both political and racial. Reading the po…

  • Politics, Race, and Political Fly-Billing

    Rachel Mizsei-Ward•ARTICLE•Comparative American Studies An…•2012•Cited by: 1•References: 1

    In 2009 a fly-bill captioned ‘Socialism’ appeared, depicting Obama as ‘The Joker’ from Nolan’s Batman movie The Dark Knight. The fly-bill was assumed to express a right-wing Republican view, representing an objection to Shepard Fairey’s ‘Hope’ poster. The fly-bill’s appearance coincided with the public debate on healthcare reforms. This article explores the origins of the poster and its range of meanings, both political and racial. Reading the po…

  • Politics, Race, and Political Fly-Billing

    Rachel Mizsei-Ward•ARTICLE•Comparative American Studies An…•2012•Cited by: 1•References: 1

    In 2009 a fly-bill captioned ‘Socialism’ appeared, depicting Obama as ‘The Joker’ from Nolan’s Batman movie The Dark Knight. The fly-bill was assumed to express a right-wing Republican view, representing an objection to Shepard Fairey’s ‘Hope’ poster. The fly-bill’s appearance coincided with the public debate on healthcare reforms. This article explores the origins of the poster and its range of meanings, both political and racial. Reading the po…

  • Superheroes On World Screens

    Jochen Ecke, Mary J Ainslie et al.•EDITOR•BOOK•Superheroes on World Screens•2015

    There are now superheroes from every corner of the world, and they are becoming increasingly important within local and global cultures alike. This collection brings together a wide range of film, television and media experts from around the world in discussion of the places and positions that superheroes occupy in local, transnational and global culture. Within local media culture, superheroes occupy everything from subaltern to highly commercia…

  • Getting in touch with our inner sadistic, bloodthirsty child

    Rachel Mizsei-Ward•ARTICLE•Journal of Adaptation in Film &…•2020

    Adult colouring books have become a permanent fixture in shops across the globe. These books began as a way of marketing illustrators’ work but have expanded to become part of the media franchising industry. This article will explore the two licensed colouring books created for Game of Thrones and the news media response to them. This response is varied, with much criticism of this kind of licensed product which appears to exist as potentially un…

Digital Games and Media (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Advertising (1 work) · Business (1 work) · Computer Science (1 work) · Criticism (1 work) · Film in Education and Therapy (1 work)

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