Amelia M Glaser
Biographic Data
| ID | 1375879 |
|---|---|
| NAME | Amelia M Glaser |
| GIVEN NAMES | Amelia M |
| FAMILY NAME | Glaser |
| SIGNATURE | GLASER A M |
| AFFILIATIONS | University of California System |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Silence Dressed in Cyrillic Letters
Poetry as Conversation
Social Media did not invent poetry. But in some ways, it reinvented it. Much like the explosion of small journals in the modernist period, social media platforms have created interconnected networks of writers who share their own and others' work, in real time, sometimes writing poems directly onto their Facebook pages or in the comment thread. This article introduces the Contemporary Ukrainian Poetry Archive, an interactive web platform, which c…
Archive of the Contemporary
Since the 2014 Revolution of Dignity, contemporary Ukrainian poets have increasingly used Facebook as a forum for sharing their work. Unlike poets in the United States, where copyright law discourages writers from self-publishing their work, including on social media, Ukrainian poets use Facebook not only to share work in progress, but also to comment and even translate one another's poems. We argue that by using the "distant reading" method of a…
Crimea in the Jewish Imagination
A Chinese Soldier in Crimea’s Vineyards
This article explores three Yiddish poets who placed Crimea at the center of a Jewish and proletarian world-building project. Khana Levin, Esther Shumiatsher, and Peretz Markish all published their work in the Kharkiv-based Yiddish journal Di royte velt (Red World) in the late 1920s and presented Crimea as a home for outsiders. The article begins with a discussion of Khana Levin’s Crimean Motifs. It next turns to Peretz Markish’s Brothers. The fi…
Songs in Dark Times
Between the world wars, a generation of Jewish leftists reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.
A roundtable on Zina Gimpelevich’s The Portrayal of Jews in Modern Biełarusian Literature
KEYWORDS: Canadian Association of Slavists' Taylor & Francis Book PrizeZina GimpelevichBelarusBelarusian literatureJews
Mixed Into Nothingness
Mixed Into Nothingness:Moishe Nadir and the Poetics of Teshuvah Amelia M. Glaser (bio) Ikh gedenk keyn nemen nit, gornisht-nisht.S'iz alts in mir shoyn oysgemisht.Aleyn mikh misht der shternshtoyb Fun gots fargiltn hengl-troyb I don't remember any names, nothing.Everything is mixed up in me.I'm mixed, myself, by the stardust Of God's gilded grape cluster.1 The American Yiddish writer Moishe Nadir signed and dated his poem, "Neenter" ("Closer") "M…
Jews and Ukrainians in Russia's Literary Borderlands
No prominent works on this page.
Jews and Ukrainians in Russia's Literary Borderlands
Mixed Into Nothingness
Mixed Into Nothingness:Moishe Nadir and the Poetics of Teshuvah Amelia M. Glaser (bio) Ikh gedenk keyn nemen nit, gornisht-nisht.S'iz alts in mir shoyn oysgemisht.Aleyn mikh misht der shternshtoyb Fun gots fargiltn hengl-troyb I don't remember any names, nothing.Everything is mixed up in me.I'm mixed, myself, by the stardust Of God's gilded grape cluster.1 The American Yiddish writer Moishe Nadir signed and dated his poem, "Neenter" ("Closer") "M…
Songs in Dark Times
Between the world wars, a generation of Jewish leftists reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.
A roundtable on Zina Gimpelevich’s The Portrayal of Jews in Modern Biełarusian Literature
KEYWORDS: Canadian Association of Slavists' Taylor & Francis Book PrizeZina GimpelevichBelarusBelarusian literatureJews
Crimea in the Jewish Imagination
A Chinese Soldier in Crimea’s Vineyards
This article explores three Yiddish poets who placed Crimea at the center of a Jewish and proletarian world-building project. Khana Levin, Esther Shumiatsher, and Peretz Markish all published their work in the Kharkiv-based Yiddish journal Di royte velt (Red World) in the late 1920s and presented Crimea as a home for outsiders. The article begins with a discussion of Khana Levin’s Crimean Motifs. It next turns to Peretz Markish’s Brothers. The fi…
Poetry as Conversation
Social Media did not invent poetry. But in some ways, it reinvented it. Much like the explosion of small journals in the modernist period, social media platforms have created interconnected networks of writers who share their own and others' work, in real time, sometimes writing poems directly onto their Facebook pages or in the comment thread. This article introduces the Contemporary Ukrainian Poetry Archive, an interactive web platform, which c…
Archive of the Contemporary
Since the 2014 Revolution of Dignity, contemporary Ukrainian poets have increasingly used Facebook as a forum for sharing their work. Unlike poets in the United States, where copyright law discourages writers from self-publishing their work, including on social media, Ukrainian poets use Facebook not only to share work in progress, but also to comment and even translate one another's poems. We argue that by using the "distant reading" method of a…
Silence Dressed in Cyrillic Letters
Art (7 works) · History (7 works) · Literature (6 works) · Jewish and Middle Eastern Studies (5 works) · Poetry (5 works) · History (4 works) · Philosophy (4 works) · Soviet and Russian History (4 works) · Ancient history (3 works) · Judaism (3 works)