Gerd Gemunden
Biographic Data
| ID | 1376071 |
|---|---|
| NAME | Gerd Gemunden |
| GIVEN NAMES | Gerd |
| FAMILY NAME | Gemunden |
| SIGNATURE | GEMUNDEN G |
| AFFILIATIONS | Dartmouth Hospital |
| VERIFIED | No |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
When the Fantastic Meets Reality
O agente secreto (The Secret Agent, 2025), the latest feature by Brazilian director Kleber Mendonça Filho, has been billed as a political thriller, but is better described as a stylish and frolicsome romp through Brazilian and North American film history that celebrates all that cinema is capable of. While beholden to the narrative of deception that propels many conventional thrillers, the film smoothly navigates an array of genres (the Western, …
Introduction
Space out of Joint
Between Karl May and Karl Marx
Framed Visions. Popular Culture, Americanization, and the Contemporary German and Austrian Imagination
Brecht in Hollywood
Working as a freelancer, Brecht thought he could work Hollywood so that itwould provide him with both a living and a platform for his ideas. But only oneof his more than screenplays made it into production—the ill-fated collaborationwith Fritz Lang, Hangmen Also Die. Die beste Schule für Dialektik ist die Emigration. Die schrfsten Dialektiker sind die Flchtlinge. —Bertolt Brecht, Flüchtlingsgespräche (1967, 14:1462)
The Cinema of Wim Wenders
Cinema of Wim is a unique anthology of source materials and selected essays on the films of Wim a major filmmaker in the so-called New German Cinema movement. Although arguably the leading European filmmaker of the last two decades, Wenders has not received as much attention by scholars in the United States or in Europe as some of his colleagues who also had their beginnings in New German Cinema, like Rainer Werner Fassbinder and Margarethe von T…
Gone Primitive
The Ministry of Illusion
"Introduction to Enzensberger's "A Theory of Tourism
The Depth of the Surface, or, What Rolf Dieter Brinkmann Learned from Andy Warhol
Travelling Subjects, Moving Images
Ich holte mir ein Bier und setzte mich wieder. Durch die schmale Tur, die noch mit einem Vorhang verhangt war, schaute ich auf die Strase. Der sichtbare Ausschnitt war so klein, das die Vorgange in ihm um so deutlicher wurden; die Leute schienen sich in ihm langsamer zu bewegen und dabei sich selber vorzufuhren; es war, als ob sie nicht an der Tur vorbeigingen, sondern davor auf und ab promenierten. Die Bruste der Frauen hatte ich noch nie so sch…
Re-Fusing Brecht
Introduction
Die hermeneutische Wende
Aufzeichnungen zum Neuen deutschen Film
Der Unterschied Liegt in Der Differenz
Der Unterschied Liegt in Der Differenz
Aufzeichnungen zum Neuen deutschen Film
Die hermeneutische Wende
Re-Fusing Brecht
Introduction
The Depth of the Surface, or, What Rolf Dieter Brinkmann Learned from Andy Warhol
Travelling Subjects, Moving Images
Ich holte mir ein Bier und setzte mich wieder. Durch die schmale Tur, die noch mit einem Vorhang verhangt war, schaute ich auf die Strase. Der sichtbare Ausschnitt war so klein, das die Vorgange in ihm um so deutlicher wurden; die Leute schienen sich in ihm langsamer zu bewegen und dabei sich selber vorzufuhren; es war, als ob sie nicht an der Tur vorbeigingen, sondern davor auf und ab promenierten. Die Bruste der Frauen hatte ich noch nie so sch…
"Introduction to Enzensberger's "A Theory of Tourism
The Ministry of Illusion
The Cinema of Wim Wenders
Cinema of Wim is a unique anthology of source materials and selected essays on the films of Wim a major filmmaker in the so-called New German Cinema movement. Although arguably the leading European filmmaker of the last two decades, Wenders has not received as much attention by scholars in the United States or in Europe as some of his colleagues who also had their beginnings in New German Cinema, like Rainer Werner Fassbinder and Margarethe von T…
Gone Primitive
Brecht in Hollywood
Working as a freelancer, Brecht thought he could work Hollywood so that itwould provide him with both a living and a platform for his ideas. But only oneof his more than screenplays made it into production—the ill-fated collaborationwith Fritz Lang, Hangmen Also Die. Die beste Schule für Dialektik ist die Emigration. Die schrfsten Dialektiker sind die Flchtlinge. —Bertolt Brecht, Flüchtlingsgespräche (1967, 14:1462)
Framed Visions. Popular Culture, Americanization, and the Contemporary German and Austrian Imagination
Between Karl May and Karl Marx
Space out of Joint
Introduction
When the Fantastic Meets Reality
O agente secreto (The Secret Agent, 2025), the latest feature by Brazilian director Kleber Mendonça Filho, has been billed as a political thriller, but is better described as a stylish and frolicsome romp through Brazilian and North American film history that celebrates all that cinema is capable of. While beholden to the narrative of deception that propels many conventional thrillers, the film smoothly navigates an array of genres (the Western, …
Art (9 works) · History (7 works) · European history and politics (6 works) · German History and Society (6 works) · Archaeology (5 works) · German (5 works) · German Literature and Culture Studies (5 works) · Philosophy (5 works) · Art history (4 works) · Literature (4 works)