Nicole Rizzuto
Biographic Data
| ID | 1376194 |
|---|---|
| NAME | Nicole Rizzuto |
| GIVEN NAMES | Nicole |
| FAMILY NAME | Rizzuto |
| SIGNATURE | RIZZUTO N |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Maritime Optics in Sea-War Fiction between the Wars
Absent from prodigious critical scholarship about the seas is a discussion of modernism between the wars. Yet this period is rife with writing set on the waters. This essay argues that it is in their orchestrations of the waters as dead zones that such works revitalize seafaring literature and broaden our understandings of modernism generally. By way of illustration the essay examines the British author James Hanley’s 1938 novel Hollow Sea, which…
Friction and Expansion
By generating friction with the concept of expansion, Aarthi Vadde’s Chimeras of Form: Modernist Internationalism Beyond Europe, 1914–2016 intervenes in debates shaping comparative literature studies today. Analyzing the work that friction performs in this book sends us beyond the provocative and nuanced readings contained within its pages and sets it in conversation with critical and literary writings it does not address. Miming the ethos and us…
Maritime Modernism
Despite the rise of eco-critical approaches to Woolf's writing and a thriving debate as to whether her 1931 novel perpetuates or challenges colonialist axiomatics, The Waves has not inspired an extended, focused investigation of its articulation of aqueous nature and the latter's reshaping under imperial maritime power. This essay examines how a critique of maritime modernity emerges from The Waves' modernist orchestration of the seas. I contend …
Reading Sarah Kofman's testimony to les années noires in Rue Ordener , Rue Labat
No prominent works on this page.
Reading Sarah Kofman's testimony to les années noires in Rue Ordener , Rue Labat
Maritime Modernism
Despite the rise of eco-critical approaches to Woolf's writing and a thriving debate as to whether her 1931 novel perpetuates or challenges colonialist axiomatics, The Waves has not inspired an extended, focused investigation of its articulation of aqueous nature and the latter's reshaping under imperial maritime power. This essay examines how a critique of maritime modernity emerges from The Waves' modernist orchestration of the seas. I contend …
Maritime Optics in Sea-War Fiction between the Wars
Absent from prodigious critical scholarship about the seas is a discussion of modernism between the wars. Yet this period is rife with writing set on the waters. This essay argues that it is in their orchestrations of the waters as dead zones that such works revitalize seafaring literature and broaden our understandings of modernism generally. By way of illustration the essay examines the British author James Hanley’s 1938 novel Hollow Sea, which…
Friction and Expansion
By generating friction with the concept of expansion, Aarthi Vadde’s Chimeras of Form: Modernist Internationalism Beyond Europe, 1914–2016 intervenes in debates shaping comparative literature studies today. Analyzing the work that friction performs in this book sends us beyond the provocative and nuanced readings contained within its pages and sets it in conversation with critical and literary writings it does not address. Miming the ethos and us…
Art (4 works) · Literature (4 works) · Aesthetics (3 works) · Epistemology (3 works) · History (3 works) · Law (3 works) · Philosophy (3 works) · Philosophy (3 works) · Political science (3 works) · Art history (2 works)