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Vered Karti Shemtov

Biographic Data

ID1376307
NAMEVered Karti Shemtov
GIVEN NAMESVered Karti
FAMILY NAMEShemtov
SIGNATURESHEMTOV V K
AFFILIATIONSHebrew and Comparative Literature, Stanford University, San Francisco, CA, USA
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS5
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Now we shall reveal a little secret” first person plural and lyrical fluidity in the works of Amos Oz

    Vered Karti Shemtov•ARTICLE•The Journal of Israeli History•2020•References: 1

    Throughout his career, Amos Oz explored different kinds of narrations that would enable him to capture both the story of individuals and the voices of the collective. The stories often presented a tension between the first person singular and the first person plural narration. In A Tale of Love and Darkness, Oz finally found a harmonious and comfortable way to speak and write in what I define as his “fluid I-Us” voice. I argue that a key to under…

  • Between Perspectives of Space

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Jewish Social Studies•2005

    Between Perspectives of Space:A Reading in Yehuda Amichai's "Jewish Travel" and "Israeli Travel" Vered Shemtov (bio) "My body is in the East, my heart in the extreme West" The Land knows where the clouds come from and whence the hot wind Where hatred and whence love. But its inhabitants are confused, their heart is in the East And their body in the far West. Like migratory birds who lost their summer and winter, Lost in the beginning and the end,…

  • Introduction

    Charlotte Elisheva Fonrobert, Vered Shemtov et al.•ARTICLE•Jewish Social Studies•2005•Cited by: 5•References: 4

    Introduction:Jewish Conceptions and Practices of Space Charlotte Elisheva Fonrobert (bio) and Vered Shemtov (bio) This issue of Jewish Social Studies presents a collection of articles centering on the general theme of space in Jewish culture. In recent years, the connection between spatial practices and identity formations has come to play a prominent role in various fields in the humanities, such as in anthropology and its various subfields, whi…

  • Between Perspectives of Space

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Jewish Social Studies•2005•References: 1

    Between Perspectives of Space:A Reading in Yehuda Amichai's "Jewish Travel" and "Israeli Travel" Vered Shemtov (bio) "My body is in the East, my heart in the extreme West" The Land knows where the clouds come from and whence the hot wind Where hatred and whence love. But its inhabitants are confused, their heart is in the East And their body in the far West. Like migratory birds who lost their summer and winter, Lost in the beginning and the end,…

  • Metrical Hybridization

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Poetics Today•2001•References: 4

    At the core of this study is the assumption that the sound of discourse transfers the text from its silent fictional existence to an independent entity that refers, through its linguistic dialect, to a social context outside the text. This assumption makes it possible to move beyond defining prosodic forms merely according to the number of syllables or feet in a line toward an investigation of larger units and meta-constructions of prosodic eleme…

  • Introduction

    Charlotte Elisheva Fonrobert, Vered Shemtov et al.•ARTICLE•Jewish Social Studies•2005•Cited by: 5•References: 4

    Introduction:Jewish Conceptions and Practices of Space Charlotte Elisheva Fonrobert (bio) and Vered Shemtov (bio) This issue of Jewish Social Studies presents a collection of articles centering on the general theme of space in Jewish culture. In recent years, the connection between spatial practices and identity formations has come to play a prominent role in various fields in the humanities, such as in anthropology and its various subfields, whi…

  • Metrical Hybridization

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Poetics Today•2001•References: 4

    At the core of this study is the assumption that the sound of discourse transfers the text from its silent fictional existence to an independent entity that refers, through its linguistic dialect, to a social context outside the text. This assumption makes it possible to move beyond defining prosodic forms merely according to the number of syllables or feet in a line toward an investigation of larger units and meta-constructions of prosodic eleme…

  • Between Perspectives of Space

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Jewish Social Studies•2005

    Between Perspectives of Space:A Reading in Yehuda Amichai's "Jewish Travel" and "Israeli Travel" Vered Shemtov (bio) "My body is in the East, my heart in the extreme West" The Land knows where the clouds come from and whence the hot wind Where hatred and whence love. But its inhabitants are confused, their heart is in the East And their body in the far West. Like migratory birds who lost their summer and winter, Lost in the beginning and the end,…

  • Introduction

    Charlotte Elisheva Fonrobert, Vered Shemtov et al.•ARTICLE•Jewish Social Studies•2005•Cited by: 5•References: 4

    Introduction:Jewish Conceptions and Practices of Space Charlotte Elisheva Fonrobert (bio) and Vered Shemtov (bio) This issue of Jewish Social Studies presents a collection of articles centering on the general theme of space in Jewish culture. In recent years, the connection between spatial practices and identity formations has come to play a prominent role in various fields in the humanities, such as in anthropology and its various subfields, whi…

  • Between Perspectives of Space

    Vered Shemtov, Vered Karti Shemtov•ARTICLE•Jewish Social Studies•2005•References: 1

    Between Perspectives of Space:A Reading in Yehuda Amichai's "Jewish Travel" and "Israeli Travel" Vered Shemtov (bio) "My body is in the East, my heart in the extreme West" The Land knows where the clouds come from and whence the hot wind Where hatred and whence love. But its inhabitants are confused, their heart is in the East And their body in the far West. Like migratory birds who lost their summer and winter, Lost in the beginning and the end,…

  • Now we shall reveal a little secret” first person plural and lyrical fluidity in the works of Amos Oz

    Vered Karti Shemtov•ARTICLE•The Journal of Israeli History•2020•References: 1

    Throughout his career, Amos Oz explored different kinds of narrations that would enable him to capture both the story of individuals and the voices of the collective. The stories often presented a tension between the first person singular and the first person plural narration. In A Tale of Love and Darkness, Oz finally found a harmonious and comfortable way to speak and write in what I define as his “fluid I-Us” voice. I argue that a key to under…

Sociology (4 works) · History (3 works) · History (3 works) · Jewish and Middle Eastern Studies (3 works) · Judaism (3 works) · Philosophy (3 works) · Politics (3 works) · Archaeology (2 works) · Classics (2 works) · Computer Science (2 works)

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