A Sean Pue
Biographic Data
| ID | 1376322 |
|---|---|
| NAME | A Sean Pue |
| GIVEN NAMES | A Sean |
| FAMILY NAME | Pue |
| SIGNATURE | PUE A S |
| AFFILIATIONS | Michigan State University |
| ORCID | 0000-0001-8463-8578 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Resource Scarcity, Script Constraints
While public discussion focuses on large language models (LLMs) designed to handle a multitude of tasks without specialized programming (such as ChatGPT), those tools are of little practical use fo...
Miraji and South Asian aesthetics, poetics, and politics
Muhammad Sana Ullah Dar 'Miraji' (1912–1949) remains one of the most controversial figures in Urdu letters. An extraordinarily prolific poet and critic during his short lifetime, Miraji's work has drawn renewed interest from contemporary critics. This special journal section uses contemporary critical frameworks to re-examine Miraji's writings and legacy and to present them to a broad audience
Minimal Computing for Exploring Indian Poetics
This paper explores multilingual minimal computing and plain text for Indian literatures. It focuses on our workflow designed to produce multilingual, annotated digital critical editions of Indian-language poetry, and to model, explicate, and visualize their poetics. In the absence of digital scholarly corpora, resources developed by citizen scholars working outside of academia are essential; for our team and audience, this includes free and open…
Literary Cultures and Digital Humanities in India
Acoustic Traces of Poetry in South Asia
Taking advantage of the appropriateness of computational analysis for complex patterns, this essay considers how computational humanities methods can move beyond semantic meaning and the written word to address oral forms of performance and aural forms of recognition of South Asian poetry. The essay focuses on two significant figures in the history of modern “Urdu-Hindi” poetry, the contemporary poet Fahmida Riaz and the pre-Partition poet Miraji…
In the mirror of Ghalib
This article focuses on studies of the preeminent Urdu and Persian poet Mirza Asadullah Khan ‘Ghalib’ written for the occasion of his death centennial in 1969 by three Pakistani Urdu writers: Mumtaz Husain, Salim Ahmad and N.M. Rashed. These studies also participate in a debate on Pakistani national culture at a moment when the Urdu literary community was increasingly divided, following the 1965 India–Pakistan war and the emergence of a ‘new gene…
In the mirror of Ghalib
This article focuses on studies of the preeminent Urdu and Persian poet Mirza Asadullah Khan ‘Ghalib’ written for the occasion of his death centennial in 1969 by three Pakistani Urdu writers: Mumtaz Husain, Salim Ahmad and N.M. Rashed. These studies also participate in a debate on Pakistani national culture at a moment when the Urdu literary community was increasingly divided, following the 1965 India–Pakistan war and the emergence of a ‘new gene…
Acoustic Traces of Poetry in South Asia
Taking advantage of the appropriateness of computational analysis for complex patterns, this essay considers how computational humanities methods can move beyond semantic meaning and the written word to address oral forms of performance and aural forms of recognition of South Asian poetry. The essay focuses on two significant figures in the history of modern “Urdu-Hindi” poetry, the contemporary poet Fahmida Riaz and the pre-Partition poet Miraji…
In the mirror of Ghalib
This article focuses on studies of the preeminent Urdu and Persian poet Mirza Asadullah Khan ‘Ghalib’ written for the occasion of his death centennial in 1969 by three Pakistani Urdu writers: Mumtaz Husain, Salim Ahmad and N.M. Rashed. These studies also participate in a debate on Pakistani national culture at a moment when the Urdu literary community was increasingly divided, following the 1965 India–Pakistan war and the emergence of a ‘new gene…
Acoustic Traces of Poetry in South Asia
Taking advantage of the appropriateness of computational analysis for complex patterns, this essay considers how computational humanities methods can move beyond semantic meaning and the written word to address oral forms of performance and aural forms of recognition of South Asian poetry. The essay focuses on two significant figures in the history of modern “Urdu-Hindi” poetry, the contemporary poet Fahmida Riaz and the pre-Partition poet Miraji…
Minimal Computing for Exploring Indian Poetics
This paper explores multilingual minimal computing and plain text for Indian literatures. It focuses on our workflow designed to produce multilingual, annotated digital critical editions of Indian-language poetry, and to model, explicate, and visualize their poetics. In the absence of digital scholarly corpora, resources developed by citizen scholars working outside of academia are essential; for our team and audience, this includes free and open…
Literary Cultures and Digital Humanities in India
Miraji and South Asian aesthetics, poetics, and politics
Muhammad Sana Ullah Dar 'Miraji' (1912–1949) remains one of the most controversial figures in Urdu letters. An extraordinarily prolific poet and critic during his short lifetime, Miraji's work has drawn renewed interest from contemporary critics. This special journal section uses contemporary critical frameworks to re-examine Miraji's writings and legacy and to present them to a broad audience
Resource Scarcity, Script Constraints
While public discussion focuses on large language models (LLMs) designed to handle a multitude of tasks without specialized programming (such as ChatGPT), those tools are of little practical use fo...
Art (3 works) · History (3 works) · History (3 works) · Literature (3 works) · Poetry (3 works) · Digital Humanities and Scholarship (2 works) · Law (2 works) · Law (2 works) · Philosophy (2 works) · Philosophy (2 works)