Susanne Strätling
Biographic Data
| ID | 1377344 |
|---|---|
| NAME | Susanne Strätling |
| GIVEN NAMES | Susanne |
| FAMILY NAME | Strätling |
| SIGNATURE | STRÄTLING S |
| AFFILIATIONS | Freie Universität Berlin |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Literary theory between contingency and contiguity
The notion of chance epitomizes the limits and challenges of any theory’s struggle for control over itself as well as over its objects. Although contemporary literary theory has adapted its terminology and conceptual framework in line with the emergence of dynamic, “open forms” (Wölfflin in Principles of art history: The problem of the development of style in later art, Dover Publications Inc, New York, 1986), chance has nevertheless remained a h…
Poetics of the Tool
The past decades have led to a growing interest in the impact of writing implements on creative processes. However, due to an overwhelming influence of media theoretical approaches, the notion of the tool has been mostly limited to various kinds of apparatuses and machines, thus reducing the history of the tool to its technical aspects and excluding the crucial role of the word as tool itself. The essay retraces the story of the word as organon f…
Introduction
Introduction:Aesthetics of the Tool—Technologies, Figures, and Instruments of Literature and Art Jocelyn Holland (bio) and Susanne Strätling (bio) At first glance, the tool belongs to the sphere of that which Martin Heidegger has characterized as the "subservience" (Dienlichkeit) of the thing. 1 An object with decidedly utilitarian functions, it does not achieve the status of a work of art, yet at the same time, through its instrumental pragmatis…
No prominent works on this page.
Poetics of the Tool
The past decades have led to a growing interest in the impact of writing implements on creative processes. However, due to an overwhelming influence of media theoretical approaches, the notion of the tool has been mostly limited to various kinds of apparatuses and machines, thus reducing the history of the tool to its technical aspects and excluding the crucial role of the word as tool itself. The essay retraces the story of the word as organon f…
Introduction
Introduction:Aesthetics of the Tool—Technologies, Figures, and Instruments of Literature and Art Jocelyn Holland (bio) and Susanne Strätling (bio) At first glance, the tool belongs to the sphere of that which Martin Heidegger has characterized as the "subservience" (Dienlichkeit) of the thing. 1 An object with decidedly utilitarian functions, it does not achieve the status of a work of art, yet at the same time, through its instrumental pragmatis…
Literary theory between contingency and contiguity
The notion of chance epitomizes the limits and challenges of any theory’s struggle for control over itself as well as over its objects. Although contemporary literary theory has adapted its terminology and conceptual framework in line with the emergence of dynamic, “open forms” (Wölfflin in Principles of art history: The problem of the development of style in later art, Dover Publications Inc, New York, 1986), chance has nevertheless remained a h…
Epistemology (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Art (2 works) · Computer Science (2 works) · Cybernetics and Technology in Society (2 works) · Law (2 works) · Linguistics (2 works) · Political science (2 works) · Sociology (2 works)